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Exile
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1 Episode 21: The Heiress Who Helped End School Segregation 35:10
35:10
나중에 재생
나중에 재생
리스트
좋아요
좋아요35:10
Hilde Mosse comes from one of the wealthiest families in Berlin and stands to inherit an enormous fortune. But she longs for something more meaningful than the luxurious lifestyle her family provides. So Hilde decides to pursue her dream of becoming a doctor. As the Nazis take power in Germany and the Mosse family is forced to flee, Dr. Hilde Mosse lands in New York having nearly lost everything.. She finds her calling treating the mental health of Black youth – and the symptoms of a racist system. In addition to photographs, school records, and correspondence spanning Hilde Mosse’s entire lifetime, the Mosse Family Collection in the LBI Archives includes the diaries she kept between 1928 and 1934, from the ages of 16-22. Hilde’s papers are just part of the extensive holdings related to the Mosse Family at LBI. Learn more at lbi.org/hilde . Exile is a production of the Leo Baeck Institute, New York and Antica Productions. It’s narrated by Mandy Patinkin. This episode was written by Lauren Armstrong-Carter. Our executive producers are Laura Regehr, Rami Tzabar, Stuart Coxe, and Bernie Blum. Our producer is Emily Morantz. Research and translation by Isabella Kempf. Voice acting by Hannah Gelman. Sound design and audio mix by Philip Wilson. Theme music by Oliver Wickham. Please consider supporting the work of the Leo Baeck Institute with a tax-deductible contribution by visiting lbi.org/exile2025 . The entire team at Antica Productions and Leo Baeck Institute is deeply saddened by the passing of our Executive Producer, Bernie Blum. We would not have been able to tell these stories without Bernie's generous support. Bernie was also President Emeritus of LBI and Exile would not exist without his energetic and visionary leadership. We extend our condolences to his entire family. May his memory be a blessing. This episode of Exile is made possible in part by a grant from the Conference on Jewish Material Claims Against Germany, which is supported by the German Federal Ministry of Finance and the Foundation Remembrance, Responsibility and Future.…
Hollywood Exiles
모두 재생(하지 않음)으로 표시
Manage series 3571503
BBC에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 BBC 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Host Oona Chaplin guides listeners through the period known as the Red Scare - an ideological battle that implicated Hollywood’s biggest stars, including her grandfather, Charlie.
12 에피소드
모두 재생(하지 않음)으로 표시
Manage series 3571503
BBC에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 BBC 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Host Oona Chaplin guides listeners through the period known as the Red Scare - an ideological battle that implicated Hollywood’s biggest stars, including her grandfather, Charlie.
12 에피소드
모든 에피소드
×Although the blacklist era ends, the scars remain. Dalton Trumbo discovers a backdoor to Hollywood screenwriting work. Families of Hollywood workers reckon with the fallout in generations to come. After decades away, Charlie Chaplin makes a triumphant return to America. Ellen Geer recalls the effects of the blacklist on her father Will Geer, who refused to expose his friends. Oona Chaplin reflects on the lasting effects of anti-communist fervour on her family and the wider culture. Archive: Oscars ceremony highlights: Academy of Motion Picture Arts and Sciences for the 29th Academy Awards 1957, and the 44th Academy Awards 1972 The Dude goes West, directed by Kurt Neumann, King Brothers Productions, 1948 Dalton Trumbo interviewed on television program Night Beat, 19 September 1957, Wisconsin Center for Film and Theater Research The Waltons, Lorimar Productions 1972…
After years of allegations and suspicion, those accused of so-called un-American political beliefs are driven from the movie industry. Mitzi Trumbo recalls visiting her father Dalton in prison. Host Oona Chaplin speaks to some of those whose careers were ruined and friendships fractured, as anti-communist fervour pushed witnesses to expose the names of alleged communists. Norma Barzman describes this as a period of political exile. Charlie Chaplin faces the FBI. Archive: Limelight, Charlie Chaplin, United Artists, 1952 Johnny Guitar, directed by Nicholas Ray for Republic Pictures, 1954 Senator Joseph McCarthy speaking on America’s Town Meeting of the Air, ABC Radio, 3 April 1947 Attorney General James McGranery press conference 1952, John E. Allen Archive…
Hollywood producers gather at the Waldorf Hotel to plot strategy. They push back against allegations of “subversive” content. Motion Picture Association of America president Eric Johnston makes the case that movies are a force for moral good. He also calls for a hardline: he pushes studios to purge communists and sympathizers from their payrolls. This marks the beginning of the so-called “blacklist” era in Hollywood. Screenwriter Norma Barzman recalls this as a repressive period, when creative people were self censoring their political beliefs Archive: Recordings of House Unamerican Activities Committee by Paramount Newsreels The Hollywood Ten, directed by John Berry, 1950 Dalton Trumbo interviewed for Hollywood on Trial, directed by David Helpern, Corinth Films, 1976…
The House Unamerican Activities Committee begins its hearings into alleged communist subversion in the movie business. The hearings cement a phrase in American history: “Are you now or have you ever been a member of the communist party?” Friendly witnesses, including actors Gary Cooper & Robert Taylor, are called to the stand, along with movie mogul Jack Warner of Warner Brothers. Walt Disney uses the opportunity to call out alleged communists among members of the striking animators’ union. Dalton Trumbo and his allies challenge the legitimacy of HUAC and its hearings. Archive: Mission to Moscow, directed by Michael Curtiz for Warner Bros., 1943 Recordings of House Unamerican Activities Committee by Paramount Newsreels…
The House Unamerican Activities Committee starts calling witnesses. Their hearings with Tinseltown celebrities create a sensation and put Hollywood's alleged communists in the spotlight. Dalton Trumbo is among those summoned to Washington for hearings. Oona Chaplin explains why her grandfather Charlie was not called to appear, despite his reputation as a leftist. Actress Katharine Hepburn takes a public stand against HUAC, mocking its hearings at a Los Angeles rally. Archive used: Testimony of J. Edgar Hoover before HUAC, National Archives and Records Administration, 1947 Hedda Hopper’s Hollywood Show, 25 February 1951 Katharine Hepburn for Progressive Citizens of America at Gilmore Stadium, Alco Records, 1947 ‘Monsieur Verdoux’, Charlie Chaplin, United Artists, 1947 Recordings of House Unamerican Activities Committee by Paramount Newsreels…
Rumours of communist infiltration in the movie business had circulated for years. Showbiz insider Billy Wilkerson is the first to publicly name alleged Tinseltown “communists”, including Dalton Trumbo, in his paper, the Hollywood Reporter. William R. Wilkerson III speaks about his father’s friendship with billionaire producer Howard Hughes, a rabid anti-communist. He describes how his mostly apolitical father’s anti-communist stance was shaped by a visit to the Soviet Union. Wilkerson III recalls how his father’s close connections with stars like Jimmy Cagney gave him political influence in Hollywood. Oona Chaplin learns how future president Ronald Reagan operated as an FBI informant. Archive Ronald Reagan’s 'evil empire' speech, 1983, The Ronald Reagan Presidential Library…
FBI Director J. Edgar Hoover and allies like Ayn Rand were convinced that Hollywood was infested with communists. Now they started scouring the movies themselves for evidence of propaganda. Anti-communist figures in the movie business, including John Wayne and Gary Cooper, create the Motion Picture Alliance for the Preservation of American Ideals to counter groups like the Writers Guild. Even American classics like It’s a Wonderful Life came under FBI scrutiny. Studios began to feel the pressure – even changing seemingly innocuous scripts to avoid political heat. Archive: The Locket, directed by John Brahm for RKO Pictures, 1946 Robert F Wagner on National Labour Relations Act, Labor Comes of Age, ABC Television, 1965 Ayn Rand interviewed by Mike Wallace, ABC Television, 1959 Interviews with Dalton Trumbo, UCLA Department of Communication Archive, 1972 Woman of the Year, directed by George Stevens for Metro-Goldwyn-Mayer, 1942 Hedda Hopper’s Hollywood Show, 14 January 1951 It’s a Wonderful Life, directed by Frank Capra for RKO Pictures, 1946…
Charlie Chaplin’s personal life sparks legal woes. Hedda Hopper, known as the queen of Hollywood gossip, was Chaplin’s nemesis, and she deemed him "un-American.” Joan Barry was just 22 years old when she arrived in Hollywood with dreams of stardom. She soon met Chaplin and the pair became romantically entwined. When the relationship went sour, Chaplin’s enemies – including J Edgar Hoover and columnist and radio star Hopper – saw an opportunity. Chaplin soon landed in court facing charges under the White-Slave Traffic Act. Archive: The Hedda Hopper Show, 3 December 1940 J. Edgar Hoover, Battle of the United States, Army-Navy Screen Magazine, 1940 Pearl Harbor newsflash, WOR Radio 1941 The Great Dictator, Charlie Chaplin, United Artists, 1940…
Dalton Trumbo’s career as a screenwriter blossoms just as FBI director J. Edgar Hoover makes Hollywood his focus for rooting out communism. Trumbo becomes active in the Screen Writers Guild, a harbour for radical politics. Charlie Chaplin makes influential friends on the political left. With his first talking film, The Great Dictator, Chaplin draws critical praise and unwanted attention with a rousing speech. Shifting alliances between Soviets and Nazis force an awkward political reckoning in the US. Host Oona Chaplin explores the FBI's covert operations which targeted alleged communists. We learn how Hollywood became the battleground for the soul of America. From the BBC World Service and CBC Podcasts. Archive: Interviews with Dalton Trumbo, UCLA Department of Communication Archive, 1972 G-Men trailer, directed by William Keighley, Warner Brothers 1935 Upton Sinclair interviewed by Joe Toyoshima, 1966 The Great Dictator, Charlie Chaplin, United Artists, 1940 Battle of the United States, J. Edgar Hoover, Army-Navy Screen Magazine, 1940…
Charlie Chaplin was one of Hollywood’s first and biggest stars. He helped create the art and industry of movies. But by the 1960s, he was exiled. Oona Chaplin follows her grandfather’s rise from the grinding poverty of his childhood in Victorian London to wealth and fame in Hollywood. In many ways, it seemed like the embodiment of the American Dream. But almost as soon as he hit the big time, Chaplin made some powerful enemies. Federal investigators were suspicious of his political beliefs and began to build a file on him. We learn how Hollywood became the battleground for the soul of America. From the BBC World Service and CBC Podcasts. Archive: Communism Condemned, Universal Newsreel, 1947 Hedda Hopper's Hollywood show, 14 January 1951 Testimony of J. Edgar Hoover before HUAC, National Archives and Records Administration, 1947…
History remembers Charlie Chaplin as Hollywood’s first superstar. At the height of his career, the FBI considered him and other figures from the film industry something else: a threat to the United States. His granddaughter, Oona Chaplin, tells the story of how Hollywood became a battleground for the soul of America. Hollywood Exiles is a story of glamour, duplicity, and the US government’s decades-long campaign to root out communism in Tinseltown. Premieres 22 January 2024. From the BBC World Service and CBC Podcasts.…
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