Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Melbourne Deepcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Melbourne Deepcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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MDC.298 Kamome
Manage episode 432760404 series 2889903
Melbourne Deepcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Melbourne Deepcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Raised in Shibuya, Tokyo and now calling Naarm/Melbourne home for the past year, Kamome cut his teeth playing adventurous extended sets as part of the Tokyo based Vinyl Youth DJ collective, with close mentorship from local legends KEITA SANO and Yamarchy from the notorious Shibuya small club, Mitsuki. Kamome brings his unique and playful musical stylings to the table for the latest episode with a mix as deep and immersive as it is quirky and acid-groovy, primed for late night smoky dancefloor indulgence! @kamome-8787 Q. What inspiration did you draw upon when putting this mix together? Is there a sound, feeling, time or place that connects all the different elements in one way or another? A. The inspiration for this mix comes from my upcoming one year of being in Australia, and I created it with the hope that the local people will get to know me. As a Japanese person, this mix is largely composed with sounds from the Japanese community and those of my seniors and friends. Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much? A. All the tracks in this mix by Chida, Keigo Okazaki, Daichi, Yamarchy, ifax!, Dj Himitsu, and KEITA SANO are important to me, but the one that stands out the most is the debut track "Got to be real" by DAICHI & Yamarchy, which will be released at the end of August. This edit seems to be a re-edit of a past track from the label Clue-L, run by Kenji Takimi. Q. I know you’ve featured some incredible unreleased Japanese records in this mix! What Japanese artists/labels are responsible for some of your favourite sounds of late, and who should we be watching out for? A. An artist I'm keeping an eye on is DAICHI, a member of my collective "Vinyl Youth." His recent release from MM Disco, based in Berlin and Barcelona, is still fresh in my memory, and I can't wait for what's next ! An artist to watch is KEITA SANO, and although not Japanese, Lunatic Music, based here in Melbourne, is also noteworthy. Keita is like an older brother to me :) and he releases works in a unique style at an incredible pace. (He has released five works this year alone.) Bart and Jack, who run Lunatic Music, have been invaluable friends since I came to Melbourne. Their label features Japanese artists, and all their releases are excellent. Be sure to check them out!
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281 에피소드
Manage episode 432760404 series 2889903
Melbourne Deepcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Melbourne Deepcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Raised in Shibuya, Tokyo and now calling Naarm/Melbourne home for the past year, Kamome cut his teeth playing adventurous extended sets as part of the Tokyo based Vinyl Youth DJ collective, with close mentorship from local legends KEITA SANO and Yamarchy from the notorious Shibuya small club, Mitsuki. Kamome brings his unique and playful musical stylings to the table for the latest episode with a mix as deep and immersive as it is quirky and acid-groovy, primed for late night smoky dancefloor indulgence! @kamome-8787 Q. What inspiration did you draw upon when putting this mix together? Is there a sound, feeling, time or place that connects all the different elements in one way or another? A. The inspiration for this mix comes from my upcoming one year of being in Australia, and I created it with the hope that the local people will get to know me. As a Japanese person, this mix is largely composed with sounds from the Japanese community and those of my seniors and friends. Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much? A. All the tracks in this mix by Chida, Keigo Okazaki, Daichi, Yamarchy, ifax!, Dj Himitsu, and KEITA SANO are important to me, but the one that stands out the most is the debut track "Got to be real" by DAICHI & Yamarchy, which will be released at the end of August. This edit seems to be a re-edit of a past track from the label Clue-L, run by Kenji Takimi. Q. I know you’ve featured some incredible unreleased Japanese records in this mix! What Japanese artists/labels are responsible for some of your favourite sounds of late, and who should we be watching out for? A. An artist I'm keeping an eye on is DAICHI, a member of my collective "Vinyl Youth." His recent release from MM Disco, based in Berlin and Barcelona, is still fresh in my memory, and I can't wait for what's next ! An artist to watch is KEITA SANO, and although not Japanese, Lunatic Music, based here in Melbourne, is also noteworthy. Keita is like an older brother to me :) and he releases works in a unique style at an incredible pace. (He has released five works this year alone.) Bart and Jack, who run Lunatic Music, have been invaluable friends since I came to Melbourne. Their label features Japanese artists, and all their releases are excellent. Be sure to check them out!
…
continue reading
281 에피소드
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