50. Serialismo Contemporánea podcast

2M ago 20:01

Fundación Juan March에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Fundación Juan March 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Técnica de composición musical basada en el dodecafonismo de Arnold Schönberg. Mientras este aplica un principio serial a las alturas de las doce notas de la escala cromática, el serialismo amplía la aplicación de este fundamento a diferentes parámetros musicales como ritmo, intensidad y timbre.
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Has escuchado

All Set for Jazz Ensemble (1957) / Milton Babbitt. The Contemporary Chamber Ensemble; Arthur Weisberg, director. Nonesuch (1974)

Gruppen: für drei Orchester. Werk Nr. 6 (1955-1957) / Karlheinz Stockhausen. Berliner Philharmoniker; Claudio Abbado, director. Deutsche Grammophon (1996)

Scambi (1957) / Henri Pousseur. Sub Rosa (2002)

Structures pour deux pianos. Livre II (1961) / Pierre Boulez. Pierre-Laurent Aimard y Florent Boffard, pianos. Deutsche Grammophon (1995)

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Selección bibliográfica

BANDUR, Markus, Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Birkhauser Verlag, 2001

BAZAYEV, Inessa y Christopher Segall (eds.), Analytical Approaches to 20th-Century Russian Music: Tonality, Modernism, Serialism. Routledge, 2020

BENITEZ, Vincent, “Reconsidering Messiaen as Serialist”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 267-299*

GALLOPE, Michael, “Why Was This Music Desirable? On a Critical Explanation of the Avant-Garde”. The Journal of Musicology, vol. 31, n.º 2 (2014), pp. 199-230*

GRANT, M. J., Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe. Cambridge University Press, 2008

GULDBRANDSEN, Erling E., “Pierre Boulez in Interview, 1996 (II). Serialism Revisited”. Tempo, vol. 65, n.º 256 (2011), pp. 18-24*

IDDON, Martin, The Cambridge Companion to Serialism. Cambridge University Press, 2023

MCCARTHY, John y Joe Peter, Harmonic Grammar and Harmonic Serialism. Equinox Publishing, 2016

MOORE, Allan F., “Serialism and Its Contradictions”. International Review of the Aesthetics and Sociology of Music, vol. 26, n.º 1 (1995), pp. 77-95*

NEIDHÖFER, Christoph, “Inside Luciano Berio’s Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*

PERLE, George, Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern. University of California Press, 1991

RAO, Nancy Yunwha, “Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music”. Perspectives of New Music, vol. 40, n.º 2 (2002), pp. 190-231*

ROIG-FRANCOLÍ, Miguel A., Understanding Post-Tonal Music. Routledge, 2021

SMALLEY, Roger, “Serialism for Today”. Tempo, n.º 90 (1969), pp. 2-7*

SMITH BRINDLE, Reginald, Serial Composition. Oxford University Press, 1968

VANDER WEG, John D., Serial Music and Serialism: A Research and Information Guide. Routledge, 2000

WHITTALL, Arnold, Serialism. Cambridge University Press, 2008*

*Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

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