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Sonic Acts에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sonic Acts 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Kyveli Mavrokordopoulou & Agnès Villette – Transient Marshlands, Permanent Progress

30:06
 
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Manage episode 378044776 series 2612610
Sonic Acts에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sonic Acts 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Transient Marshlands, Permanent Progress – Geographies of Uncertainty by Kyveli Mavrokordopoulou & Agnès Villette SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands On the shores of France, Belgium, and the Netherlands lie three nuclear installations forming an eclectic nuclear geography. Gravelines, Doel and Borssele nuclear power stations started operating in the 1970s on the unstable marsh soils of reclaimed land – that is new land created out of the water. Today, rising sea levels due to global warming threaten the power plants imminently, requiring the construction of dykes and elevated buffers, which are currently being implemented. We explore these swampy geographies as places where the future-oriented temporality of the nuclear sector crumbles. Both nuclear reactors, as the cathedrals of the 20th century, and polders, as the epitome of hydraulic engineering, are archetypal figures of modernity. Both symbolise the conquest of natural environments and consolidate national identities. Yet, despite their ‘solidity’, the existence of these three nuclear infrastructures is under threat. As examples, they confirm the importance of countering progress and linear historical narratives of nuclear progress, and help us understand how atomic technologies permeate our lives. Rather than an undefined, deep nuclear future, we are interested in how these nuclearised polders leave the vast temporal scales of nuclear waste behind, offering an opportunity to consider how such technologies are already and urgently affecting the present. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
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79 에피소드

Artwork
icon공유
 
Manage episode 378044776 series 2612610
Sonic Acts에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Sonic Acts 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Transient Marshlands, Permanent Progress – Geographies of Uncertainty by Kyveli Mavrokordopoulou & Agnès Villette SONIC ACTS BIENNIAL 2022 16 October 2022 – Likeminds, Amsterdam, The Netherlands On the shores of France, Belgium, and the Netherlands lie three nuclear installations forming an eclectic nuclear geography. Gravelines, Doel and Borssele nuclear power stations started operating in the 1970s on the unstable marsh soils of reclaimed land – that is new land created out of the water. Today, rising sea levels due to global warming threaten the power plants imminently, requiring the construction of dykes and elevated buffers, which are currently being implemented. We explore these swampy geographies as places where the future-oriented temporality of the nuclear sector crumbles. Both nuclear reactors, as the cathedrals of the 20th century, and polders, as the epitome of hydraulic engineering, are archetypal figures of modernity. Both symbolise the conquest of natural environments and consolidate national identities. Yet, despite their ‘solidity’, the existence of these three nuclear infrastructures is under threat. As examples, they confirm the importance of countering progress and linear historical narratives of nuclear progress, and help us understand how atomic technologies permeate our lives. Rather than an undefined, deep nuclear future, we are interested in how these nuclearised polders leave the vast temporal scales of nuclear waste behind, offering an opportunity to consider how such technologies are already and urgently affecting the present. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

79 에피소드

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