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Iain Mckell - Photographer
Manage episode 499120865 series 2943922
Steve Blame에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Steve Blame 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Iain McKell is a distinguished British photographer and filmmaker celebrated for his powerful portraits and social-documentary work, particularly his chronicling of British youth subcultures since the late 1970s.
His prints will be exhibited in the upcoming show Blitz – The Club That Shaped the 80s, which opens on September 20th and runs until March 29th, 2026 at the Design Museum in Kensington, London.
Alongside the exhibition, he's published a monograph titled New Romantics under the imprint Little Acorn Press, featuring portraits I made in 1980 at the age of 22.
Every Tuesday, the Blitz Club played out its weekly scene, and he would attend with invitation cards in hand. He handed them to people who caught my eye, inviting them to a Thursday afternoon pop-up studio he set up at the Orangery in Holland Park. To his delight, many came, including Vivienne Westwood, Billy Idol, and George O’Dowd, to name just a few.
The result is a rare and intimate documentation of a dynamic cultural movement as it was just beginning to emerge.
Born in Weymouth, Dorset, in 1957, Iain began his photographic journey at 19 as a seaside portraitist while studying graphic design at Exeter, before moving to London in 1979 to devote himself fully to photography
His early self‑published book, SUB CULTURE (1979), spotlighted the Mod and Skinhead revivals and led to opportunities photographing Blitz Kids in 1980s London, Madonna’s first magazine cover, and other influential editorial work in i‑D, The Face, and L'Uomo Vogue.
McKell is perhaps best known for his decade‑long immersion in the world of New Age Travellers—documenting a modern nomadic subculture through his book The New Gypsies (2011) and exhibitions across London, Paris, Milan, and New York.
His other notable books include Fashion Forever: 30 Years of Subculture (2004) and Beautiful Britain: Photographs from the 1970s to the Present (2012) McKell’s approach is both empathetic and unromanticized: he immerses himself in the lives of diverse communities to produce honest, poetic visual narratives that explore themes of rebellion, identity, and belonging
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