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Jim Hanke에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Jim Hanke 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Episode 162: Marissa R. Moss (Author, "Her Country")

1:19:06
 
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Manage episode 328011306 series 2885231
Jim Hanke에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Jim Hanke 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Popular female country artists like Kacey Musgraves and Maren Morris have scored major pop crossover hits, made huge splashes in the vinyl market and perform for sold-out crowds across the United States, yet barely have a blip on country radio. Though far from a new phenomenon, it’s one that has drawn battle lines over the last two decades between gatekeepers of a genre dominated by white males and a rightfully fervent opposition seeking accountability, diversity and equal representation. On this week’s episode, music journalist Marissa R. Moss (Rolling Stone, Billboard) explains how she tackles these issues and more in her new book, “Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be” (available today, May 10th). We also dive into why Sturgill Simpson’s latest record is best enjoyed on vinyl, the rise of Nashville’s Black Opry, and how life events influence how we hear and appreciate music. Visit marissarmoss.com for more information about “Her Country,” and follow her on Instagram and Twitter @marissarmoss.

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216 에피소드

Artwork
icon공유
 
Manage episode 328011306 series 2885231
Jim Hanke에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Jim Hanke 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Popular female country artists like Kacey Musgraves and Maren Morris have scored major pop crossover hits, made huge splashes in the vinyl market and perform for sold-out crowds across the United States, yet barely have a blip on country radio. Though far from a new phenomenon, it’s one that has drawn battle lines over the last two decades between gatekeepers of a genre dominated by white males and a rightfully fervent opposition seeking accountability, diversity and equal representation. On this week’s episode, music journalist Marissa R. Moss (Rolling Stone, Billboard) explains how she tackles these issues and more in her new book, “Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be” (available today, May 10th). We also dive into why Sturgill Simpson’s latest record is best enjoyed on vinyl, the rise of Nashville’s Black Opry, and how life events influence how we hear and appreciate music. Visit marissarmoss.com for more information about “Her Country,” and follow her on Instagram and Twitter @marissarmoss.

  continue reading

216 에피소드

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