For this podcast episode, I am going to break down the rise and fall of SNCC. The fall of SNCC also coincides with the rise of Africana Studies departments on PWIs. This led to a brain drain of humanities professors at HBCUs to higher-salaried Black professors at PWIs. For the pop culture section, I question whether pop music can be radical. Instead, I ask us to look at genres like punk for protest music. In the policy section, I will develop an outline for a union of musicians, producers, and songwriters. For the next episodes, I will detail policies to assist with increasing participation in humanities degrees. References Smith, D. T. (2022). “They are here to support me”: Community cultural wealth assets and precollege experiences of undergraduate Black men in engineering. Journal of Engineering Education . https://doi.org/10.1002/jee.20480 Rose, D. F. (2024). Higher Education as a Movement . https://doi.org/10.1093/oso/9780197776599.003.0004 Matthews, D. Y., & Jones, T. B. (2021). HBCUs: The Foundation and Future of Social Justice, Leadership, and Leadership Development . https://doi.org/10.1108/978-1-80043-664-020211005 Santos, R. D. C. dos. (2022). Freedom Summer (United States). The Wiley‐Blackwell Encyclopedia of Social and Political Movements . https://doi.org/10.1002/9780470674871.wbespm289.pub2 Polletta, F. (2022). Student Nonviolent Coordinating Committee (SNCC) (United States). The Wiley‐Blackwell Encyclopedia of Social and Political Movements . https://doi.org/10.1002/9780470674871.wbespm400.pub2 Gavins, R. (2016). Black Panther Party (BPP) . https://doi.org/10.1017/CBO9781316216453.040 Ensminger, D. A. (2016). The Politics of Punk: Protest and Revolt from the Streets . Thompson, A. (2010). From Bad Brains To Afro-Punk: An Analysis Of Identity, Consciousness, And Liberation Through Punk Rock From 19772010 . Dimont, J. (2018). Royalty Inequity: Why Music Streaming Services Should Switch to a Per-Subscriber Model. Hastings Law Journal . Richardson, J. H. (2014). The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Services Can Save the Music Industry. Social Science Research Network . https://doi.org/10.2139/SSRN.2557709 Law and Policy in the Streaming Age . (2024). https://doi.org/10.1017/9781009394666.003 Ramesh, Dr. S. (2024). The Economics of Music Streaming: Impact on Artist Compensation and Industry Structure in the Digital Era. Journal of Humanities,Music and Dance . https://doi.org/10.55529/jhmd.46.1.8 Garon, J. (2013). Digital Hollywood 2.0: Reimagining Film, Music, Television and Publishing Distribution as a Global Artist Collaborative. Social Science Research Network . Kang, J. W., & Kim, Y.-K. (2023). An Empirical Analysis of the Effects of the Artist Welfare System on the Economic and Artistic Activities of Artists: Based on the 2021 Artist Survey. The Journal of Cultural Policy . https://doi.org/10.16937/jcp.2023.37.1.211 Nordhaus, R. E. (1983). S.N.C.C. and the Civil Rights Movement in Mississippi, 1963-64: A Time of Change. The History Teacher , 17 (1), 95–102. https://doi.org/10.2307/493225…
Funding is the Matter
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Sarah Michelle Lee Bartley Productions에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sarah Michelle Lee Bartley Productions 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Funding is the Matter is a podcast that talks about the surplus of issues caused by the racial wealth gap. I tackle different science and policy issues on the local, state, and federal levels. Within each section, I am going to have a policy memo episode. A policy memo is a document that provides analysis and/or recommendations for a particular audience regarding a particular situation or problem. This is a podcast to educate and empower us all to take our future into our own hands. For the first series, I am going to be investigating the lack of funds for Historically Black Colleges and Universities or HBCUs.This podcast proves to define that Black Lives Matter is a scientific and social problem.To subscribe to this podcast, you can find it on Spotify, Apple, or other podcast platforms. This is a bi-weekly podcast, and it will be released on July 25th.
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