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Salò, or 120 Days of Sodom (1975) | Fascism & Italian Filmmakers (w/ guest Jared O'Connor)
Manage episode 441206578 series 3559704
Craig Schroeder에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Craig Schroeder 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
For the final episode in our series on Fascism and Italian Filmmakers, we watched Pier Paolo Pasolini's controversial 1975 film SALO, OR 120 DAYS OF SODOM, and discuss the depravity of 1940s fascist Italy. (TW: this film, and our discussion of it, features graphic depictions of sexual assault and human degradation). Discussion also includes:
- How does Paosolini define fascism;
- Fascism and Nietzche;
- Salò as both atrocious and sublime;
- Art that is antithetical to capitalism.
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Sources & Links
- Gideon Bachmann. 1975. “Pasolini and the Marquis de Sade” originally published in Sight & Sound; included as part of the Criterion DVD
- Roland Barthes. 1971. “The Life of Sade.” https://supervert.com/elibrary/marquis-de-sade/roland-barthes-life-of-sade
- H. James Burgwyn. 2018. Mussolini and the Salo Republic, 1943-1945: The Failure of Puppet Regime. Springer.
- Naomi Green. “Breaking the Rules” included as part of the Criterion DVD
- https://plato.stanford.edu/entries/nietzsche-moral-political/
- Mario Sznajder. 2002. “Nietzsche, Mussolini, and Italian Fascism” in Nietzsche, Godfather of Fascism? On the Uses and Abuses of a Philosophy. Princeton University Press.
- https://archives.evergreen.edu/webpages/curricular/2005-2006/sacredmonsters/readings/sade.pdf
- Fabio Vighi. 2007. “Liberation Hurts: Violence, Masochism and AntiCapitalism According to Pasolini” Italian Studies, 62:1, 61-77
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