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National Gallery of Art에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 National Gallery of Art 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Rajiv Vaidya Memorial Lecture 2021: Josephine Baker as a “Rememory” of Global Black Cinema?

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National Gallery of Art에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 National Gallery of Art 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In her 2021 Rajiv Vaidya Memorial Lecture, Terri Simone Francis reflects on Josephine Baker’s influence within the visual arts and theorizes Baker as both an international cultural figure and an African American film pioneer. Recent restorations of her films of the 1920s and 1930s have allowed her work to be seen in the context of recent cinema and media, indeed almost as recent cinema and media. In Francis’s view Baker exemplifies what author Toni Morrison called a “rememory”—a remembered memory. Francis’s study of Baker addresses absences and silences in film history, and she draws upon Morrison’s concept of rememory and Baker’s career to reconstruct the global beginnings of Black cinema. Ultimately, Francis is concerned with the film histories of the future, in which Black cinema history will be full of new unknowns, and believes that Baker’s authorship can inform new vocabularies of film thinking, film writing, and film feeling.
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Manage episode 310808586 series 1450497
National Gallery of Art에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 National Gallery of Art 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In her 2021 Rajiv Vaidya Memorial Lecture, Terri Simone Francis reflects on Josephine Baker’s influence within the visual arts and theorizes Baker as both an international cultural figure and an African American film pioneer. Recent restorations of her films of the 1920s and 1930s have allowed her work to be seen in the context of recent cinema and media, indeed almost as recent cinema and media. In Francis’s view Baker exemplifies what author Toni Morrison called a “rememory”—a remembered memory. Francis’s study of Baker addresses absences and silences in film history, and she draws upon Morrison’s concept of rememory and Baker’s career to reconstruct the global beginnings of Black cinema. Ultimately, Francis is concerned with the film histories of the future, in which Black cinema history will be full of new unknowns, and believes that Baker’s authorship can inform new vocabularies of film thinking, film writing, and film feeling.
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1002 에피소드

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