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1053: Exploring Jazz Innovations with Bassist Richard Andersson
Manage episode 434340311 series 719
![](https://i0.wp.com/contrabassconversations.com/wp-content/uploads/2024/08/Richard-Andersson-double-bass-web.jpg?resize=1024%2C819&ssl=1)
In this conversation, Richard Andersson discusses his new album WAW!, recent touring experiences, and his unique collaborations with Carl Winther and Jeff ‘Tain’ Watts. He recounts his musical journey from starting with the piano to becoming a professional bassist following a life-changing accident.
Highlighting his interdisciplinary projects, such as improvising music based on audience descriptions of visual art and a unique dance show for visually impaired audiences, Richard shares insights into his creative processes and the challenges of balancing teaching, touring, and composing. The episode also dives into his experience with specialized equipment, like the Nadine microphone, and his future plans.
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Connect with us:
Thank you to our sponsors!
Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it’s the best bass rosin available. It’s appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance. Learn more about Upton’s rosin, basses, and more at uptonbass.com.
Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.
- theme music by Eric Hochberg
26 에피소드
Manage episode 434340311 series 719
![](https://i0.wp.com/contrabassconversations.com/wp-content/uploads/2024/08/Richard-Andersson-double-bass-web.jpg?resize=1024%2C819&ssl=1)
In this conversation, Richard Andersson discusses his new album WAW!, recent touring experiences, and his unique collaborations with Carl Winther and Jeff ‘Tain’ Watts. He recounts his musical journey from starting with the piano to becoming a professional bassist following a life-changing accident.
Highlighting his interdisciplinary projects, such as improvising music based on audience descriptions of visual art and a unique dance show for visually impaired audiences, Richard shares insights into his creative processes and the challenges of balancing teaching, touring, and composing. The episode also dives into his experience with specialized equipment, like the Nadine microphone, and his future plans.
Subscribe to the podcast to get these interviews delivered to you automatically!
Connect with us:
Thank you to our sponsors!
Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it’s the best bass rosin available. It’s appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance. Learn more about Upton’s rosin, basses, and more at uptonbass.com.
Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah’s website to sign up for a free online trial lesson here.
- theme music by Eric Hochberg
26 에피소드
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