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Ameria Radio - Sc. di Musica에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Ameria Radio - Sc. di Musica 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Curated Questions: Conversations Celebrating the Power of Questions!
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Episode Notes [03:47] Seth's Early Understanding of Questions [04:33] The Power of Questions [05:25] Building Relationships Through Questions [06:41] This is Strategy: Focus on Questions [10:21] Gamifying Questions [11:34] Conversations as Infinite Games [15:32] Creating Tension with Questions [20:46] Effective Questioning Techniques [23:21] Empathy and Engagement [34:33] Strategy and Culture [35:22] Microsoft's Transformation [36:00] Global Perspectives on Questions [39:39] Caring in a Challenging World Resources Mentioned The Dip by Seth Godin Linchpin by Seth Godin Purple Cow by Seth Godin Tribes by Seth Godin This Is Marketing by Seth Godin The Carbon Almanac This is Strategy by Seth Godin Seth's Blog What Does it Sound Like When You Change Your Mind? by Seth Godin Value Creation Masterclass by Seth Godin on Udemy The Strategy Deck by Seth Godin Taylor Swift Jimmy Smith Jimmy Smith Curated Questions Episode Supercuts Priya Parker Techstars Satya Nadella Microsoft Steve Ballmer Acumen Jerry Colonna Unleashing the Idea Virus by Seth Godin Tim Ferriss podcast with Seth Godin Seth Godin website Beauty Pill Producer Ben Ford Questions Asked When did you first understand the power of questions? What do you do to get under the layer to really get down to those lower levels? Is it just follow-up questions, mindset, worldview, and how that works for you? How'd you get this job anyway? What are things like around here? What did your boss do before they were your boss? Wow did you end up with this job? Why are questions such a big part of This is Strategy? If you had to charge ten times as much as you charge now, what would you do differently? If it had to be free, what would you do differently? Who's it for, and what's it for? What is the change we seek to make? How did you choose the questions for The Strategy Deck? How big is our circle of us? How many people do I care about? Is the change we're making contagious? Are there other ways to gamify the use of questions? Any other thoughts on how questions might be gamified? How do we play games with other people where we're aware of what it would be for them to win and for us to win? What is it that you're challenged by? What is it that you want to share? What is it that you're afraid of? If there isn't a change, then why are we wasting our time? Can you define tension? What kind of haircut do you want? How long has it been since your last haircut? How might one think about intentionally creating that question? What factors should someone think about as they use questions to create tension? How was school today? What is the kind of interaction I'm hoping for over time? How do I ask a different sort of question that over time will be answered with how was school today? Were there any easy questions on your math homework? Did anything good happen at school today? What tension am I here to create? What wrong questions continue to be asked? What temperature is it outside? When the person you could have been meets the person you are becoming, is it going to be a cause for celebration or heartbreak? What are the questions we're going to ask each other? What was life like at the dinner table when you were growing up? What are we really trying to accomplish? How do you have this cogent two sentence explanation of what you do? How many clicks can we get per visit? What would happen if there was a webpage that was designed to get you to leave? What were the questions that were being asked by people in authority at Yahoo in 1999? How did the stock do today? Is anything broken? What can you do today that will make the stock go up tomorrow? What are risks worth taking? What are we doing that might not work but that supports our mission? What was the last thing you did that didn't work, and what did we learn from it? What have we done to so delight our core customers that they're telling other people? How has your international circle informed your life of questions? What do I believe that other people don't believe? What do I see that other people don't see? What do I take for granted that other people don't take for granted? What would blank do? What would Bob do? What would Jill do? What would Susan do? What happened to them? What system are they in that made them decide that that was the right thing to do? And then how do we change the system? How given the state of the world, do you manage to continue to care as much as you do? Do you walk to school or take your lunch? If you all can only care if things are going well, then what does that mean about caring? Should I have spent the last 50 years curled up in a ball? How do we go to the foundation and create community action?…
Auditorium 181 Ludwig van Beethoven (1770 - 1827) Concerto n. 5 per pianoforte e orchestra in mi bemolle maggiore, op. 73 "Imperatore"
Manage episode 428778504 series 3307387
Ameria Radio - Sc. di Musica에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Ameria Radio - Sc. di Musica 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
a cura di Paolo Pellegrini
PROGRAMMA
Ludwig van Beethoven (1770 - 1827)
Concerto n. 5 per pianoforte e orchestra in mi bemolle maggiore, op. 73 "Imperatore"
1. Allegro
2. Adagio un poco mosso
3. Rondo. Allegro
Maurizio Pollini, pianoforte
Orchestra Sinfonica Galiziana
Daniele Pollini, direttore
214 에피소드
Manage episode 428778504 series 3307387
Ameria Radio - Sc. di Musica에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Ameria Radio - Sc. di Musica 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
a cura di Paolo Pellegrini
PROGRAMMA
Ludwig van Beethoven (1770 - 1827)
Concerto n. 5 per pianoforte e orchestra in mi bemolle maggiore, op. 73 "Imperatore"
1. Allegro
2. Adagio un poco mosso
3. Rondo. Allegro
Maurizio Pollini, pianoforte
Orchestra Sinfonica Galiziana
Daniele Pollini, direttore
214 에피소드
All episodes
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1 Auditorium 211 - Gustav Mahler (1860 - 1911) Sinfonia n. 2 in do minore "Risurrezione" 1:32:32
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a cura di Paolo Pellegrini PROGRAMMA Gustav Mahler (1860 - 1911) Sinfonia n. 2 in do minore "Risurrezione" in cinque tempi per soprano e contralto soli, coro misto ed orchestra 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (Allegro maestoso. Con espressione assolutamente seria e solenne) 2. Andante moderato. Sehr gemächlich (Andante moderato. Molto comodo) 3. In ruhig fließender Bewegung (Con movimento tranquillo e scorrevole) 4. "Urlicht" (Luce primigenia) - Sehr feierlich, aber schlicht, Choralmässig (Molto solenne ma con semplicità, come un corale) 5. Im Tempo des Scherzo. Wild herausfahrend. Allegro energico. Langsam. Misterioso (Tempo di Scherzo. Selvaggiamente. Allegro energico. Lento. Misterioso) Sheila Armstrong , soprano Janet Baker , mezzo-soprano Edinburgh Festival Chorus London Symphony Orchestra Leonard Bernstein , direttore…
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1 Auditorium 210 - Isaac Albéniz (1860 - 1909) Concerto n. 1 in la minore per pianoforte e orchestra “Concierto fantástico” e Iberia 1:04:54
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a cura di Paolo Pellegrini PROGRAMMA Isaac Albéniz (1860 - 1909) Concerto n. 1 in la minore per pianoforte e orchestra “Concierto fantástico” 1. Allegro ma non troppo (la minore) 2. Rêverie et Scherzo: Andante - Presto (re minore) 3. Allegro (si minore) Aldo Ciccolini , pianoforte Royal Philharmonic Orchestra Enrique Batiz , direttore Iberia orchestrazione di Enrique Fernández Arbós Texas Festival Orchestra Andrés Franco , direttore…
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1 Auditorium 209 - Béla Bartók (1881 - 1945) Rapsodia per pianoforte e orchestra, op. 1 - BB 36b - SZ 27 e Concerto per orchestra, BB 123 - SZ 116 58:27
58:27
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a cura di Paolo Pellegrini PROGRAMMA Béla Bartók (1881 - 1945) Rapsodia per pianoforte e orchestra, op. 1 - BB 36b - SZ 27 Andor Földes , pianoforte Deutsches Symphonie-Orchester Berlin Ferenc Fricsay , direttore Concerto per orchestra, BB 123 - SZ 116 1. Andante non troppo, Allegro vivace 2. Gioco delle coppie: Allegretto scherzando 3. Elegia: Andante non troppo 4. Intermezzo interrotto: Allegretto 5. Finale: Pesante Vienna Philharmonic Orchestra Zubin Mehta , direttore…
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1 Auditorium 208 - Robert Schumann (1810 - 1856) - Ouvertüre in fa minore, op. 128 per il "Julius Caesar" e Sinfonia n. 3 in mi bemolle maggiore per orchestra "Renana", op. 97 46:20
46:20
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a cura di Paolo Pellegrini PROGRAMMA Robert Schumann (1810 - 1856) Ouvertüre in fa minore, op. 128 per il "Julius Caesar" di William Shakespeare - Kraftig gemessen. Etwas schneller. Tempo wie zu Anfang. Etwas schneller Wiener Philharmoniker Sir Georg Solti , direttore Sinfonia n. 3 in mi bemolle maggiore per orchestra "Renana", op. 97 1. Vivace 01:10 2. Scherzo. Molto moderato 11:02 3. Non veloce 17:35 4. Solenne 24:06 e V 5. Vivace 31:06 Wiener Philharmoniker Orchestre Leonard Bernstein , direttore…
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1 Auditorium 207 - Felix Mendelssohn-Bartholdy (1809 - 1847) Meeresstille und gluckliche Fahrt (Calma di mare e viaggio felice) Sinfonia n. 3 in la minore per orchestra "Scozzese", op. 56 53:47
53:47
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a cura di Paolo Pellegrini PROGRAMMA Felix Mendelssohn-Bartholdy (1809 - 1847) Meeresstille und gluckliche Fahrt (Calma di mare e viaggio felice) Ouverture da concerto in re maggiore per orchestra, op. 27 (MWV P5) - Adagio. Molto Allegro e vivace. Allegro maestoso London Symphony Orchestra Claudio Abbado , direttore Sinfonia n. 3 in la minore per orchestra "Scozzese", op. 56 (MWV N 18) 1. Andante con moto. Allegro un poco agitato. Assai animato 2. Vivace non troppo 3. Adagio 4. Allegro vivacissimo. Allegro maestoso assai London Symphony Orchestra Peter Maag , direttore Recorded in 1960, at London…
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1 Auditorium 206 - Ludwig van Beethoven (1770 - 1827) Sinfonia n. 7 in la maggiore, op. 92 41:52
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a cura di Paolo Pellegrini PROGRAMMA Ludwig van Beethoven (1770 - 1827) Sinfonia n. 7 in la maggiore, op. 92 1. Poco sostenuto - Vivace 2. Allegretto 3. Presto 4. Allegro con brio Royal Concertgebouw Orchestra Bernard Haitink , direttore
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1 Auditorium 205 - Georg Friedrich Händel (1685 - 1759) Te Deum in re maggiore, HWV 283 e Marc-Antoine Charpentier (1643-1704) Te Deum, H 146 1:02:05
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a cura di Paolo Pellegrini PROGRAMMA Georg Friedrich Händel (1685 - 1759) Te Deum in re maggiore, HWV 283 Inno per la vittoria di Dettingen 1. We praise Thee, oh God 2. All the earth doth worship Thee 3. To Thee all angels cry aloud 4. To Thee Cherubim and Seraphim 5. The glorious company of the Apostles 6. Thou art the King of Glory 7. When Thou tookest upon Thee to deliver man 8. When Thou hadst overcome the sharpness of death 9. Thou sittest at the right hand of God 10. Sinfonia 11. We therefore pray Thee 12. Make them to be number'd with Thy Saints 13. Day by day we magnify Thee 14. Vouchsafe, oh Lord, to keep us this day without sin 15. Oh Lord, in Thee have I trusted Felix Plock , basso The English Concert Händelfestspielorchester Orchestra del Festival di Händel MDR Rundfunkchor Coro della Radio MDR Hallenser Madrigalisten Madrigalisti di Halle Händelfestspielchor Coro del Festival di Händel Halle Opera Chorus Coro dell'Opera di Halle Howard Arman , direttore Marc-Antoine Charpentier (1643-1704) Te Deum, H 146 in re maggiore per soli, coro, orchestra e basso contino 1. Prelude 2. Te Deum 3. Te aeternum Patrem 4. Pleni sunt coeli et terra 5. Te per orbem terrarum 6. Tu devicto mortis aculeo 7. Judex crederis 8. Te ergo quaesumus 9. Aeterna fac cum sanctis 10. Dignare Domine 11. Fiat misericordia 12. In Te Domine speravi Les Arts florissants William Christie , direttore…
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1 Auditorium 204 Arthur Honegger (1892 - 1955) Concerto in do maggiore per violoncello e orchestra, H. 72 eSinfonia n. 3 "Symphonie Liturgique", H. 186 47:21
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a cura di Paolo Pellegrini PROGRAMMA Arthur Honegger (1892 - 1955) Concerto in do maggiore per violoncello e orchestra, H. 72 1. Andante 2. Lento 3. Allegro marcato Mstislav Rostropovich , violoncello London Symphony Orchestra Kent Nagano , direttore Sinfonia n. 3 "Symphonie Liturgique", H. 186 1. Dies irae: Allegro marcato 2. De profundis clamavi: Adagio 3. Dona nobis pacem: Andante. Adagio Royal Concertgebouw Orchestra Mariss Jansons , direttore…
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1 Auditorium 203 Manuel de Falla (1876 - 1946) Homenajes & El Amor Brujo 42:16
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a cura di Paolo Pellegrini PROGRAMMA Manuel de Falla (1876 - 1946) Homenajes Suite per orchestra 1. Fanfare sobre el nombre de Enrique Fernández Arbós 2. À Claude Debussy (Elegía de la guitarra) - Rappel de la Fanfare 3. À Paul Dukas (Spes Vitae) 4. Pedrelliana Cincinnati Symphony Orchestra Jesús López-Cobos , direttore El Amor Brujo Suite dal balletto Orquesta de Postsmout John Rosten , direttore…
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1 Auditorium 202 Anton Bruckner (1824 - 1896) Messa n. 3 in fa minore "Grosse Messe" 1:02:30
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a cura di Paolo Pellegrini PROGRAMMA Anton Bruckner (1824 - 1896) Messa n. 3 in fa minore "Grosse Messe" per soli, coro e orchestra 1. KYRIE - Moderato 2. GLORIA a. Gloria in excelsis Deo - Allegro b. Qui tollis peccata mundi - Andante, mehr Adagio c. Quoniam tu solus sanctus - Tempo I d. In gloria Dei patris, amen - Ziemlich langsam 3. CREDO a. Credo in unum Deum - Allegro b. Et incarnatus est - Moderato misterioso c. Crucifixus etiam pro nobis - Langsam d. Et ressurrexit tertia die - Allegro e. Et in Spiritum sanctum - Tempo I f. Qui cum Patre et Filio - Moderato g. Et exspecto - Allegro h. Et vitam venturi saeculi - Etwas langsamer als anfangs 3. SANCTUS a. Sanctus Dominus Deus Sabaoth - Moderato b. Pleni sunt coeli et terra - Allegro 4. BENEDICTUS a. Benedictus qui venit in nomine Domini - Allegro moderato b. Hosanna in excelsis - Allegro 5. AGNUS DEI a. Agnus Dei - Andante b. Dona nobis pacem - Moderato Sally Matthews , soprano Karen Cargill , mezzosoprano Ilker Arcayürek , tenore Stanislav Trofimov , basso Coro e Orchestra Sinfonica della Radio Bavarese Mariss Jansons , direttore…
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1 Auditorium 201 Alexander Borodin (1833-1887) Sinfonia n. 1 in mi bemolle maggiore (1867) 37:43
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A cura di Paolo Pellegrini PROGRAMMA Alexander Borodin (1833-1887) Sinfonia n. 1 in mi bemolle maggiore (1867) 1. Adagio - Allegro 2. Scherzo: Prestissimo 3. Andante 4. Allegro molto vivo Moscow Radio Symphony Orchestra Gennadi Rozhdestvensky , direttore
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1 Auditorium 200 Richard Strauss (1864 - 1949) Sinfonia n. 1 in Re minor, o.Op. 69, TRV 94 (1880) 35:20
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A cura di Paolo Pellegrini PROGRAMMA Richard Strauss (1864 - 1949) Sinfonia n. 1 in Re minor, o.Op. 69, TRV 94 (1880) 1.Andante Maestoso 2.Andante 3.Scherzo: Molto Allegro, leggiero 4.Final: Allegro Maestoso Nurnberger Symphoniker Klauspeter Seibel , direttore
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1 Auditorium 199 Hector Berlioz (1803-1869) Le corsaire (Il corsaro) e Grande Symphonie funèbre et triomphale, op. 15 45:23
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A cura di Paolo Pellegrini PROGRAMMA Hector Berlioz (1803-1869) Le corsaire (Il corsaro), ouverture in do maggiore per orchestra, op. 21 1. Allegro assai 2. Adagio sostenuto 3. Allegro assai Orchestre de Paris Paavo Järvi , direttore Grande Symphonie funèbre et triomphale, op. 15 1. Marcia funebre - Moderato un poco lento 2. Orazione funebre - Adagio non tanto; Recitativo; Andantino; Andantino poco lento e sostenuto (John Niro, solo trombone) 3.Apoteosi: Gloire et triomphe - Allegro non troppo e pomposo The Boston Conservatory Wind Ensemble Eric Hewitt , direttore…
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1 Auditorium 198 Alexander Glazunov (1865 – 1936) Oriental Rhapsody per orchestra, op. 29 - Sinfonia n 1 in mi maggiore, op 5 58:22
58:22
나중에 재생
나중에 재생
리스트
좋아요
좋아요58:22
A cura di Paolo Pellegrini PROGRAMMA Alexander Glazunov (1865 – 1936) Oriental Rhapsody per orchestra, op. 29 1. Andante 2. Presto 3. Andante (a capriccio) 4. Moderato alla marcia 5. Finale: Allegro Orchestra Sinfonica Statale di Mosca Veronika Dudarova , direttore Sinfonia n 1 in mi maggiore, op 5 1. Allegro 2. Scherzo - Allegro 3. Adagio 4. Finale: Allegro Orchestra sinfonica del Ministero della Cultura dell'URSS Gennadi Rozhdestvensky , direttore…
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1 Auditorium 197 A cura di Paolo Pellegrini PROGRAMMA Gabriel Fauré (1845 - 1924) Requiem in re minore, Op. 48 per soli,coro, organo e orchestra 38:27
38:27
나중에 재생
나중에 재생
리스트
좋아요
좋아요38:27
A cura di Paolo Pellegrini PROGRAMMA Gabriel Fauré (1845 - 1924) Requiem in re minore, Op. 48 per soli, coro, organo e orchestra 1. Introito - Kyrie - Molto largo (re minore) 2. Offertorio - Adagio molto (si minore) 3. Sanctus - Andante moderato (mi bemolle maggiore) 4. Pie Jesus - Adagio (si bemolle maggiore) 5. Agnus Dei - Andante (fa maggiore) 6. Libera me - Moderato (re minore) 7. In paradisum - Andante moderato (re maggiore) Caroline Ashton , soprano Stephen Varcoe , baritone Simon Standage , violino solista John Scott , organo The Cambridge Singers Members of the City of London Sinfonia John Rutter , direttore Year of recording: 1985…
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