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Clara Peterson and Jessica Williams, Clara Peterson, and Jessica Williams에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Clara Peterson and Jessica Williams, Clara Peterson, and Jessica Williams 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Full Police Interrogations, 911 Calls, and True Crime Investigations - True Crime Podcast 2025


1 The Craziest Serial Rapist In British History 200 Victims | The Case Of Reynhard Sinaga 38:44
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The Craziest Serial Rapist In British History 200 Victims | The Case Of Reynhard Sinaga A terrible true crime story about how a quiet honors student in Indonesia became an insane maniac with over 200 victims. For more than two years he had been operating in Manchester, UK, and when he was caught, everyone was shocked! The heartbreaking case of Reynhard Sinaga! The Craziest Serial Rapist In British History | The Case Of Reynhard Sinaga | True Crime Documentary Become a supporter of this podcast: https://www.spreaker.com/podcast/full-police-interrogations-911-calls-and-true-crime-investigations-true-crime-podcast-2025--6463449/support .…
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모두 재생(하지 않음)으로 표시
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Clara Peterson and Jessica Williams, Clara Peterson, and Jessica Williams에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Clara Peterson and Jessica Williams, Clara Peterson, and Jessica Williams 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Pod De Deux explores current issues and trends in the dance community through frank and relaxed conversations with dance-makers. Guests include dancers, choreographers, administrators, and anyone else with a firm connection to the dance world. We seek to understand our guests’ experiences through an honest back-and-forth that is ultimately more thought-provoking and spirited than a simple Q&A.
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118 에피소드
모두 재생(하지 않음)으로 표시
Manage series 1019963
Clara Peterson and Jessica Williams, Clara Peterson, and Jessica Williams에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Clara Peterson and Jessica Williams, Clara Peterson, and Jessica Williams 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Pod De Deux explores current issues and trends in the dance community through frank and relaxed conversations with dance-makers. Guests include dancers, choreographers, administrators, and anyone else with a firm connection to the dance world. We seek to understand our guests’ experiences through an honest back-and-forth that is ultimately more thought-provoking and spirited than a simple Q&A.
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118 에피소드
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Pod De Deux » Pod de Deux podcast episodes

1 ON BEING THEIR FULL SELF: Dance Now Chapter 5 w/ Jasmine Hearn 53:30
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In this installment of PDD’s fall/spring series covering the Dance Now 25th anniversary season, Paul Hamilton speaks with the intrepid Jasmine Hearn, one of the commissioned artists in the March lineup! The March lineup also includes Megan Williams, Ruben Graciani, TSIAMBWOM M. AKUCHU, and Brendan Drake. During this interview, Jasmine shared: “As an artist, I aim to cultivate new connections while strengthening existing relationships to who and how I have learned with the intention to preserve and expand lineages of learning by naming, practicing, and integrating a multitude of lessons.” You can purchase a ticket here and use code PDDCH521 for 30% off Chapter 5 Digital Content & Watch Party Tickets! Or check out the full season and ticketing options at https://dancenow.online/ ! Jasmine Hearn is from the occupied land of the Karankawa and Atapake people, now known as Houston, TX. A performer, director, choreographer, organizer, teaching artist, and a 2017 Bessie award winning performer with Skeleton Architecture, they have crafted and shared solo and collaborative dance theater performances rooted in identity, memory, and the facilitation of creative space for feelings and fantasy. Jasmine’s commitment to dance is an expansive practice that includes performance, collaboration, sound, and garmentry. They are currently a company member with Urban Bush Women and a 2019 Jerome Foundation Jerome Hill Fellow.…
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*PDD listeners receive a $5 discount on tickets to the Dance Now virtual celebration of Claire Porter on Feb 25th at 7pm EST! Use code PDDCEL421 ! In this installment of PDD’s fall/spring series covering the Dance Now 25th anniversary season, Paul Hamilton speaks with Choreographer, Writer and Performer Claire Porter, who is being honored on Thursday, February 25th at 7:00pm EST during the festival’s evening celebration. This interview is a wide-ranging conversation in which Claire shares thoughts about her work, and her long career as an educator and Laban Movement Analyst. You can find more information about the celebration honoring Jane and purchase a $20 ticket ($15 with code PDDCEL421) here , or check out the full season and ticketing options at https://dancenow.online/ ! Choreographer, Writer and Performer Claire Porter is known for her comedic text and movement work, and her skilled teaching. She has performed her work nationally and internationally as Claire Porter / PORTABLES. In the New York City area, her work has been produced at DTW, Danspace St. Mark’s Church, PS 122, The Kitchen, Joyce SOHO, Town Hall, The NY Horticulture Society, Liberty Science Center, and New Jersey Performing Arts Center. PORTABLES has also been presented at major US dance festivals including the American Dance Festival, Bates Dance Festival, Jacob’s Pillow, and The Yard on Martha’s Vineyard. In addition, Claire teaches Laban Movement Analysis for New York University Steinhardt School. She has an MA in Dance from Ohio State, a BA in Mathematics from The College of New Rochelle, is on the Advisory Board of DanceNJ, (www.dancenj.org), and is a Laban Movement Analyst (www.limsonline.org).…
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1 LLAB Ep 6 – The Front of the Room: Getting There and Staying There Pt II w/ Candace Thompson-Zachery &; Sophie Myrtil-McCourty 1:16:24
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In our previous episode, we explored the stories and experiences of two Black dance leaders, their leadership styles, how they navigate their Blackness in their workplaces, as well as ways that they advocate for their Black dancers. Today, we’re peeling back another layer, getting to know two dance leaders in dance advocacy and dance management. We examine how our culture influences our work, and what it’s like to represent and advocate for Black dancers, and dancers of color, on both a local and global level. Candace Thompson Zachary is a performer, choreographer, fitness professional, cultural producer, teaching artist, Caribbean dance specialist, and Manager of Justice, Equity, and Inclusion Initiatives at DanceNYC. Sophie Myrtil-McCourty is the President of Lotus Arts Management, where she represents leading dance companies such as Ronald K. Brown / EVIDENCE, AIM by Kyle Abraham, Reggie Wilson Fist & Heel Performance Group, Bereishit Dance Company, and CONTRA-TIEMPO.…
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Photo Credits Damian Tierney, Andrea Mohin *PDD listeners receive a discount on tickets to the Dance Now February chapter with code PDDCH421 – see below for details! In this installment of PDD’s spring series covering the Dance Now 25th anniversary season, Paul Hamilton speaks with the extraordinarily talented dancer, choreographer and teacher Maleek Washington . Maleek is one of four commissioned artists presenting works in February’s chapter (#4), along with Alice Shepard, Subject: Matter, and Kate Landenheim. The lineup also includes archival works from Mark Gindick and Adam Barruch. In the interview Maleek shares his thoughts about navigating a path in the dance profession. He covers everything from working with brilliant choreographers Camille Brown and Kyle Abrahams, to how the ongoing pandemic has affected his career, to his newly commissioned work for Dance Now. You can find more information about the Dance Now season here or check out the full season and ticketing options at https://dancenow.online/ ! Dance Now is offering Pod de Deux listeners a discount on tickets to Chapter 4 of the DANCE NOW Story! For just $7 (regular price is $10), PDD subscribers will have access to Chapter 4’s new and archival dance pieces until June 30, 2021. You can watch the digital performances at your leisure or join the Watch Party on Thursday February 11 at 6pm EDT. The PDD subscription offer is good starting TODAY (Feb. 9th) through Feb 16th! For more info and to purchase a Chapter 4 ticket, visit: dancenow.online. Use the code: PDDCH421 A native New Yorker from the Bronx, Maleek Washington is a performer, choreographer, and teaching artist. Washington began his dance training at Harlem School of the Arts, Broadway Dance Center, and LaGuardia High School for the Performing Arts. He attended Boston Conservatory on a full scholarship and began his professional career with Commonwealth Ballet, CityDance Ensemble, and Kyle Abraham’s A.I.M. for four seasons. Following that, Washington performed with Punch Drunk’s “Sleep No More” as the first African American male performer. He is currently in his third season with Camille A. Brown & Dancers.…
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1 LLAB Ep 5: The Front of the Room Pt I – w/ Tiffany Rea-Fisher & Jonathan Alsberry 1:23:54
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Photo Credits: Tiffany Rea-Fisher by Ayodele Casel / Jonathan Alsberry by Steven Truman-Gray In our last episode, we had a great conversation with two dancers about their experiences navigating the professional commercial dance field while Black. In today’s episode, we’re continuing this dialogue, talking to people whom we often call the “front of the room.” We didn’t want to stop the conversation with the experiences of those in the classrooms and on stage; we also wanted to include those at the audition tables and in the casting rooms – those who wield decision-making power and influence. This episode spotlights the experiences and challenges of Black dance leaders that we don’t often get to discuss. Tiffany Rea-Fisher is a writer, choreographer, collaborator, and teacher. After performing for many years as a principal dancer, she is now the Artistic Director of Elisa Monte Dance Company. Jonathan Alsberry is a dance educator, creator, and coach who works with renowned artists such as Lar Lubovitch and Aszure Barton. He is also the Artistic Liaison for Hubbard Street Dance Chicago. Tiffany Rea-Fisher IG: @treafisher, @elisamontedance FB: @elisamontedance Twitter: @treafisher, @elisamontedance Jonathan Alsberry IG: @jojodanzer FB: facebook.com/iDancer…
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1 WILL I STILL BE HERE, AFTER? : Jane Comfort – Dance Now Ep. 5 1:20:41
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In this installment of PDD’s fall/spring series covering the Dance Now 25th anniversary season, Paul Hamilton speaks with Choreographer, Writer, Director, and two-time Bessie winner Jane Comfort, who is being honored on Thursday, December 3rd at 7:00pm during the festival’s evening celebration. This interview is a wide-ranging conversation in which Jane shares thoughts about her work, her long career, and motherhood. You can find more information about the celebration honoring Jane and purchase a $20 ticket here , or check out the full season and ticketing options at https://dancenow.online/ ! Find out more about Jane and her work at http://janecomfortandcompany.org/about-jane/ . JANE COMFORT is a choreographer, writer, and director whose 2018 40th Anniversary Retrospective at La MaMa won a Bessie Award for best revival. She was also given a lifetime achievement award by the American Dance Guild. Her work has long explored the intersection of movement and text, often mixing high and low arts to make social and political commentary. She has received a Guggenheim Fellowship, two BESSIE Awards, a Doris Duke Award for New Work through ADF, and multiple artist fellowships from NEA, NYSCA, and NYFA. She also works in theater and opera, and choreographed the Broadway musicals Passion, by Stephen Sondheim, and Amour, by Michel Legrand.…
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1 LLAB Ep 4: Navigating the Professional Field while Black Pt II – w/ Tash Crudup & Keenan Cooks 1:01:31
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In our previous episode of the LLAB, we spoke with three Black dancers about their experiences and challenges navigating concert dance. This week, we talked to dancers on the other end of the field, in commercial dance. Our guests Tash Crudup and Keenan Cooks share stories and lessons about the challenges, triumphs and what it takes to make it as a Black commercial dancer. Tash has danced with Rihanna, Kanye West, Jennifer Lopez, and Lorde; has choreographed for Meg thee Stallion, Goldlink, and Tyler the creator; and is the Founder/CEO of Lil Vegan Shawty. Keenan has danced for Big Sean, Nicki Minaj, Ne-Yo, Kendrick Lamar, Halsey, and Dua Lipa; has choreographed for Cardi B, Meek Mill, and Yo Gotti; and teaches regularly at Broadway Dance Center. Social Media: Keenan Cooks Instagram: @ayokeenan Twitter: @ayokeenan_ Facebook: KeenanCooksDance Tash Crudup Instagram: @TashCrudup Website: lilveganshawty.co…
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1 LOOKING FOR A WAY BACK: Orlando Hernandez – Dance Now Ep. 4 55:43
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In the 4th episode of PDD’s coverage of the Dance Now festival’s 25th anniversary season, new host Paul Hamilton talks with the talented tap dancer Orlando Hernandez, who has a new digital commission premiering online on Thursday, November 12th as part of the Dance Now November Chapter. (Tickets and additional information are available here !) In this interview, Orlando talks about his work, his Dance Now commission, opportunities available to artists during and prior to the pandemic, and the importance of Dance Now and their mission for artists. Check out Dance Now’s full season virtual offerings at https://dancenow.online/ . Orlando Hernandez is a tap dancer based in Rhode Island. He has presented work at On the Boards, SPACE Gallery, the Granoff Center at Brown University, Movement Research at the Judson Church, DANCE NOW at Joe’s Pub (2019 Festival and Festival Encore), and La Casa de Cultura Ruth Hernández Torres (Río Piedras, Puerto Rico). He was the 2019 recipient of the Fellowship in Choreography from the Rhode Island State Council on the Arts, and a 2019 recipient of the Rebecca Blunk Fund Award from the New England Foundation for the Arts. You can find him at www.orlyhernandez.com or on IG @pineappleju_icefrog…
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1 LLAB Ep 3: Navigating the Professional Field while Black Pt I – w/ Rena Butler and Maleek Washington 1:21:48
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In our previous series on the LLAB, we spoke with Black dancers about their experience as dance students in undergraduate and graduate programs and the challenges they faced being minorities in those spaces. This week, we started a new two-episode topic, re-centering the conversation on what it’s like to be a professional dancer while Black. We meet concert dancers Rena Butler and Maleek Washington, and talk about their unique experiences dancing with both predominantly Black and non-Black companies, as well their experience of being overqualified. Rena is a dancer, director, and choreographer dancing with Gibney Dance Company. Maleek is a dancer, choreographer, and educator dancing with Camille A. Brown and dancers. This is the 3rd episode in our new fall series, The LLAB with Antuan Byers. LLAB stands for listening, learning, and building. The overall goal of this series is to create a space to share marginalized Black voices, to learn from their experiences, and dream for ways in which we can move forward.…
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1 GIVE SPACE FOR OTHER VOICES: Jamal Jackson & Nicole Wolcott – Dance Now Ep. 3 53:25
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Photo Credits: Matt Murphy, Nicole Wolcott, Jonathan Hökklo & Antoine Tempé In the 3rd episode of PDD’s coverage of the Dance Now festival’s 25th anniversary season, new hosts Paul Hamilton and Sabrina Karlin interview Jamal Jackson and Nicole Wolcott! Digital commissions from both artists premiere as part of Chapter 2 on Thursday, October 8th. Tickets and additional information are available here . Check out the full season’s offerings at https://dancenow.online/ . In today’s interview, Jamal and Nicole discuss pandemic parenting, giving space to marginalized voices, and the challenges of empowering new audiences to interact with dance. The artists also look back on the importance of DANCE NOW in developing their respective choreographic voices. Jamal Jackson , born in Brooklyn, graduated from Brown University and performed as a principal dancer with Ballet International Africans for two seasons. In 2004, he founded the Jamal Jackson Dance Company with the goal of fusing traditional African styles with modern and hip hop techniques. The company maintains a strong presence in the dance community through outreach and performances in festivals and venues such as Jacob’s Pillow, Summerstage and DANCE NOW. His work focuses on themes of identity and community. Nicole Wolcott is a Brooklyn-based performer and choreographer who co-founded KEIGWIN + COMPANY with Larry Kiewin in 2003. Both in collaboration and independently, she has since created and performed across the lines of concert dance, film and theater both on and off Broadway. She continues to experiment with space and medium while choreographing and teaching at many notable universities. Her work with DANCE NOW spans over 13 years.…
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1 LLAB Ep 2: White Supremacy in Dance Education Pt II – w/ Michelle Gibson, Sydnie Mosley & Iyun Harrison 1:09:19
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Photo credit for Sydnie: Jamie McClean @jmxclean Photo credit for Michelle : Jonah Pester In our previous episode of the LLAB, we spoke with three Black dancers about their experiences and challenges with navigating undergraduate dance programs. This week, we wanted to take it a step further. We expanded our dialogue to the often overlooked subject of being a Black dancer in a graduate program. Our guests, Michelle Gibson, Iyun Harrison, and Sydnie Mosley, share stories, lessons, and laughs on what it was like pursuing their Master’s of Fine Arts (MFA); they also provide advice for others interested in pursuing an MFA. Michelle Gibson, MFA, is a cultural ambassador, choreographer, educator, and performing artist, as well as a faculty member at Booker T. Washington High School for the Performing and Visual Arts. Iyun Harrison, MFA, is choreographer, educator and the founder and creative director of Ballet Ashani. Contribute to the GoFundMe for Iyun’s Doctoral Program Fundraiser here! gf.me/u/yqzvwn Sydnie Mosley, MFA, is a performer, choreographer, artist-activist, and educator, and artistic director of Sydnie L. Mosley Dances (SLMDances). This is the 2nd episode in our new fall series, The LLAB with Antuan Byers. LLAB stands for listening, learning, and building. The overall goal of this series is to create a space to share marginalized Black voices, to learn from their experiences, and dream for ways in which we can move forward.…
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1 DANCERS ARE FIGURING IT OUT: Gus Solomons jr. – Dance Now Ep. 2 58:51
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In the 2nd installment of PDD’s fall/spring series covering the Dance Now 25th anniversary season, new hosts Paul Hamilton and Sabrina Karlin interview the iconic Gus Solomons jr! Gus will be honored in Dance Now’s Chapter 1 virtual celebration on Thursday, October 1st at 7:00pm EDT. You can find more information and purchase a $20 ticket here , or check out the full season and ticketing options at https://dancenow.online/ ! In this interview, Gus gives us a fascinating overview of his career, including how he made his way from an architecture degree at MIT to Martha Graham, Merce Cunningham and many more luminary choreographers. Along the way, he emphasizes the resilience and ingenuity of dancers and the dance community at large – an important message and reminder for all of us in these challenging times. Gus Solomons jr. is a vital and essential part of American dance history. As a dancer, he drew and captured the attention of Martha Graham, Merce Cunningham, Pearl Lang, and Donald Mckayle, to name just a few. He created Gus Solomons Company/Dance in 1972, and the dance collective Paradigm in 1996. As a choreographer, he has created more than 170 works that have been performed on stages around the world, in art galleries and museums, in warehouses, and on film. As a teacher, he has motivated and mentored dance students for over decades. As a writer, he is creating literature that will hold true as the genre evolves. Yet, he continues to challenge himself, shifting seamlessly between these roles and creating new forms and new understandings of the art form that has given him so much.…
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1 LLAB Ep 1: White Supremacy in Dance Education Pt I – w/ Morgan Burns, Runako Campbell & Ricardo Hartley 1:07:34
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In the first episode of this fall PDD series, The LLAB, new Host Antuan Byers talks to a recent grad, Morgan Burns, and college seniors, Runako Campbell and Ricardo Hartley, about their experiences navigating the world of dance education as Black students at predominantly white institutions. Although all three of these guests attended different colleges and conservatories, we quickly learned how their experiences as minorities in their programs have been very similar. We discussed our concerns with the lack of representation in our field, the importance and difficulty of finding mentors that look like you, and the challenges of accessing Black dance history. We also shared stories and experiences about how our dance spaces are eurocentric – not leaving room for other aesthetics, techniques, and cultures. Morgan talked to us about what sparked the idea for her new organization, the Collegiate Association for Artists of Color (C.A.A.C.); Runako caught us up on what she will be exploring in her senior thesis that focuses on Black girls, women, and femme-identifying dancers; and Ricardo gave us the inside scoop on his new journal created specifically for queer artists of color. Morgan Burns is a recent graduate of New York University, and is the founder of Collegiate Association for Artists of Color (C.A.A.C.). Runako Campbell is a current senior at Princeton University, who has been an active member within their dance department, acting as an Artistic Director of their dance company, DiSiac, as well as dancing with the Princeton University Ballet. Ricardo Hartley is a current senior at the Juilliard School, and founder of the dance workshop, The Audition. This is the first episode in our new fall, series, The LLAB with Antuan Byers. LLAB stands for listening, learning, and building. The overall goal of this series is to create a space to share marginalized Black voices, to learn from their experiences, and dream for ways in which we can move forward.…
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Personal & Business Coach Devon Bandison joins new PDD Host Antuan Byers, as well as Jessica and Clara, to help the PDD team prepare to integrate racial justice conversations into our work. This work will begin with Antuan’s upcoming series called The LLAB (Listening, Learning and Building), which will create a space to share marginalized Black voices, to learn from their experiences, and dream for ways in which we can move forward. In preparation for this and more, Devon helps us understand how to approach racial conversations and our own contributions as individual members of society. Devon Bandison is one of the most sought-after personal and business coaches in the world. He works with Fortune 100 Companies and people from all walks of life, including professional athletes, CEO’s, salespeople, small business owners, filmmakers, producers, parents, and more. Devon was born and raised in New York City, where his love of sports and hard work resulted in him receiving a basketball scholarship to Belmont Abbey College in North Carolina. After graduating, he spent years working on the front lines in NYC with an organization responsible for developing behavioral health programs for youth, families and first-time fathers in some of the toughest neighborhoods throughout the city. As Director of this organization, he was responsible for the clinical and leadership development of social workers, psychiatrists and managers. He now serves as the Director of Children’s Services for the Community Mental Health Services division, in addition to running his coaching company and keeping up with numerous coaching and speaking engagements.…
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1 WE WILL REINVENT & REIMAGINE: Robin Staff – Dance Now Ep. 1 54:59
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Robin Staff, Founding Executive Artistic Director of Dance Now, sat down with Clara and new PDD host Paul Hamilton to discuss Dance Now’s 25th anniversary season that kicks off on September 10th! Dance Now, which traditionally opens the NYC performance season with a week of shows at Joe’s Pub, is charting new territory by hosting a completely virtual season with performance and celebration chapters spanning September 2020 to May 2021. Pod de Deux will be covering the whole season! We chatted with Robin about the process of going virtual, presenting artists with the challenge of creating work remotely within the dimensions of the Joe’s Pub stage (fitting for quarantine!), and her own personal history in the dance world. Purchase tickets to individual events or a season pass at https://dancenow.online/ ! Don’t miss these videos of creative approaches to dance in pandemic times that Robin mentioned enjoying! Keigwin & Wolcott work: Juilliard students perform to Bolero Black Men of Concert Dance passing ballet shoes (under “Slaying on Social”) The daughter of a painter, Robin went to Goucher College to study visual and creative arts and graduated as the first dance major, charting the development of one of today’s most vital college dance programs. She continued her career as a dancer at an age that was then considered ‘too old’, creating a small repertory company to sustain both a love of neo‐classical ballet and an eagerness to explore new and contemporary movement styles. Robin was inspired by unusual urban spaces and created her first gallery performance at the Wooster Street Gallery in Soho in 1993. The intimacy and enormous enthusiasm between the artists and audience members at this first performance predicted DANCE NOW’s artistic direction. Over the past two decades, DANCE NOW has worked to make dance accessible and welcoming, bending the rules to offer artists a new way to think about creating and audiences new ways to experience dance. As DANCE NOW moves into its third decade, Robin’s vision continues to encompass the untraditional, the unconventional and the unknown. As an administrator, she is directed by her concern for the survival of dance makers, particularly young artists and BIPOC dance artists. She remains steadfast in her commitment to providing opportunities that present new choices, stimulate creativity, advance careers, and encourage exploration of the untried, while defying the archetypical and carving a path to new means of expression.…
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