Artwork

anurag minus verma and Anurag minus verma에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 anurag minus verma and Anurag minus verma 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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#57 with Prof. Brahma Prakash on Cultural Appropriation

58:40
 
공유
 

Manage episode 342057677 series 2880695
anurag minus verma and Anurag minus verma에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 anurag minus verma and Anurag minus verma 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Here, we talk about the meaning of labour in art and who controls the power to define the ‘pure’ culture. The reasons for marginalization of folk performances in India. How the idea of taste in art is shaped by the role of caste and class.

Prof. Brahma Prakash is an Assistant Professor of Theatre and Performance Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, India. He is the author of the book Cultural Labour (OUP, 2019). His research interest lies in regional cultural performance traditions from northern India with a special focus on the question of aesthetics, marginality and cultural justice.

Topics discussed in this episode:

1 What is the meaning of the often misunderstood term Aesthetics?

2. What is the meaning of 'taste' that defines good and bad art? How does the position of caste and class in this concept of 'taste?

3. What is the meaning of cultural labour?

4. Has the form traditionally belonged to Dalits and was considered 'low art', but then Upper Caste appropriated it and made it 'high art'?

5. How folk art is used as a device to play a transformative and revolutionary role in society.

6. Connections between art, leisure and creative boredom. Can working-class people who don't have the luxury of free time produce high-quality artwork?

7. What is the cultural capital of art in an age when socio-political realities have changed? In the times of social media, people from marginalised communities have used social media platforms such as TikTok and insta reels to express themselves and find a vast audience.

8. The sad reality of Brahmanical appropriation of all local festivals, customs and diety.

This podcast doesn’t have corporate funding or support, so listeners' contribution is crucial for its survival. Please support it here:

1. Patreon (Most preferred medium): https://www.patreon.com/anuragminusverma

2. BuyMeACoffee: https://www.buymeacoffee.com/Anuragminus

3. InstaMojo:(UPI/Gpay/PayTm) : https://www.instamojo.com/@anuragminusverma/

4. PayPal ( Subscribers living outside India can pay through it): https://www.paypal.com/paypalme/AnuragMinusVerma?locale.x=en_GB

Link to Prof. Brahma Prakash book: https://www.amazon.in/Brahma-Prakash/dp/0199490813/ref=mp_s_a_1_1?crid=1FVS7DTG21SIH&keywords=cultural+labour+brahma+prakash&qid=1663859520&sprefix=cultural+labour+%2Caps%2C774&sr=8-1

Read more works by Prof Brahma Prakash: https://jnu.academia.edu/BrahmaPrakashSAA

Please rate the podcast on Spotify.

Brahma Prakash’s Twitter: https://twitter.com/bprakash2020

Anurag Minus Verma’s Twitter: https://twitter.com/confusedvichar

  continue reading

111 에피소드

Artwork
icon공유
 
Manage episode 342057677 series 2880695
anurag minus verma and Anurag minus verma에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 anurag minus verma and Anurag minus verma 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Here, we talk about the meaning of labour in art and who controls the power to define the ‘pure’ culture. The reasons for marginalization of folk performances in India. How the idea of taste in art is shaped by the role of caste and class.

Prof. Brahma Prakash is an Assistant Professor of Theatre and Performance Studies at the School of Arts and Aesthetics, Jawaharlal Nehru University, India. He is the author of the book Cultural Labour (OUP, 2019). His research interest lies in regional cultural performance traditions from northern India with a special focus on the question of aesthetics, marginality and cultural justice.

Topics discussed in this episode:

1 What is the meaning of the often misunderstood term Aesthetics?

2. What is the meaning of 'taste' that defines good and bad art? How does the position of caste and class in this concept of 'taste?

3. What is the meaning of cultural labour?

4. Has the form traditionally belonged to Dalits and was considered 'low art', but then Upper Caste appropriated it and made it 'high art'?

5. How folk art is used as a device to play a transformative and revolutionary role in society.

6. Connections between art, leisure and creative boredom. Can working-class people who don't have the luxury of free time produce high-quality artwork?

7. What is the cultural capital of art in an age when socio-political realities have changed? In the times of social media, people from marginalised communities have used social media platforms such as TikTok and insta reels to express themselves and find a vast audience.

8. The sad reality of Brahmanical appropriation of all local festivals, customs and diety.

This podcast doesn’t have corporate funding or support, so listeners' contribution is crucial for its survival. Please support it here:

1. Patreon (Most preferred medium): https://www.patreon.com/anuragminusverma

2. BuyMeACoffee: https://www.buymeacoffee.com/Anuragminus

3. InstaMojo:(UPI/Gpay/PayTm) : https://www.instamojo.com/@anuragminusverma/

4. PayPal ( Subscribers living outside India can pay through it): https://www.paypal.com/paypalme/AnuragMinusVerma?locale.x=en_GB

Link to Prof. Brahma Prakash book: https://www.amazon.in/Brahma-Prakash/dp/0199490813/ref=mp_s_a_1_1?crid=1FVS7DTG21SIH&keywords=cultural+labour+brahma+prakash&qid=1663859520&sprefix=cultural+labour+%2Caps%2C774&sr=8-1

Read more works by Prof Brahma Prakash: https://jnu.academia.edu/BrahmaPrakashSAA

Please rate the podcast on Spotify.

Brahma Prakash’s Twitter: https://twitter.com/bprakash2020

Anurag Minus Verma’s Twitter: https://twitter.com/confusedvichar

  continue reading

111 에피소드

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