Artwork

Plutopia News Network에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Plutopia News Network 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Alan Watts on Meow Wolf

1:01:31
 
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Manage episode 517601042 series 2292604
Plutopia News Network에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Plutopia News Network 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Arts and Entertainment Company Meow Wolf creates large-scale interactive and immersive art installations. They recently opened their fifth installation in Houston. Austin based hardware and software developer, Alan Watts, created many of their custom interactive devices, database driven platforms, and animation software. Alan joins us this time on the Plutopia podcast to discuss his work.

Photo of installation at Meow Wolf Santa Fe

Alan details the extensive technical infrastructure behind Meow Wolf’s installations, emphasizing the complexity and cost of maintaining them. Watts shares insights into his creative process, including how he integrates hardware and software to develop engaging, often retro-inspired experiences. He also highlights the importance of accessibility and sustainability in Meow Wolf’s evolving approach. The conversation touches on the broader themes of creativity, digital art, and the evolving role of technology in immersive storytelling.

Alan Watts:

You see maybe 10% of the work on the outside at Meow Wolf. And you go behind the scenes and look at the server rooms and the documents and the schematics and the one line diagrams. It’s like, oh my God, there is this like – before anything even begins production, we’ve done interactivity matrices. We’ve built out diagrams and it’s kind of amazing to see how much work goes into these and then just sustaining them too is incredibly expensive because this is stuff that’s gonna break and it’s tech and it’s very expensive to maintain. And to have the staff to do that requires that we hand things off when we’re done. So we have to hire people, and train them, that have a certain technical knowledge to be able to fix things on their own. And we’re a company of a thousand people now, across all of our locations. So it’s a beast now, it’s truly a beast.

Image of DJ Megahertz at Meow Wolf Houston

DJ Megahertz at Meow Wolf Houston

The post Alan Watts on Meow Wolf first appeared on Plutopia News Network.

  continue reading

274 에피소드

Artwork
icon공유
 
Manage episode 517601042 series 2292604
Plutopia News Network에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Plutopia News Network 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Arts and Entertainment Company Meow Wolf creates large-scale interactive and immersive art installations. They recently opened their fifth installation in Houston. Austin based hardware and software developer, Alan Watts, created many of their custom interactive devices, database driven platforms, and animation software. Alan joins us this time on the Plutopia podcast to discuss his work.

Photo of installation at Meow Wolf Santa Fe

Alan details the extensive technical infrastructure behind Meow Wolf’s installations, emphasizing the complexity and cost of maintaining them. Watts shares insights into his creative process, including how he integrates hardware and software to develop engaging, often retro-inspired experiences. He also highlights the importance of accessibility and sustainability in Meow Wolf’s evolving approach. The conversation touches on the broader themes of creativity, digital art, and the evolving role of technology in immersive storytelling.

Alan Watts:

You see maybe 10% of the work on the outside at Meow Wolf. And you go behind the scenes and look at the server rooms and the documents and the schematics and the one line diagrams. It’s like, oh my God, there is this like – before anything even begins production, we’ve done interactivity matrices. We’ve built out diagrams and it’s kind of amazing to see how much work goes into these and then just sustaining them too is incredibly expensive because this is stuff that’s gonna break and it’s tech and it’s very expensive to maintain. And to have the staff to do that requires that we hand things off when we’re done. So we have to hire people, and train them, that have a certain technical knowledge to be able to fix things on their own. And we’re a company of a thousand people now, across all of our locations. So it’s a beast now, it’s truly a beast.

Image of DJ Megahertz at Meow Wolf Houston

DJ Megahertz at Meow Wolf Houston

The post Alan Watts on Meow Wolf first appeared on Plutopia News Network.

  continue reading

274 에피소드

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