Artwork

Alserkal Avenue에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Alserkal Avenue 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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A Force to Reckon With | Manal AlDowayan

28:02
 
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Manage episode 296865635 series 1652152
Alserkal Avenue에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Alserkal Avenue 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Manal AlDowayan is one of Saudi Arabia’s most significant artists. Her impressive body of photography, sculpture, and video works is often on show on the other side of the world, while she is in situ elsewhere. AlDowayan’s keen sense of perspective makes for bold, exploratory pieces that speak of a woman’s lot in today’s world. At Alserkal Avenue, for example, AlDowayan exhibited a landmark multi-video installation (I Had No Wings, 2015), commissioned by Rolls Royce, that examined the (then) precarious position of women in Saudi as car passengers, but never drivers. Now, just following the installation of one her works at the Aga Khan Museum in Toronto, AlDowayan is preparing to leave for a major, site-specific solo show in Madrid with Sabrina Amrani Gallery ((12 January-30 March). Fari Bradley catches up with this Dubai-based artist, to find out more about her evolving methodologies, the shifting significance of her work, and the thought behind her practice. Follow AlDowayan's work at www.manaldowayan.com
  continue reading

8 에피소드

Artwork
icon공유
 
Manage episode 296865635 series 1652152
Alserkal Avenue에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Alserkal Avenue 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Manal AlDowayan is one of Saudi Arabia’s most significant artists. Her impressive body of photography, sculpture, and video works is often on show on the other side of the world, while she is in situ elsewhere. AlDowayan’s keen sense of perspective makes for bold, exploratory pieces that speak of a woman’s lot in today’s world. At Alserkal Avenue, for example, AlDowayan exhibited a landmark multi-video installation (I Had No Wings, 2015), commissioned by Rolls Royce, that examined the (then) precarious position of women in Saudi as car passengers, but never drivers. Now, just following the installation of one her works at the Aga Khan Museum in Toronto, AlDowayan is preparing to leave for a major, site-specific solo show in Madrid with Sabrina Amrani Gallery ((12 January-30 March). Fari Bradley catches up with this Dubai-based artist, to find out more about her evolving methodologies, the shifting significance of her work, and the thought behind her practice. Follow AlDowayan's work at www.manaldowayan.com
  continue reading

8 에피소드

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