Artwork

ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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33 Dennis Gassner on the ‘method’ behind his Oscar-winning production design

50:47
 
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Manage episode 254545300 series 1537031
ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Storytelling is Dennis Gassner’s mother tongue. It’s the language – and the context -- through which the ArtCenter alum and legendary production designer processes the ideas of a script, and it fundamentally shapes the worlds his characters inhabit on screen.

The six-time Oscar nominee is best known for the technically ambitious and artfully realized environments he has created for six Coen Bros films, the last four James Bond movies, Blade Runner 2049 and Bugsy – for which he won an Academy Award. Dennis received his most recent Oscar nomination for his stunning work on 1917, a World War 1 epic for which he designed, built and destroyed French villages and battlefields all, seemingly, filmed in one-take. The film also presented him with the rare opportunity to go to war with his longtime collaborators, director Sam Mendes and cinematographer Roger Deakins – two major talents with whom he’s found great success in the moviemaking trenches.

On the eve of the most recent Academy Awards show, Change Lab’s Lorne Buchman interviewed Dennis in his home, which is steeped in Hollywood history and filled with artifacts from his films and the places they’ve taken him. As we sat facing each other on two art deco couches he used to furnish a lavish set in The Hudsucker Proxy, we discussed his transition from architecture to production design, his discovery (while at ArtCenter) that facing fear is fundamental to creativity and his conviction that successful storytelling is best measured by the heart rather than the head.

Related Links:

https://www.imdb.com/name/nm0309357/?ref_=fn_al_nm_1

https://www.1917.movie/

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

71 에피소드

Artwork
icon공유
 
Manage episode 254545300 series 1537031
ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 ArtCenter College of Design and Hosted by ArtCenter President Lorne M. Buchman 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Storytelling is Dennis Gassner’s mother tongue. It’s the language – and the context -- through which the ArtCenter alum and legendary production designer processes the ideas of a script, and it fundamentally shapes the worlds his characters inhabit on screen.

The six-time Oscar nominee is best known for the technically ambitious and artfully realized environments he has created for six Coen Bros films, the last four James Bond movies, Blade Runner 2049 and Bugsy – for which he won an Academy Award. Dennis received his most recent Oscar nomination for his stunning work on 1917, a World War 1 epic for which he designed, built and destroyed French villages and battlefields all, seemingly, filmed in one-take. The film also presented him with the rare opportunity to go to war with his longtime collaborators, director Sam Mendes and cinematographer Roger Deakins – two major talents with whom he’s found great success in the moviemaking trenches.

On the eve of the most recent Academy Awards show, Change Lab’s Lorne Buchman interviewed Dennis in his home, which is steeped in Hollywood history and filled with artifacts from his films and the places they’ve taken him. As we sat facing each other on two art deco couches he used to furnish a lavish set in The Hudsucker Proxy, we discussed his transition from architecture to production design, his discovery (while at ArtCenter) that facing fear is fundamental to creativity and his conviction that successful storytelling is best measured by the heart rather than the head.

Related Links:

https://www.imdb.com/name/nm0309357/?ref_=fn_al_nm_1

https://www.1917.movie/

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

71 에피소드

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