Artwork

Hyperallergic에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Hyperallergic 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Silver Skeleton Deities and Political Mind Games: What’s Happening at the Venice Biennale?

42:55
 
공유
 

Manage episode 430772352 series 1509260
Hyperallergic에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Hyperallergic 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The sports world may be on the edge of their seats as we draw close to the 2024 Olympics in Paris. But the “Olympics of the art world” is already well underway in Italy: Hundreds of thousands of art lovers are flocking to the Venice Biennale, which runs through November 24. This massive exhibition has been held every two years with very few exceptions since 1895, when it was inaugurated as the world’s first art biennial. Visitors who devote a whole week of their time will still only be able to take in a sliver of the art on display, whether it’s at the central exhibition, the collateral events, or the dozens of storied national pavilions in the Giardini and around the city.

But that’s not all the exhibition has in store. The politics of the art world are also on full display, whether in the form of protests or the curators’ decisions about how their countries — with all their past and present controversies — will be represented. This year's included Russia offering its pavilion up to Indigenous artists from Bolivia, Brazil renaming its pavilion “Hãhãwpuá” after the Indigenous Patxohã term for the land, Poland welcoming an art collective from Ukraine, the United States featuring Jeffrey Gibson as the first Native American artist to have a solo exhibition at the pavilion, and Israel canceling its exhibition … which perhaps wasn't really canceled after all.

Hyperallergic Editor-in-Chief Hrag Vartanian and longtime contributor AX Mina sat down to reflect on the aesthetic successes, political failures, and long-awaited representation they saw displayed at the world’s biggest contemporary art show.

Subscribe to Hyperallergic on Apple Podcasts, and anywhere else you listen to podcasts.

  • (00:00) - Intro
  • (04:24) - First Impressions of the Biennale and the Main Exhibition
  • (06:33) - India: Aravani Art Project
  • (07:48) - Singapore: Charmaine Poh
  • (08:58) - Lebanon: Omar Mismar
  • (09:42) - “Italians Everywhere”
  • (11:06) - Morocco: Bouchra Khalili
  • (13:16) - The National Pavilions
  • (14:21) - Benin Pavilion
  • (16:12) - Lebanon Pavilion
  • (18:19) - Italy Pavilion
  • (20:14) - UK Pavilion
  • (22:44) - US Pavilion
  • (25:29) - Israel Pavilion
  • (28:51) - Saudi Arabia Pavilion
  • (30:07) - Nigeria Pavilion
  • (32:11) - Egypt Pavilion
  • (34:07) - Taiwan Pavilion
  • (35:57) - Australia Pavilion
  • (38:16) - Mongolia Pavilion
  • (40:06) - “South West Bank,” collateral event
  • (42:23) - Outro

Subscribe to Hyperallergic Newsletters

Become a member

  continue reading

109 에피소드

Artwork
icon공유
 
Manage episode 430772352 series 1509260
Hyperallergic에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Hyperallergic 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The sports world may be on the edge of their seats as we draw close to the 2024 Olympics in Paris. But the “Olympics of the art world” is already well underway in Italy: Hundreds of thousands of art lovers are flocking to the Venice Biennale, which runs through November 24. This massive exhibition has been held every two years with very few exceptions since 1895, when it was inaugurated as the world’s first art biennial. Visitors who devote a whole week of their time will still only be able to take in a sliver of the art on display, whether it’s at the central exhibition, the collateral events, or the dozens of storied national pavilions in the Giardini and around the city.

But that’s not all the exhibition has in store. The politics of the art world are also on full display, whether in the form of protests or the curators’ decisions about how their countries — with all their past and present controversies — will be represented. This year's included Russia offering its pavilion up to Indigenous artists from Bolivia, Brazil renaming its pavilion “Hãhãwpuá” after the Indigenous Patxohã term for the land, Poland welcoming an art collective from Ukraine, the United States featuring Jeffrey Gibson as the first Native American artist to have a solo exhibition at the pavilion, and Israel canceling its exhibition … which perhaps wasn't really canceled after all.

Hyperallergic Editor-in-Chief Hrag Vartanian and longtime contributor AX Mina sat down to reflect on the aesthetic successes, political failures, and long-awaited representation they saw displayed at the world’s biggest contemporary art show.

Subscribe to Hyperallergic on Apple Podcasts, and anywhere else you listen to podcasts.

  • (00:00) - Intro
  • (04:24) - First Impressions of the Biennale and the Main Exhibition
  • (06:33) - India: Aravani Art Project
  • (07:48) - Singapore: Charmaine Poh
  • (08:58) - Lebanon: Omar Mismar
  • (09:42) - “Italians Everywhere”
  • (11:06) - Morocco: Bouchra Khalili
  • (13:16) - The National Pavilions
  • (14:21) - Benin Pavilion
  • (16:12) - Lebanon Pavilion
  • (18:19) - Italy Pavilion
  • (20:14) - UK Pavilion
  • (22:44) - US Pavilion
  • (25:29) - Israel Pavilion
  • (28:51) - Saudi Arabia Pavilion
  • (30:07) - Nigeria Pavilion
  • (32:11) - Egypt Pavilion
  • (34:07) - Taiwan Pavilion
  • (35:57) - Australia Pavilion
  • (38:16) - Mongolia Pavilion
  • (40:06) - “South West Bank,” collateral event
  • (42:23) - Outro

Subscribe to Hyperallergic Newsletters

Become a member

  continue reading

109 에피소드

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