Player FM 앱으로 오프라인으로 전환하세요!
The “Sex” Scandal That Made Mae West
Manage episode 337946971 series 2435289
In the early 1930s, Mae West’s dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead.
This episode relied heavily on a lot of archival material and innumerable books: When I’m Bad, I’m Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel’s introduction to Three Plays by Mae West, Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts; Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey; Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo’s play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.
This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.
If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com
If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
97 에피소드
Manage episode 337946971 series 2435289
In the early 1930s, Mae West’s dirty talk and hip swiveling walk made her one of the biggest movie stars in America. But before West hit the big-screen, she was prosecuted for staging not one, but two scandalous plays. In this episode, we look at how West honed her persona when she was under the bright lights of Broadway and the flashbulbs of the tabloids — and briefly behind bars. More than a century later, her career arc offers a blueprint on how to survive a scandal…and maybe even come out ahead.
This episode relied heavily on a lot of archival material and innumerable books: When I’m Bad, I’m Better: Mae West, Sex and American Entertainment by Marybeth Hamilton; When Brooklyn was Queer by Hugh Ryan; Lillian Schlissel’s introduction to Three Plays by Mae West, Mae West: a biography by George Eells and Stanley Musgrove; Mae West: An Icon in Black and White by Jill Watts; Becoming May West by Emily Wortis Leider; Gay New York by George Chauncey; Mae West, She Who Laughs Last, by June Sochen: Goodness Has Nothing to Do with It by Mae West; and Linda Ann Losciavo’s play “Courting Mae West” and her blog, which you can find at Maewest.blogspot.com.
This episode of Decoder Ring was written by Willa Paskin. It was produced by Willa Paskin and Katie Shepherd. Derek John is Sr. Supervising Producer of Narrative Podcasts. Merritt Jacob is our Technical Director. Thank you to Benjamin Frisch for this topic.
If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com
If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you get ad-free podcasts, bonus episodes, and total access to all of Slate’s journalism.
Learn more about your ad choices. Visit megaphone.fm/adchoices
97 에피소드
모든 에피소드
×플레이어 FM에 오신것을 환영합니다!
플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.