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Dead Souls by Nikolai Vasilievich Gogol

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Loyal Books에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Loyal Books 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Dead Souls by Nikolai Gogol, Russian writer, was first published in 1842, and is one of the most prominent works of 19th-century Russian literature. Gogol himself saw it as an “epic poem in prose”, and within the book as a “novel in verse”. Despite supposedly completing the trilogy’s second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne’s Sentimental Journey), it is usually regarded as complete in the extant form. In Russia before the emancipation of the serfs in 1861, landowners were entitled to own serfs to farm their land. Serfs were for most purposes considered the property of the landowner, and could be bought, sold, or mortgaged against, as any other chattel. To count serfs (and people in general), the measure word “soul” was used: e.g., “six souls of serfs”. The plot of the novel relies on “dead souls” (i.e., “dead serfs”) which are still accounted for in property registers. On another level, the title refers to the “dead souls” of Gogol’s characters, all of which visualise different aspects of poshlost (an untranslatable Russian word which is perhaps best rendered as “self-satisfied inferiority”, moral and spiritual, with overtones of middle-class pretentiousness, fake significance, and philistinism).
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Dead Souls by Nikolai Vasilievich Gogol

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icon공유
 
Manage series 1175333
Loyal Books에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Loyal Books 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Dead Souls by Nikolai Gogol, Russian writer, was first published in 1842, and is one of the most prominent works of 19th-century Russian literature. Gogol himself saw it as an “epic poem in prose”, and within the book as a “novel in verse”. Despite supposedly completing the trilogy’s second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence (like Sterne’s Sentimental Journey), it is usually regarded as complete in the extant form. In Russia before the emancipation of the serfs in 1861, landowners were entitled to own serfs to farm their land. Serfs were for most purposes considered the property of the landowner, and could be bought, sold, or mortgaged against, as any other chattel. To count serfs (and people in general), the measure word “soul” was used: e.g., “six souls of serfs”. The plot of the novel relies on “dead souls” (i.e., “dead serfs”) which are still accounted for in property registers. On another level, the title refers to the “dead souls” of Gogol’s characters, all of which visualise different aspects of poshlost (an untranslatable Russian word which is perhaps best rendered as “self-satisfied inferiority”, moral and spiritual, with overtones of middle-class pretentiousness, fake significance, and philistinism).
  continue reading

27 에피소드

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