We are a Filipino-Chinese couple living in the heart of Manila. We have been together for 20 years and decided to make this podcast to share our life experiences. Our podcast has no format and may discuss random things like relationships, recommended food in Binondo or about our philosophy in life. If you like our podcast, don’t forget to click the subscribe/follow button and give us a 5 star rating ^.^ Please visit our FB page @kwentuhansessionsph and ig page @kwentuhansessions. You can als ...
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George Eastman Museum에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 George Eastman Museum 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Introduction by William Green
Manage episode 281818675 series 1434614
George Eastman Museum에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 George Eastman Museum 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Hi, my name’s Will Green, and I’m the curator of the exhibition Carl Chiarenza: Journey into the Unknown. I first came across Chiarenza’s work while studying at Rochester Institute of Technology, where a massive, 14-foot wide photograph by him is on permanent display in the lobby of the Frank E. Gannett Building. This photograph was different than any that I’d ever seen before. It didn’t depict a person, a place, or any other subject matter that I could easily recognize. At first glance, it appeared to be little more than a disorganized array of various textures, shapes, and tonal values. Yet as I passed by it each day on my way to class, this photograph began to make more sense. I started to notice the subtle ways Chiarenza repeated certain shapes and textures over the horizontal plane of the picture, and how he deftly balanced light and dark tonal values to construct a composition that was, the more I looked, surprisingly harmonious. In short, as I became more and more familiar with this particular photograph, it became more and more interesting to look at. I hope that you’ll be able to slow down and take time to explore the works on display in this exhibition. Follow along with this audio tour as we learn more about Carl Chiarenza, his photographs, and what makes them so special. This audio is made up of clips from interviews Chiarenza did in 2000, 2008, and 2019. I’d like to thank Brooks Jensen of Lenswork magazine, Gabriella Chiarenza, and Steve Osemwenkhae for providing this audio.
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388 에피소드
Manage episode 281818675 series 1434614
George Eastman Museum에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 George Eastman Museum 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Hi, my name’s Will Green, and I’m the curator of the exhibition Carl Chiarenza: Journey into the Unknown. I first came across Chiarenza’s work while studying at Rochester Institute of Technology, where a massive, 14-foot wide photograph by him is on permanent display in the lobby of the Frank E. Gannett Building. This photograph was different than any that I’d ever seen before. It didn’t depict a person, a place, or any other subject matter that I could easily recognize. At first glance, it appeared to be little more than a disorganized array of various textures, shapes, and tonal values. Yet as I passed by it each day on my way to class, this photograph began to make more sense. I started to notice the subtle ways Chiarenza repeated certain shapes and textures over the horizontal plane of the picture, and how he deftly balanced light and dark tonal values to construct a composition that was, the more I looked, surprisingly harmonious. In short, as I became more and more familiar with this particular photograph, it became more and more interesting to look at. I hope that you’ll be able to slow down and take time to explore the works on display in this exhibition. Follow along with this audio tour as we learn more about Carl Chiarenza, his photographs, and what makes them so special. This audio is made up of clips from interviews Chiarenza did in 2000, 2008, and 2019. I’d like to thank Brooks Jensen of Lenswork magazine, Gabriella Chiarenza, and Steve Osemwenkhae for providing this audio.
…
continue reading
388 에피소드
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