“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 2, “LA Made: The Barbie Tapes,” tells the backstory of the world’s most popular doll, Barbie. Barbie is a cultural icon but what do you really know about her? Hear Barbie's origin story from the peopl ...
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Bande à part에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Bande à part 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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123: Clowns
Manage episode 283001870 series 1984858
Bande à part에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Bande à part 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
We unexpectedly become fascinated with clowns and their make-up, including Joseph Grimaldi. See links below. Leichner Kosmetik: https://www.cosmeticsandskin.com/companies/leichner.php Dave Fagundes and Aaron Perzanowski, The fascinating reason why clowns paint their faces on eggs, BBC Future (6 December 2017): https://www.bbc.com/future/article/20171206-the-fascinating-reason-why-clowns-paint-their-faces-on-eggs Costume worn by Joseph Grimaldi (1800-1823), Museum of London: https://collections.museumoflondon.org.uk/online/object/794735.html Carold Reed (director), Veniero Colasanti (costume design), Trapeze (1956): https://www.imdb.com/title/tt0049875/ Mode Circus Knie, Textilmuseum St. Gallen (7 March 2019 – 19 January 2020): https://www.textilmuseum.ch/modecircus/ Jean-Antoine Watteau, ‘Pierrot, formerly known as Gilles’ (c. 1718-19), Musée du Louvre, Paris: https://www.louvre.fr/en/oeuvre-notices/pierrot-formerly-known-gilles Playbill for The Great United Circus Alhambra Palace (1858), Victoria & Albert Museum: http://collections.vam.ac.uk/item/O1462318/the-great-united-states-circus-playbill-horner/ National Fairground and Circus Archive, The University of Sheffield: https://www.sheffield.ac.uk/nfca
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169 에피소드
Manage episode 283001870 series 1984858
Bande à part에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Bande à part 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
We unexpectedly become fascinated with clowns and their make-up, including Joseph Grimaldi. See links below. Leichner Kosmetik: https://www.cosmeticsandskin.com/companies/leichner.php Dave Fagundes and Aaron Perzanowski, The fascinating reason why clowns paint their faces on eggs, BBC Future (6 December 2017): https://www.bbc.com/future/article/20171206-the-fascinating-reason-why-clowns-paint-their-faces-on-eggs Costume worn by Joseph Grimaldi (1800-1823), Museum of London: https://collections.museumoflondon.org.uk/online/object/794735.html Carold Reed (director), Veniero Colasanti (costume design), Trapeze (1956): https://www.imdb.com/title/tt0049875/ Mode Circus Knie, Textilmuseum St. Gallen (7 March 2019 – 19 January 2020): https://www.textilmuseum.ch/modecircus/ Jean-Antoine Watteau, ‘Pierrot, formerly known as Gilles’ (c. 1718-19), Musée du Louvre, Paris: https://www.louvre.fr/en/oeuvre-notices/pierrot-formerly-known-gilles Playbill for The Great United Circus Alhambra Palace (1858), Victoria & Albert Museum: http://collections.vam.ac.uk/item/O1462318/the-great-united-states-circus-playbill-horner/ National Fairground and Circus Archive, The University of Sheffield: https://www.sheffield.ac.uk/nfca
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169 에피소드
모든 에피소드
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