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How has jazz been interpreted around the world? - Highlights - BERNARDO MOREIRA

10:16
 
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Manage episode 390612001 series 3334570
Mia Funk and Choreographers...in Conversation: Creative Process Original Series에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Mia Funk and Choreographers...in Conversation: Creative Process Original Series 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

“It took me some time to understand where I was going to see myself. It’s true that, at home, me and my brothers had a beautiful cultural environment because my father was, not a professional musician, but a jazz lover. He was really into jazz music and really passionate about it. But he was never a professional musician. He was an amateur. My mother, also, was a teacher and a writer, so I think we had this environment at home that got us into music. We were always listening either to opera or to jazz. Of course, we had our preferences when we were kids– we loved The Beatles and The Rolling Stones. But we always had this different approach because of our mother and father. Everything that influenced us came through them, even if we didn’t know it. When I was fourteen or fifteen I started to feel a need to play an instrument. And one thing that helped a lot was the fact that we were four brothers and we started to play music together. We had this small combo happening at home almost every day, every hour. And it was a quick sensation– immediately I understood that this was what I was going to do for the rest of my life.”

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina’s de Main and SUL.

www.clavenamao.org
https://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Music on this episode:

António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes

PROMESSAS MIX V3 ULT from SUL
Courtesy of Bernardo Moreira

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157 에피소드

Artwork
icon공유
 
Manage episode 390612001 series 3334570
Mia Funk and Choreographers...in Conversation: Creative Process Original Series에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Mia Funk and Choreographers...in Conversation: Creative Process Original Series 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

“It took me some time to understand where I was going to see myself. It’s true that, at home, me and my brothers had a beautiful cultural environment because my father was, not a professional musician, but a jazz lover. He was really into jazz music and really passionate about it. But he was never a professional musician. He was an amateur. My mother, also, was a teacher and a writer, so I think we had this environment at home that got us into music. We were always listening either to opera or to jazz. Of course, we had our preferences when we were kids– we loved The Beatles and The Rolling Stones. But we always had this different approach because of our mother and father. Everything that influenced us came through them, even if we didn’t know it. When I was fourteen or fifteen I started to feel a need to play an instrument. And one thing that helped a lot was the fact that we were four brothers and we started to play music together. We had this small combo happening at home almost every day, every hour. And it was a quick sensation– immediately I understood that this was what I was going to do for the rest of my life.”

Bernardo Moreira is one of the most active Portuguese double bassists. He has performed as a guest soloist with Gulbenkian, Metropolitan de Lisboa, and Nacional do Porto orchestras, and gained prominence for his collaborations with international artists, including the legendary Benny Colson, Freddie Hubbard, Wayne Shorter, Art Farmer, and Kenny Wheeler. He is a regular collaborator with many jazz musicians in Portugal, participating in formations such as the Maria João/Mário Laginha quartet, the Mário Laginha trio, and singer Cristina Branco. In 2021, he released Enter Paredes, and in 2022, he led Cantina’s de Main and SUL.

www.clavenamao.org
https://open.spotify.com/artist/0Yse2njeXg2XDiQmmxhAc5

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Music on this episode:

António Marinheiro, Bernardo Moreira Sextet, from the album Entre Paredes

PROMESSAS MIX V3 ULT from SUL
Courtesy of Bernardo Moreira

  continue reading

157 에피소드

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