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American Public Media에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 American Public Media 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Bruckner in Boston
Manage episode 315837135 series 1318946
American Public Media에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 American Public Media 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Synopsis
Austrian composer Anton Bruckner’s symphonies were introduced to American audiences in the 1880s, when Bruckner was still alive and composing. Walter Damrosch introduced Bruckner’s Third to New York audiences in 1885, Theodore Thomas conducted the Seventh in Chicago in 1886, and Anton Seidl led the first New York performance of the Fourth in 1888.
Bruckner, then in his 60s, was thrilled to learn that Americans were performing his music. He would have been less thrilled had he seen the reviews. “Formless, weird, fragmentary, flimsy, uncongenial, and empty,” were just a few of the adjectives that greeted his music.
After his death in 1896, it was the Boston Symphony’s turn to take up his cause. On today’s date in 1901, Wilhelm Gericke led the American premiere of Bruckner’s Symphony No. 5, to mixed reaction: “Interesting, scholarly and very skillfully orchestrated, ”said some, “not very coherent or systematic,” said others.
When Bruckner’s Symphony No. 8 debuted at a Boston Symphony matinee conducted by Max Fiedler in 1909, one reviewer wrote, “The work is, of course, massive, but it is massive like a business building, not like a mountain; it impresses one, but it does not move the emotions ... Altogether it made a trying afternoon.”
Music Played in Today's Program
Anton Bruckner (1824-1896): Symphony No. 5; Saarbrucken Radio Symphony; Stanislaw Skrowaczewski, conductor; Arte Nova 43305
2665 에피소드
Manage episode 315837135 series 1318946
American Public Media에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 American Public Media 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Synopsis
Austrian composer Anton Bruckner’s symphonies were introduced to American audiences in the 1880s, when Bruckner was still alive and composing. Walter Damrosch introduced Bruckner’s Third to New York audiences in 1885, Theodore Thomas conducted the Seventh in Chicago in 1886, and Anton Seidl led the first New York performance of the Fourth in 1888.
Bruckner, then in his 60s, was thrilled to learn that Americans were performing his music. He would have been less thrilled had he seen the reviews. “Formless, weird, fragmentary, flimsy, uncongenial, and empty,” were just a few of the adjectives that greeted his music.
After his death in 1896, it was the Boston Symphony’s turn to take up his cause. On today’s date in 1901, Wilhelm Gericke led the American premiere of Bruckner’s Symphony No. 5, to mixed reaction: “Interesting, scholarly and very skillfully orchestrated, ”said some, “not very coherent or systematic,” said others.
When Bruckner’s Symphony No. 8 debuted at a Boston Symphony matinee conducted by Max Fiedler in 1909, one reviewer wrote, “The work is, of course, massive, but it is massive like a business building, not like a mountain; it impresses one, but it does not move the emotions ... Altogether it made a trying afternoon.”
Music Played in Today's Program
Anton Bruckner (1824-1896): Symphony No. 5; Saarbrucken Radio Symphony; Stanislaw Skrowaczewski, conductor; Arte Nova 43305
2665 에피소드
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