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Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024)

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Manage episode 441549689 series 2421448
New Books Network and Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New Books Network and Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.

A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.

The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.

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1291 에피소드

Artwork
icon공유
 
Manage episode 441549689 series 2421448
New Books Network and Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New Books Network and Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Growing up in West Texas, Jane Little Botkin didn’t have designs on becoming a beauty queen. But not long after joining a pageant on a whim in college, she became the first protégé of El Paso’s Richard Guy and Rex Holt, known as the “Kings of Beauty”—just as the 1970’s counterculture movement began to take off.

A pink, rose-covered gown—a Guyrex creation—symbolizes the fairy tale life that young women in Jane’s time imagined beauty queens had. Its near destruction exposes reality: the author’s failed relationship with her mother, and her parents’ failed relationship with one another. Weaving these narrative threads together is the Wild West notion that anything is possible, especially do-overs.

The Pink Dress: A Memoir of a Reluctant Beauty Queen (She Writes Press, 2024) awakens nostalgia for the 1960s and 1970s, the era’s conflicts and growth pains. A common expectation that women went to college to get “MRS” degrees—to find a husband and become a stay-at-home wife and mother—often prevailed. How does one swim upstream against this notion among feminist voices that protest “If You Want Meat, Go to a Butcher!” at beauty pageants, two flamboyant showmen, and a developing awareness of self? Torn between women’s traditional roles and what women could be, Guyrex Girls evolved, as did the author.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

  continue reading

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