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WQXR에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 WQXR 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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A Radio Special: Mozart’s "Abduction from the Seraglio"

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Manage episode 374492112 series 3470120
WQXR에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 WQXR 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In the prime of his illustrious career, Wolfgang Amadeus Mozart ran in the realm of prominent, Black visionaries. But after composing “Zaide,” an unfinished opera depicting a slave revolt, Mozart was commissioned to create a work more palatable to the politics and pocketbooks of the late 18th century European upper class.

First heard in Vienna in 1782, “ Abduction” catered to the harsh reality of the times. As is too often the case with operas written during this time, characters of African descent are reduced to racist stereotypes, thereby oiling the wheels of Europe’s economic engine — slavery.

With this in mind, we ask: what does the future look like for opera as an art form? In this final episode of the four-part radio series, the Every Voice production team goes out to Harlem to find out how today’s youth relate to classical music. Join our host Terrance McKnight as he searches for opera’s future with composers, musicians, and thinkers of today.

“Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.

This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

  continue reading

21 에피소드

Artwork
icon공유
 
Manage episode 374492112 series 3470120
WQXR에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 WQXR 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In the prime of his illustrious career, Wolfgang Amadeus Mozart ran in the realm of prominent, Black visionaries. But after composing “Zaide,” an unfinished opera depicting a slave revolt, Mozart was commissioned to create a work more palatable to the politics and pocketbooks of the late 18th century European upper class.

First heard in Vienna in 1782, “ Abduction” catered to the harsh reality of the times. As is too often the case with operas written during this time, characters of African descent are reduced to racist stereotypes, thereby oiling the wheels of Europe’s economic engine — slavery.

With this in mind, we ask: what does the future look like for opera as an art form? In this final episode of the four-part radio series, the Every Voice production team goes out to Harlem to find out how today’s youth relate to classical music. Join our host Terrance McKnight as he searches for opera’s future with composers, musicians, and thinkers of today.

“Every Voice” is hosted by Terrance McKnight. The Executive Producer is Tony Phillips. The Executive Producer for WQXR Podcasts is Elizabeth Nonemaker. Our research team includes Ariel Elizabeth Davis, Pranathi Diwakar, Ian George, and Jasmine Ogiste. Sound design and engineering by Alan Goffinski. Original music composed by Jeromy Thomas and Ashley Jackson. Special thanks to The Met archives.

This project is supported in part by the National Endowment for the Arts. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.

  continue reading

21 에피소드

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