Jann Wenner (Founder & Editor, Rolling Stone, more)

Print Is Dead (Long Live Print!)

All the News that Fit

Imagine there’s no sixties.

In 1967, today’s guest was a college dropout whose Plan B was to start a rock ’n’ roll magazine. Plan A? “Kicking back, having a good time, delivering letters, and smoking dope all day” as a San Francisco postal worker. But thanks to a nudge from his mentor, Ralph Gleason, and a cash infusion from his soon-to-be-wife, Jane Schindelheim, Rolling Stone founder Jann Wenner dove head first into Plan B. And the rest is magazine history.

Imagine there’s no Gonzo.

Rolling Stone was an instant hit. But it wasn’t until Wenner met the now legendary journalist, Hunter S. Thompson, and later published his “Fear and Loathing in Las Vegas,” that Wenner found the editorial promised land. Thompson’s explosive, unhinged prose created space at Rolling Stone for a legion of iconic writers—Tom Wolfe, Lester Bangs, Joe Eszterhas, PJ O’Rourke, Matt Taibbi, and others—and allowed the magazine to expand its reach from music to something much bigger. “If it feels good, man, just do it.”

Imagine there’s no Annie.

In 1970, a 21-year-old newcomer was given her first paid assignment for Rolling Stone: a cover shoot with recent ex-Beatle John Lennon. In short time, Annie Leibovitz was named the magazine’s chief photographer. But it was a nude portrait of teen idol David Cassidy for a 1972 cover that signaled another watershed moment for Wenner. The allure of celebrity fueled the young editor’s personal obsession to join the cultural elite, and the cover of Rolling Stone became his ticket in. The combination of Thompson’s wild-eyed, uninhibited ramblings and Leibovitz’s intimate, provocative imagery was the magic that set Wenner free.

Imagine all the memories. It’s easy if you try.

Five decades on, Rolling Stone is a boomer autobiography—its pages filled with Random Notes and “All the News that Fits,” epic stories documenting massive successes, abject failures, and the lives and deaths of the culturally relevant, all accompanied by unforgettable photographs and game-changing design. The magazine has survived near-bankruptcies, editorial scandals, cross-country moves, and yes, even that Reagan-era “Perception vs Reality” ad campaign.

In the end, though, Wenner’s story is a somber one. Any time a parent outlives a child, there’s immeasurable sadness. Of course Rolling Stone lives on—“digital-first” as they say—with new owners. And with Wenner’s son Gus taking the reins in 2017. But it’s not the same Rolling Stone. How could it be?

As for the man himself, that legacy is “complicated.” But in this episode, you’ll get glimpses, as Rich Cohen describes in The Atlantic, of Wenner’s “infectious charm, his gleeful, let’s-hope-we-don’t-get-shot zeal for adventure, how contagious his enthusiasm was, and how important his loyalty could be.

“Wenner’s pen and language weren’t what defined him as an editor. It was his vision and energy that attracted the best talent and inspired such memorable work.”

Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2024