1. Introduction Bijoux Parisiens podcast

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Bijoux Parisiens Arts Taft Museum Of Art

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추가했습니다 eight 년 전

Bijoux Parisiens and Taft Museum of Art에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Bijoux Parisiens and Taft Museum of Art 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

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This Is Woman's Work with Nicole Kalil

This Is Woman's Work with Nicole Kalil podcast artwork

This Is Woman's Work with Nicole Kalil podcast artwork

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How To Pitch Yourself (And Get A Yes) | 300 27:52

2일 전27:52

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27:52

We made it— 300 episodes of This Is Woman’s Work ! And we’re marking this milestone by giving you something that could seriously change the game in your business or career: the skill of pitching yourself effectively. Whether you’re dreaming of being a podcast guest, landing a speaking gig, signing a client, or just asking for what you want with confidence—you’re already pitching yourself, every day. But are you doing it well? In this milestone episode, Nicole breaks down exactly how to pitch yourself to be a podcast guest … and actually hear “yes.” With hundreds of pitches landing in her inbox each month, she shares what makes a guest stand out (or get deleted), the biggest mistakes people make, and why podcast guesting is still one of the most powerful ways to grow your reach, authority, and influence. In This Episode, We Cover: ✅ Why we all need to pitch ourselves—and how to do it without feeling gross ✅ The step-by-step process for landing guest spots on podcasts (and more) ✅ A breakdown of the 3 podcast levels: Practice, Peer, and A-List—and how to approach each ✅ The must-haves of a successful podcast pitch (including real examples) ✅ How to craft a pitch that gets read, gets remembered, and gets results Whether you’re new to pitching or want to level up your game, this episode gives you the exact strategy Nicole and her team use to land guest spots on dozens of podcasts every year. Because your voice deserves to be heard. And the world needs what only you can bring. 🎁 Get the FREE Podcast Pitch Checklist + Additional Information on your Practice Group, Peer Group, and A-List Group Strategies: https://nicolekalil.com/podcast 📥 Download The Podcast Pitch Checklist Here Related Podcast Episodes: Shameless and Strategic: How to Brag About Yourself with Tiffany Houser | 298 How To Write & Publish A Book with Michelle Savage | 279 How To Land Your TED Talk and Skyrocket Your Personal Brand with Ashley Stahl | 250 Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform! 🔗 Subscribe & Review: Apple Podcasts | Spotify | Amazon Music…

Bijoux Parisiens »
1. Introduction

8년 전 1:49

공유

MP3•에피소드 홈

Bijoux Parisiens and Taft Museum of Art에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Bijoux Parisiens and Taft Museum of Art 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.

… continue reading

21 에피소드

#Bijoux Parisiens #Arts #Taft Museum Of Art

Artwork

1. Introduction

Bijoux Parisiens

published 8년 전

공유

MP3•에피소드 홈

Bijoux Parisiens and Taft Museum of Art에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Bijoux Parisiens and Taft Museum of Art 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.

… continue reading

21 에피소드

#Bijoux Parisiens #Arts #Taft Museum Of Art

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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1. Introduction 1:49

8 years 전1:49

나중에 재생

나중에 재생

1:49

The exhibition “Bijoux Parisiens” has been produced by the Petit Palais, City of Paris Fine Arts Museum, Paris Musées, in cooperation with the Joslyn Art Museum in Omaha, Nebraska, with additional loans for this showing arranged by the Taft Museum of Art. This audio tour has been made possible through the generosity of the Docents of the Taft Museum of Art.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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2. Artist Unknown, Southern Germany, “Charity Pendant,” about 1590–1600 2:04

8 years 전2:04

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Worn on a chain, this pendant presents at its center a woman embracing two children, symbolizing the Christian virtue of charity. Some of the gold structure has been decorated with enamel, which is made of ground glass and pigment that produce vivid color when fired in a kiln. French creators also worked in the typical Renaissance style of this German pendant, linking diverse elements together.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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3. Artist Unknown, Portugal, “Bodice Brooch (Devant de corsage),” about 1760 1:59

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During the reign of Louis XV of France (1715–1774), his courtiers preferred jewelry marked by symmetry and shining white gems. In this piece imported from Portugal, semi-precious stones—quartz and tourmaline—replaced diamonds. Like Pouget’s engravings nearby, this brooch features ribbons, flowers, and pear-shaped drops.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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4. Artist Unknown, Paris, “Neoclassical Necklace,” about 1800–1810 2:19

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In this necklace, the artist elegantly suspended a medallion depicting Athena, goddess of wisdom, from two swans, a symbol associated with Napoleon’s first wife, the Empress Joséphine. Bolstering his own empire, Napoleon I set a new taste for objects based on ancient Roman art. He especially adored antique cameos, small hardstones with figures carved in relief. This enamel plaque replicates a cameo design.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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5. Artist Unknown, France, “Amethyst Parure (Jewelry Set),” 1820–1830 2:15

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The restored monarchy and its court could more easily afford semi-precious stones, such as these amethysts imported from Brazil, than the much costlier rubies, emeralds, or diamonds. The creator of this jewelry set placed amethysts within wide frames of embossed and delicately chiseled gold, which he treated with economical milled edges.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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6. Jules Wièse, “Bracelet,” about 1855 2:07

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In each of the linked gold medallions that compose this bracelet, finely worked silver busts emerge from emerald-green engraved enamel fields. Jules Wièse, the maker of this bracelet, drew inspiration from early Italian Renaissance sculptural busts. Wièse began his career as goldsmith for François-Désiré Froment-Meurice.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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7. Eugène Fontenay for Fontana et Cie, “Necklace,” about 1865 2:02

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This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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8. Eugène Fontenay, enamels by Eugène Richet, “Bracelet,” about 1875 2:35

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This bracelet represents a joint product of the jeweler Eugène Fontenay and an enamellist, Eugène Richet. Venerating antiquity, they featured small painted enamel panels with scenes of an ancient Greek procession based on the Parthenon sculptures in Athens. Musicians lead the caravan, followed by the figure of Victory in a chariot—led by cherubs on leopards—and a bull to be sacrificed.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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9. Lucien Falize, enamel by Claudius Popelin, “Necklace,” about 1880–1890 2:20

8 years 전2:20

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This Renaissance-revival necklace features an enamel portrait of Diane de Poitiers (1499–1566), the mistress of Henri II and an art patron in Renaissance France. Both the gold frame of this enamel portrait and the style of the chains allude to Renaissance models. Further, like Renaissance pendants, which often featured initial letters and monograms, this work intertwines enameled Hs and Ds in several places to indicate the lovers’ close connection.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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10. Lucien Falize, “Gothic Bracelet,” about 1880 2:05

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The sections of this Gothic-revival bracelet recall the vertical spires of a High Gothic cathedral or picture frame. The 1825 opening of the Musée de Cluny, which housed spectacular medieval art, launched the Neo-Gothic style. A national effort to restore Gothic churches commenced in the 1840s and lasted through the century.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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11. Pierre-Georges Deraisme, "Putti Playing Blind Man’s Bluff," "Putti with a Perching Cat,” 1898 2:12

8 years 전2:12

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Pierre–Georges Deraisme was the first of his generation to draw inspiration from the 18th century pictorial tradition of frolicking and music-making angels and cupids. Within a few years, Léopold Gautrait and Charles Jacqueau would also turn to the 18th century for design ideas for jewelry, as will be seen later in the exhibition.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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12. Frédéric Boucheron, after a design by Octave Loeuillard, “Fern Brooch,” about 1880 2:47

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In the 1880s, Octave Loeuillard created a series of designs for the jeweler Frédéric Boucheron that were noted for their technique and originality. The elegant and airy Fern Brooch, which could also be worn as a hair ornament, was among them. Boucheron founded his very highly regarded jewelry house in Paris in 1858; it is still in business on the Place Vendôme in Paris.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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13. Georges Fouquet, after a design by Charles Desrosiers “Thistle Leaf Bracelet,” about 1905–1909 2:18

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Georges Fouquet sometimes collaborated with the designer Charles Desrosiers, who conceived this unusual bracelet. Encircling a central opal, the thorny thistle leaves have iridescent enameled surfaces that echo and accentuate the shimmering colors of the opal.

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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14. Georges Fouquet, “Forked Hairpin,” 1905–1906 2:46

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George Fouquet's hairpin illustrates the Art Nouveau aesthetic: it consists of organic forms punctuated by diamonds, enamel, and pearls, all used sparingly and in service to the overall design. Fouquet’s father Alphonse had founded the business in 1862, but the dynasty’s great stars were Georges and his son Jean Fouquet, whose Art Deco works appear later in the exhibition.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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15. Georges Fouquet, after a design by Charles Desrosiers “Headband,” about 1910 1:59

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Georges Fouquet selected delicately colored aquamarines for this headband. Between the gems, he colored the gold structure with equally pale plique-à-jour enamels, then lined the band with small diamonds. Like most of his colleagues, Georges Fouquet moved away from Art Nouveau designs by about 1910. Hair ornaments comprised an important field of jewelry after 1910, as can be seen in this section of the exhibition.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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16. Charles Jacqueau, “Maharaja Headpiece,” about 1926, and Cartier, “Evening Bag,” about 1925 2:41

8 years 전2:41

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Jacqueau drew a design for a magnificent Indian headpiece from one viewpoint. This evening bag displays the taste for Indian design that often informed Parisian fashion in the first quarter of the 20th century.

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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17. Attributed to Jean Fouquet, “Pendant Necklace on Chain,” about 1925–1930 1:59

8 years 전1:59

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Like other daring Art Deco creations, this bold necklace shows its designer breaking rules of symmetry that were centuries old: he placed a large rectangular aquamarine off-center on an engraved platinum disk. Unconventionally, the necklace also combines multiple metals. Jean Fouquet designed innovative jewelry beginning about 1925. Fouquet was the equally admired son of the celebrated Parisian jeweler Georges Fouquet (1862–1957), whose Art Nouveau jewelry also appears in this exhibition.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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18. Cartier, “Pair of Panther Cufflinks,” about 1930 2:23

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The panther remains an icon of Cartier design. Charles Jacqueau launched the motif, using panther fur for the first time in 1914 on a wristwatch. When Jeanne Toussaint (1887–1978) became director of Cartier’s luxury jewelry department in 1933, she also created a number of panther–inspired designs and earned the nickname “la panthère.”…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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19. Boucheron, “Powder Box and Lipstick Case, and Vanity Case,” about 1950 1:37

8 years 전1:37

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During World War II, French jewelers had great difficulty securing supplies such as precious metals and gems. Boucheron’s ingenious designs for cases disguised the shortage of materials. To provide an illusory sense of luxury, the jeweler used mirrors covered with thin gold leaf, which they then engraved with decorative motifs and studded with tiny colored stones. Capturing the light, the mirror created the glimmer of more expensive materials.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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20. Boucheron, “Gas Pipe Necklace,” about 1945–50, Gold, diamonds, and platinum 2:07

8 years 전2:07

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In 1935, Cartier presented a “gas pipe” necklace made entirely of joined gold rings. Jacqueau had conceived this design, modeling it on the flexible tubing used for piping gas into buildings. Other jewelers, too, adopted the modern-looking chain, which they could ornament with decorative clips in floral or geometric shapes. In the post–World War II years, jewelers employed more precious stones in forming such clips, and often made them three-dimensional, like the elegant, diamond–studded arabesque that ornaments the front of this necklace.…

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Bijoux Parisiens

Bijoux Parisiens podcast artwork

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21. Conclusion 0:55

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“Bijoux Parisiens: French Jewelry from the Petit Palais, Paris” will be on view at the Taft Museum of Art in Cincinnati, Ohio from February 9 through May 14, 2017.

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