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Dwight Allen에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Dwight Allen 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Broadway Is My Beat: Jimmy Dorn (07-07-1949)

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Manage episode 445544569 series 2807233
Dwight Allen에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Dwight Allen 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

From February 27, 1949, to August 1, 1954, CBS aired "Broadway Is My Beat," a radio crime series. The show initially took place in New York City during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. Ross's portrayal of the character was well-received by audiences, and he quickly became a fan favorite. However, after the first season, Ross decided to leave the show to pursue other opportunities.

As a result, the role of Detective Danny Clover was recast with Larry Thor taking over the role for the remainder of the season. Thor's performance was equally impressive, and he managed to make the character his own while still staying true to the original interpretation.

The series was brought to life by the talented composer Robert Stringer, whose music set the tone and atmosphere for each episode. His work helped to create a sense of suspense and drama, making the show even more engaging for listeners.

Equally important were the scripts written by Peter Lyon. Lyon's sharp dialogue and intricate plots kept audiences on the edge of their seats, ensuring that each episode was as thrilling as the last. He had a knack for crafting compelling storylines that explored various aspects of crime and justice.

Behind the scenes, producer Lester Gottlieb played a pivotal role in shaping the show's overall direction and sound. He worked closely with director John Dietz to ensure that each episode met the highest standards of quality. Dietz, who eventually succeeded Gottlieb as producer, brought his unique vision and creativity to the table, helping to elevate the show to new heights.

Together, these talented individuals collaborated to create a radio crime series that captivated audiences for five seasons. "Broadway Is My Beat" left an indelible mark on the history of radio drama, and its legacy continues to inspire future generations of crime fiction enthusiasts..

--- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
  continue reading

1395 에피소드

Artwork
icon공유
 
Manage episode 445544569 series 2807233
Dwight Allen에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Dwight Allen 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

From February 27, 1949, to August 1, 1954, CBS aired "Broadway Is My Beat," a radio crime series. The show initially took place in New York City during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. Ross's portrayal of the character was well-received by audiences, and he quickly became a fan favorite. However, after the first season, Ross decided to leave the show to pursue other opportunities.

As a result, the role of Detective Danny Clover was recast with Larry Thor taking over the role for the remainder of the season. Thor's performance was equally impressive, and he managed to make the character his own while still staying true to the original interpretation.

The series was brought to life by the talented composer Robert Stringer, whose music set the tone and atmosphere for each episode. His work helped to create a sense of suspense and drama, making the show even more engaging for listeners.

Equally important were the scripts written by Peter Lyon. Lyon's sharp dialogue and intricate plots kept audiences on the edge of their seats, ensuring that each episode was as thrilling as the last. He had a knack for crafting compelling storylines that explored various aspects of crime and justice.

Behind the scenes, producer Lester Gottlieb played a pivotal role in shaping the show's overall direction and sound. He worked closely with director John Dietz to ensure that each episode met the highest standards of quality. Dietz, who eventually succeeded Gottlieb as producer, brought his unique vision and creativity to the table, helping to elevate the show to new heights.

Together, these talented individuals collaborated to create a radio crime series that captivated audiences for five seasons. "Broadway Is My Beat" left an indelible mark on the history of radio drama, and its legacy continues to inspire future generations of crime fiction enthusiasts..

--- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support
  continue reading

1395 에피소드

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