Blood on the Tracks Episode 47: The Atomic 1950s.


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Player FM과 저희 커뮤니티의 Lee Russell 콘텐츠는 모두 원 저작자에게 속하며 Player FM이 아닌 작가가 저작권을 갖습니다. 오디오는 해당 서버에서 직접 스트리밍 됩니다. 구독 버튼을 눌러 Player FM에서 업데이트 현황을 확인하세요. 혹은 다른 팟캐스트 앱에서 URL을 불러오세요.

The Atomic age is upon Blood on the Tracks this month as all sorts of strange radiation-born monsters are invading the perfect utopia that was the 1950s *cough-cough*. Anyway, it was a great decade to be a sci-fi and horror fan, and it was a decade that produced a lot of great film scores. Lee curates a playlist that reflects some of the best examples of this fact, in his opinion.

--Main Title from "The Beast from 20,000 Fathoms" (1953) --David Buttolph --Main Title & Fury of Godzilla from "Godzilla" (1954) --Akira Ifukube --Blasted Arachnid from "Tarantula" (1955) --Henry Mancini & Herman Stein --Suite from "Beginning of the End" (1957) --Albert Glasser --Orchestral Suite 8 from "The Amazing Colossal Man" (1957) --Albert Glasser --Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein --Homura Club - Background Music #1 from "The H-Man" (1958) --Masaru Satoh --Main Titles & End Titles from "Fiend Without a Face" (1958) --Buxton Orr --Suite from "The Atomic Submarine" (1959) -- Alexander Laszlo

Opening and closing music: Betrayal (Sorcerer Theme) from "Sorcerer" by Tangerine Dream, and My Name & The Departure from "Shanghai Joe" by Bruno Nicolai.

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