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Life of the Record / Talkhouse에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Life of the Record / Talkhouse 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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The Making of FOOLISH by Superchunk - featuring Mac McCaughan, Laura Ballance and Jim Wilbur

1:40:03
 
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Manage episode 440659517 series 2602016
Life of the Record / Talkhouse에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Life of the Record / Talkhouse 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

For the 30th anniversary of Superchunk’s fourth album, FOOLISH, we take a detailed look at how it was made. After Superchunk got their start in Chapel Hill, North Carolina in 1989, they were becoming known for their catchy punk anthems and busy touring schedule. Mac McCaughan and Laura Ballance had been a couple and formed Merge Records initially as a way to release their early singles, while releasing their full-length albums on Matador Records. Around the time of their third album, ON THE MOUTH, McCaughan and Ballance ended their romantic relationship, causing tension and uncertainty about the future of the band, as well as Merge. The inner-band turmoil impacted the songs they were writing, as McCaughan wrote lyrics from a vulnerable place while they also worked to expand their sound, incorporating more dynamics, new guitar textures and slower tempos. They booked studio time at Pachyderm Studios in Cannon Falls, Minnesota with Brian Paulson, who they had wanted to work with after hearing records he made with Slint and Unrest. Their breakneck three-day session resulted in FOOLISH, eventually released in 1994.

In this episode, Mac McCaughan describes his intention to do something different musically with this record and how he was incorporating more clean guitar tones and space than ever before. Laura Ballance talks about hearing McCaughan’s lyrics for the first time in the studio and how she felt attacked as she interpreted them as being about her or about their relationship. Jim Wilbur gives his perspective on this tumultuous time in the band’s history, but how they were able to remain collaborative as a unit and write many songs quickly. From treating the band like a job to losing a day in the studio to writing on acoustic guitars to an ambitious and tense video shoot to the story behind the album cover to a breakup record with some of Superchunk’s most enduring songs, we’ll hear the stories of how the album came together.

  continue reading

43 에피소드

Artwork
icon공유
 
Manage episode 440659517 series 2602016
Life of the Record / Talkhouse에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Life of the Record / Talkhouse 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

For the 30th anniversary of Superchunk’s fourth album, FOOLISH, we take a detailed look at how it was made. After Superchunk got their start in Chapel Hill, North Carolina in 1989, they were becoming known for their catchy punk anthems and busy touring schedule. Mac McCaughan and Laura Ballance had been a couple and formed Merge Records initially as a way to release their early singles, while releasing their full-length albums on Matador Records. Around the time of their third album, ON THE MOUTH, McCaughan and Ballance ended their romantic relationship, causing tension and uncertainty about the future of the band, as well as Merge. The inner-band turmoil impacted the songs they were writing, as McCaughan wrote lyrics from a vulnerable place while they also worked to expand their sound, incorporating more dynamics, new guitar textures and slower tempos. They booked studio time at Pachyderm Studios in Cannon Falls, Minnesota with Brian Paulson, who they had wanted to work with after hearing records he made with Slint and Unrest. Their breakneck three-day session resulted in FOOLISH, eventually released in 1994.

In this episode, Mac McCaughan describes his intention to do something different musically with this record and how he was incorporating more clean guitar tones and space than ever before. Laura Ballance talks about hearing McCaughan’s lyrics for the first time in the studio and how she felt attacked as she interpreted them as being about her or about their relationship. Jim Wilbur gives his perspective on this tumultuous time in the band’s history, but how they were able to remain collaborative as a unit and write many songs quickly. From treating the band like a job to losing a day in the studio to writing on acoustic guitars to an ambitious and tense video shoot to the story behind the album cover to a breakup record with some of Superchunk’s most enduring songs, we’ll hear the stories of how the album came together.

  continue reading

43 에피소드

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