Imperfect Paradise is an award-winning weekly narrative podcast showcasing California stories with universal significance, hosted by Antonia Cereijido. Each deeply reported story is driven by characters who illuminate aspects of American identity and underscore California's reputation as a home for dreamers and schemers, its heartbreaking inequality, its varied and diverse communities, its unique combination of dense cities and wild places. New episodes premiere Wednesdays, with broadcasts o ...
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George Eastman Museum에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 George Eastman Museum 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Working Method
Manage episode 281818680 series 1434614
George Eastman Museum에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 George Eastman Museum 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In the studio, Carl Chiarenza works intuitively by following his instincts and seeing where they might lead him. Chiarenza discusses his daily routine with LensWork editor Brooks Jensen: I go into the studio and I do everything I can to avoid getting started—that’s part of the ritual, I have no control over it—I’ve just finally figured it out, that’s just what happens: I go in and I do all sorts of stuff—I turn the radio on, I make coffee, decide which music I’m going to listen to, answer the phone, check the email. I mean, it takes an hour for me to get settled in. And then I literally go to my table, which is just covered with stuff and I just at random pick something and start playing with pieces of paper to see if something comes together. More often than not, I keep throwing these things away and throwing things away and starting over and starting over and then I get something that I think is going to begin to work. Then I start by making an exposure, change the lights, change the configurations and keep doing that, making prints and laying them out on the table and watching them develop—develop in terms of what the picture is. I keep responding to what I am seeing and let that determine what I should do next. So the materials and the picture themselves tell me what to do. Source: LensWork Interview (2000)
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387 에피소드
Manage episode 281818680 series 1434614
George Eastman Museum에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 George Eastman Museum 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In the studio, Carl Chiarenza works intuitively by following his instincts and seeing where they might lead him. Chiarenza discusses his daily routine with LensWork editor Brooks Jensen: I go into the studio and I do everything I can to avoid getting started—that’s part of the ritual, I have no control over it—I’ve just finally figured it out, that’s just what happens: I go in and I do all sorts of stuff—I turn the radio on, I make coffee, decide which music I’m going to listen to, answer the phone, check the email. I mean, it takes an hour for me to get settled in. And then I literally go to my table, which is just covered with stuff and I just at random pick something and start playing with pieces of paper to see if something comes together. More often than not, I keep throwing these things away and throwing things away and starting over and starting over and then I get something that I think is going to begin to work. Then I start by making an exposure, change the lights, change the configurations and keep doing that, making prints and laying them out on the table and watching them develop—develop in terms of what the picture is. I keep responding to what I am seeing and let that determine what I should do next. So the materials and the picture themselves tell me what to do. Source: LensWork Interview (2000)
…
continue reading
387 에피소드
모든 에피소드
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