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Shona Rose에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Shona Rose 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Shona's Shennanigans
모두 재생(하지 않음)으로 표시
Manage series 1861071
Shona Rose에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Shona Rose 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Books, ideas, rants...
…
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59 에피소드
모두 재생(하지 않음)으로 표시
Manage series 1861071
Shona Rose에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Shona Rose 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Books, ideas, rants...
…
continue reading
59 에피소드
Все серии
×She reads it better, here on youtube: Carolyn Forche performs her poem "Ourselves or Nothing." It is dedicated to the late Terrence Des Pres, whose book The Survivor, a much-admired account of holocaust survivors' will to bear witness, entailed a great struggle for the author. Forche, who knew Des Pres later, witnessed forms of that struggle. Des Pres taught at Colgate University and he was one of the first to offer a course in the literature of the holocaust (in the mid-1970s). The poem refers to Forche's own work in El Salvador supporting those who bore witness to atrocities committed there. https://youtu.be/5jIiRvFRj18…

1 A Bleak and Wintry View of Unbeing: City Walkup, Winter 1969 8:43
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I found something to help us with our theme: https://www.nytimes.com/1982/04/04/books/two-poets.html
What do you make of this?

1 Being and Unbeing Nonsense: Figuring it out with "Forche's On Returning to Detroit" 19:48
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In this episode, I express my insecurities and try to figure out what ee cummings was talking about and how I'm going to write the model essay for this unit.
Be prepared. This is weird. Very, very weird. You probably won't understand it all at first. I sure don't. How will be examine these poems by "being" and "unbeing." I have no answers, but we will roll through the muck and mud of these ideas together.

1 Poetry that reads like prose: Sanchez's "Reflections After the June 12th March for Disarmament" 7:20
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Sometimes it looks like poetry, but reads like prose.

1 Punctuation, Common Words that Aren't, Poetry in Sanchez's A Letter to Ezekiel Mphahlele 10:11
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No capital letters? Why? Sanchez writes here to reflect on a powerful, personal experience with a real person. Her words became a gift to him. Soak up the words, read more about the man, and then return to the letter to see what Sanchez is saying about walking, peace, bravery, and other things.
Reading poetry by phrases, singly, and then reading them coherently reveals a focus on phrases and meanings that you would miss without such a dual practice.

1 Hearing the poetry in Sanchez's bluebirdbluebirdthumywindow 9:00
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Sanchez is a poet, even when she writes prose.
Sometimes, I read something and injure myself. I think you'll hear the poetry Sanchez uses to describe her admiration of Norma.
First, I put it into one sentence, then taking it line by line as before, I tried reading the punctuation as if it were a noun. Hmmmm.
Sometimes it helps to read and take it line by line, taking the meanings as they emerge. Perhaps god is a child. Perhaps god is a child's hand. Both could be true. And sometimes, it helps to read the text first without the parenthesis, adding them later when you can figure out the sentence. And sometimes, you still don't get it when you are finished. Like that ending...…
Sometimes you have to take out some words and reorder them. The disorder of the words in the poem seem to match the disorder in thinking that cummings explains at how we have no choice when the government makes a proclamation about war.
This one has been very difficult. The only thing that seems to make sense in reading it is to consider the verbs as nouns/concepts. The piece takes on a shuddering dread, as if recounting the process where living becomes death.
This one was hard to read. It feels like it is missing words, but I wonder if each stanza functions as it's own part of speech or clause... If we joyfully navigate ourselves into the future...(introductory dependent clause) as lovers who strive for the biblical oneness (appositive to describe ourselves and our relationship) how do we in our limited understanding imagine ourselves free? (independent clause) Even though we don't understand the mysteries, you'll rest and I'll sing to you while the rest of the world concentrates on their schedules that don't matter. We are free in our love. I don't know. Probably nonsense.…
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