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Al Kooper에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Al Kooper 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Data-powered Innovation Jam
Knock, knock, Neo. Think Agents are a thing of the future? Look again at the iconic movie, The Matrix—they've been hiding in plain sight. In the first episode of 2025, hosts Ron Tolido, Weiwei Feng, and Robert Engels venture down the digital rabbit hole of Virtual Twins with Morgan Zimmerman, CEO of NETVIBES at Dassault Systèmes. It’s a fascinating world where physical science meets data science, a world of both red and blue pills. Virtual Twins take the concept of Digital Twins to the next level, transforming static representations of products, devices, and systems into living, breathing "Dream Theaters" of simulations, predictions, and what-if scenarios. Fueled by AI and immersive technology, they don’t just capture life—they reimagine it. But what happens when Virtual Twins evolve to encompass entire organizations and industries? Imagine bending not just spoons, but entire realities. The Matrix has you—are you ready to see how deep the twin-powered innovation goes? You're in The Matrix ! Tune into our latest Data-powered Innovation Jam podcast episode now! Timestamps: 00:35 – Ron and Robert dive into the iconic world of The Matrix , drawing parallels to digital innovation. 04:55 – Morgan shares insights into Dassault Systèmes' legacy and the evolution of Virtual Twins. 10:00 – Exploring the connection between ontologies and their applications in the real world. 20:03 – How Digital Twins, Virtual Twins, and the Metaverse are transforming real-world use cases. 36:15 – Redefining interaction with the digital world in ways that feel natural yet futuristic. Connect with our guest Morgan Zimmermann and our hosts Ron Tolido , Robert Engels , and Weiwei Feng on LinkedIn.…
Al and Jimmy 5: Brits vs Americans
Manage episode 431747245 series 2825367
Al Kooper에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Al Kooper 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Jimmy talks about the big difference between the young American guys who played the blues versus the Brits. And that leads to talking about Al playing keyboard for the Stones, where Mick and Keith picked up Al, while playing a Taj Mahal album in the limo.
217 에피소드
Manage episode 431747245 series 2825367
Al Kooper에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Al Kooper 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Jimmy talks about the big difference between the young American guys who played the blues versus the Brits. And that leads to talking about Al playing keyboard for the Stones, where Mick and Keith picked up Al, while playing a Taj Mahal album in the limo.
217 에피소드
모든 에피소드
×We discuss the wonders of adding horns to rock, particularly in view of Al’s experience creating Blood Sweat and Tears. As often happens, Nilly the Dog adds a brief comment of her own. You can submit questions for Al at alkooper.com on the Kooperkast page.
We ponder an interesting stream-of-consciousness email from Steven, talk about our recent partner-in-podcast-crime, Jimmy Vivino, and we begin a longer conversation about working with horns. After each answer from Al, Nilly the Dog adds a brief comment of her own. You can submit questions for Al at alkooper.com on the Kooperkast page.…
We answer listener questions about Al the hoopster, his parents big time involvement in the temple in Queens, Al going to Paul Simon’s bar mitzvah, and the origin of title of the Kapusta Albums is revealed… via Ernie Kovacs. After each answer from Al, Nilly the Dog adds a brief comment of her own. Ask Al questions at www.alkooper.com on the Kooperkast page.…
In this episode we talk again – with a little different take – on the infamous Rolling Stone session where Al uncorked his legendary organ sound on Dylan. Then we talk a bit about the upcoming Dylan movie.
In this episode Al answers questions about sheet music for Flute Thing, about Al’s old manger Sam Polley, from a nephew of Denny Cordell, a guy from Al’s old school, producer money from the Dylan days, and Al’s at Birdland as a kid. And Nilly the Dog is back in the swing of things, added a canine comment after each answer by Al.…
The last Vivino episode starts with Elvis and ends with Nilly the Dog, with lots of stuff in between.
We talk about the contrast between the singing styles of Paul Simon and Bob Dylan and how much Al loved playing for Dylan back in the day.
The guys talk about the huge influence of the Everly brothers and the conversations wanders on from there...
The guys talk about the great arranger Charles Calello, then move on to to about arranging in general, and about live recording vs today's multi-tracked.
The guys talk about how pervasive influence of The Band on everyone from Eric Clapton to Elton John, then about how John Simon produced two great albums for The Band... and one for Blood, Sweat & Tears.
The guys talk about producers from Phil Spector to Brian Wilson to George Martin to Al Kooper.
Al and Jimmy talk about their great admiration for the work of Thom Bell, the Philly sound legend.
The guys start talking about Elton John, his great producer Gus Dudgeon, other great producers and that somehow leads to Al's legendary French horn opening to the Stone's "You Can't Always Get What You Want".
The guys start out talking about Jimi Hendrix which leads to other great guitar players, which leads to Terry Kath of Chicago.
The episode starts with Al as arranger, which leads back to Blonde on Blonde and how Al was on two of the four landmark double-albums in rock history.
This episode starts off with Jimmy stating that Chuck Berry was the most important song writer in rock and roll history. And they go from there and talk about Little Richard and on to how Nashville sessions guys are just different than New York session guys.
The guys talk about Al getting into the Rock and Roll Hall of Fame, the question of how to sell Al’s box set, and on from there. And Al makes some outstanding stomach sounds.
The guys talk about the music biz today and the effect of streaming, how big time studio guys then started bands, and how amazing was Al’s Hammond organ playing with Dylan.
Jimmy traces Al’s career after the Royal Teens though songwriting and then becoming friends with Tom Wilson, which led to the day that changed Al’s life and the sound of Dylan and rock forever.
Jimmy talks about the big difference between the young American guys who played the blues versus the Brits. And that leads to talking about Al playing keyboard for the Stones, where Mick and Keith picked up Al, while playing a Taj Mahal album in the limo.
They talk about their love for the great blues players and Jimmy Reed in particular. (Your host specially dug this conversation since he first saw Al with the The Blues Project in Central Park where Jimmy Reed also played around 1968 or so.)
Jimmy talks to Al about the old days writing songs at 1650 Broadway, and Al accuses Jimmy of romanticizing those days, which Jimmy admits he totally trying to do.
Jimmy talks about how in many songs a certain instrument plays the role of the icing on the cake; it adds a certain extra beauty and how Al did that for Dylan and for so many others.
This is first of 19 episodes where these two music buddies invited us to listen in on their music biz talk. This one starts with how they met, but like all of these, goes off into all sorts of other stuff.
We answer listener questions about am radio in the old days, Skynyrd after Al, did Al play keyboard with the Tubes, playing with Taj Mahal, Al’s collection of 380,00 songs, and a drunk Hubert Sumlin fan who Al was really nice to. After each question Nilly the Dog adds a canine comment. You can always submit questions for Al at alkooper.com on the Kooperkast page.…
Al has mentioned the Nonesuch album Music of Bulgaria many times in the podcast so we thought we’d devote a whole podcast to it and play some very short bits of the music in order to give listeners a glimpse of the remarkable sound and hopefully prompt many to buy the album.
We answer questions starting with one about Steven King, the shift from AM to FM for rock and its effect on song length, about the mystery of mastering songs, and about the Funky Faculty at Berklee. As always, Nilly the Dog ends each segment with her dogged thoughts.
We answer questions about the influence of the artist versus the producer in recording sessions, and about the whole process of writing songs as a words - music team, starting with This Diamond Ring. Nilly the Dog concludes each segment with some brief pooch dog thoughts.
We answer a question about Paul Griffin from renowned rock writer Tony Scherman, about writing charts for other musicians, a mystery question about Al’s junior high 109, and the genesis of brass in rock with Blood Sweat and Tears and Chicago. After each segment Nilly the Dog adds some brief thoughts.…
We cover questions including the old days in Queens with Simon, Garfunkel, and Harvey Brooks, to what if Like a Rolling Stone was a waltz. Of course, Nilly the Dog follows each segment with canine input of her own.
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