Breaking Boxes & Building Worlds - 10 Year Anniversary! Ginger Dunnill in conversation with Amaryllis R. Flowers

Broken Boxes Podcast

In this episode, I get into deep reflection with artist and dear sister-friend Amaryllis R. Flowers to mark the 10 year anniversary of Broken Boxes. Amaryllis interviews me around the arc of the project over the course of a decade, uncovering how it has become an archive of the lived experiences and world building strategies of contemporary artists, while acknowledging the many variations of an artists practiced values including those of the activist, advocate, disruptor or culture activator. We speak about collective strength while considering how art and imagining may unbind us from collective social trauma. This long-form interview reflects the vulnerability, uncertainty and strength required to maintain an art practice today. I explain a bit about how the past 4 years of this project has become a dedicated imagination praxis, focused on building a toolkit for surviving the chosen career as artist. At the end of our conversation I announce Broken Boxes: A Decade of Art, Action, and Dialog - the forthcoming exhibition and accompanying art book which will premiere this fall at the Albuquerque Museum, featuring installation and video work from 23 artists that have been featured on the podcast with an emphasis on the past 4 years.Originally from Maui, Hawai’i, New Mexico based creative Ginger Dunnill is a producer, journalist, curator, community organizer and sound artist. She collaborates with artists globally, creating work that inspires human connection, promotes plurality and advocates for social justice. Ginger is the founder of Broken Boxes Podcast, the decade long celebrated underground broadcasting project amplifying systemically undervalued voices in the arts. In 2017, Ginger received an Andy Warhol Foundation for the Visual Arts - 516 ARTS Fulcrum Fund Award on behalf of Broken Boxes to realize an exhibition and publication featuring the work and ideas of over 40 artists featured on the project. As a practicing artist, Ginger has exhibited internationally including at IoDeposito, Italy, Washington Project for The Arts, Washington, DC and the Whitney Museum of American Art in New York. Over the past two decades Ginger has produced numerous social engagement projects, community programs and public exhibitions in collaboration with other artists and activists. She is currently working as a creative advisor for numerous prominent artists and musicians and touring the world as a performer.Amaryllis R. Flowers is a Queer Puerto Rican American Artist living and working in upstate New York. Raised between multiple cities and rural communities across America in a constantly shifting landscape, her practice explores themes of hybridity, mythology and sexuality. Utilizing drawings, video, sculpture, performance and installation, her work is a visual language paying attention to the spaces in-between categories, and revering those that know the trouble and pleasure there. Amaryllis earned an MFA from the Yale School of Art in 2019 and her BFA from California College of Arts and Crafts in 2014. She is the recipient of the 2023 Pocantico Prize from the Rockefeller Brothers Fund, a 2022-2027 Joan Mitchell Fellow, and a 2021 Creative Capital Awardee. Her work has been exhibited both nationally and internationally including at the Brooklyn Museum, El Museo Del Barrio (New York), The Aldrich Museum of Contemporary Art (Ridgefield, CT), MoCADA (Brooklyn), and SOMArts (San Francisco). The forthcoming exhibition - Broken Boxes: A Decade of Art, Action, and Dialog exhibition will be presented at the Albuquerque Museum September 7, 2024 - March 2, 2025. Featuring installation and video work from 23 artists that have been featured on the podcast with an emphasis on the past 4 years. This exhibition will be accompanied by an art book published by UNM Press which will feature an essay by Broken Boxes creator Ginger Dunnill, a creative response by artist Maria Hupfield and an introduction by Head curator Josie Lopez. The publication wi