We Need To Talk About Oscar podcast

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The Southwest’s Wildest Outdoor Art: From Lightning Fields to Sun Tunnels 30:55

16일 전30:55

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30:55

A secret field that summons lightning. A massive spiral that disappears into a salt lake. A celestial observatory carved into a volcano. Meet the wild—and sometimes explosive—world of land art, where artists craft masterpieces with dynamite and bulldozers. In our Season 2 premiere, guest Dylan Thuras, cofounder of Atlas Obscura, takes us off road and into the minds of the artists who literally reshaped parts of the Southwest. These works aren’t meant to be easy to reach—or to explain—but they just might change how you see the world. Land art you’ll visit in this episode: - Double Negative and City by Michael Heizer (Garden Valley, Nevada) - Spiral Jetty by Robert Smithson (Great Salt Lake, Utah) - Sun Tunnels by Nancy Holt (Great Basin Desert, Utah) - Lightning Field by Walter De Maria (Catron County, New Mexico) - Roden Crater by James Turrell (Painted Desert, Arizona) Via Podcast is a production of AAA Mountain West Group.…

We Need to Talk About Oscar

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We Need to Talk About Oscar offers in-depth interviews with filmmakers, actors, and industry professionals. Although inspired by 'Oscar-worthy' titles, our conversations extend to buzzy projects and TV shows, exploring both the technical aspects of filmmaking and the personal stories behind them.

92 에피소드

#Society #Cinema #Áron Czapek #Science #Social Sciences #Need To Talk

We Need to Talk About Oscar

updated 3일 전

시리즈 홈•Feed

92 에피소드

#Society #Cinema #Áron Czapek #Science #Social Sciences #Need To Talk

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We Need to Talk About Oscar

1
The Sonic Bridge: Don Josephus Raphael Eblahan on Nature, Sound, and Storytelling 21:56

3일 전21:56

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21:56

Today, we're diving deep into the world of sound and its uncanny ability to bridge the chasm between humanity and nature with the incredibly talented Don Josephus Raphael Eblahan! We kick off our chat with a thought-provoking observation: nature is not just a backdrop, but an active participant in our emotional narratives. As we unravel the layers of Don's latest project, 'Vox Humana', we explore how he ingeniously intertwines sound design with storytelling, turning scripts into sonic experiences that resonate on multiple levels. His approach to crafting a screenplay that almost resembles a symphony of sounds rather than traditional dialogue reveals a unique creative process that challenges conventional filmmaking. Throughout our conversation, we examine our complex relationship with the natural world, discovering how sound can capture both our reverence for and tension with nature.…

We Need to Talk About Oscar

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Unlocking Verona: Tim Bogart on modernizing Shakespeare's masterpiece 21:13

10일 전21:13

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21:13

Our deep dive into the world of 'Juliet & Romeo' brought us face-to-face with the marvels and tribulations of adapting such a revered text. Writer-director Timothy Bogart opened up about the challenges of reimagining Shakespeare's work, and we couldn't help but chuckle at how he navigated the fine line between honoring the original material and injecting new life into it. What's particularly enlightening is the discussion surrounding the modern reinterpretation of characters like Juliet, who Tim argues deserves more agency than she's typically afforded in past adaptations. He crafted a narrative that allows her and the other characters to shine, giving them the emotional depth that often gets lost in translation. The conversation also explores how Bogart approached the iconic love story from fresh angles, reimagining the tale for contemporary audiences while preserving the timeless themes that have captivated hearts for centuries. His insights into the creative decisions behind key scenes reveal both his reverence for Shakespeare and his courage to challenge traditional interpretations when the story demanded it. (Photo: Courtesy of VPP LLC)…

We Need to Talk About Oscar

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We Need to Talk About Emmy #21: Jo Willems breaks down the visuals of 'Black Mirror S7 - Plaything' from the 90s to 2032 27:51

13일 전27:51

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27:51

In our chat with Jo Willems about the fourth episode of 'Black Mirror' Season 7, 'Plaything', we took a thrilling detour into the minds of those who create the visual magic behind the screen. Jo, an engaging storyteller himself, painted a vivid picture of his long-standing partnership with director David Slade. What's particularly intriguing is how Jo approached the dual timelines of the episode, threading together the past and future with a cohesive visual narrative that captures the emotional essence of the characters. He shared some delightful anecdotes about the technical challenges they faced, especially during the trippy sequences that required a creative use of lighting and camera work. As we dive deeper into the themes of memory and reality, Willems articulated the complexities of shooting scenes that exist in the nebulous realm between truth and perception. His insights into how he balances the subjective nature of memory with the objective demands of cinematography added layers of depth to our understanding of the visual storytelling process.…

We Need to Talk About Oscar

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From Stage to Screen - Lovell Holder on the journey of 'Lavender Men' 24:08

17일 전24:08

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24:08

In a world where history and art intersect, Lovell Holder offers fresh insights on 'Lavender Men.' Our conversation traces the journey from stage to screen, balancing historical accuracy with personal storytelling. Lovell candidly describes being a "midwife" to Taffeta's evolution from the play's bookends to the film's protagonist. We also chat about how timing shapes Lovell's creative choices – whether he's working with film or text – and the different approaches each requires. (Photo credit: Luke Fontana)…

We Need to Talk About Oscar

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Rolling with 70 Cameras: Eugene Kotlyarenko and Barton Cortright on the wild metaverse of 'The Code' 34:52

20일 전34:52

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34:52

Eugene Kotlyarenko and Barton Cortright take us on a wild cinematic ride in their discussion about 'The Code’, a film that defies conventional storytelling and embraces the chaos of modern filmmaking. With a whopping 70 recording devices in play, the film transforms the act of observation itself into a central theme. Eugene's insistence on each camera serving a narrative purpose creates a rich tapestry of perspectives, challenging viewers to consider their roles as witnesses in a world dominated by digital surveillance. As we peel back the layers, we explore the film's unique commentary on our surveillance culture, where characters oscillate between paranoia and acceptance. Bart shares insights into the technical challenges of capturing such a vast array of footage while maintaining image quality that serves the story. And we also dive into how 'The Code' integrates themes of longing and memory as a response to the pandemic. (Photo credit: Francesca Palombo)…

We Need to Talk About Oscar

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Dea Kulumbegashvili & Arseni Khachaturan on framing the unseen in 'April' 21:40

24일 전21:40

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21:40

This week, we welcome the visionary duo behind the hauntingly beautiful film 'April' – Georgian writer-director Dea Kulumbegashvili and her longtime collaborator, cinematographer Arseni Khachaturan, known for his mesmerizing visual poetry. Together, they've crafted a cinematic experience that defies conventional storytelling while captivating audiences with its deliberate pacing and breathtaking imagery. Our conversation ranges from the magic of what's captured in the frame to the enchanting mysteries of what lies just beyond it. It's a playful yet profound exploration of perspective, where we question not just what we see, but how we perceive our very existence through the lens of film. As we banter about titles and the creative process, you'll find out how the two dance between intense collaboration and friendly debates—because let's be real, who doesn't love a good argument over artistic vision, especially when it's all moving toward a similar goal?…

We Need to Talk About Oscar

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From Film Critic to Author: Marya E. Gates on her new book - 'Cinema Her Way' 26:23

27일 전26:23

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26:23

Marya E. Gates, a film critic turned author, takes us on a cinematic journey through the untold stories of women filmmakers in her debut book, 'Cinema Her Way'. We explore the intricate tapestry of female contributions to cinema, uncovering countless voices and narratives that have often been overshadowed. Her decade-long quest to spotlight women directors, which began with her project 'Female Filmmakers in Focus', emerged as both a personal challenge and a passionate response to the male-dominated industry that had left her disenchanted with mainstream cinema. Through extensive interviews and profiles, Gates illuminates the artistic brilliance of filmmakers who have made significant yet underappreciated contributions. From pioneering visionaries to emerging talents, this conversation captures the essence of Marya's mission: to celebrate, recognize, and amplify women's voices in film.…

We Need to Talk About Oscar

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We Need to Talk About Emmy #20: ‘No1 Happy Family USA’ Co-Creator Pam Brady on crafting stories that resonate 23:12

4 weeks 전23:12

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23:12

Pam Brady, the co-creator and co-showrunner of '#1 Happy Family USA', joins us to share insights from her impressive career that includes hit projects like 'South Park' and 'Team America: World Police'. Our conversation explores how comedy serves as her vehicle for tackling serious themes, inviting audiences to engage with poignant moments through laughter. Pam speaks passionately about her creative partnership with Ramy Youssef and the delicate balance they've struck between humor and heart while navigating cultural representation in their show. We also dive into the evolution of her creative process, examining how the pandemic transformed collaborative writing and why maintaining authentic characters remains at the core of her storytelling approach. (Photo: Courtesy of Valerie Terranova / Getty Images For Prime Video)…

We Need to Talk About Oscar

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We Need to Talk About Emmy #19: 'The Eastern Gate' star Lena Góra on language, emotion, and expectations 15:03

5 weeks 전15:03

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15:03

This week we're chatting with Lena Góra, the lead actress starring in 'The Eastern Gate'. We get into the nitty-gritty of her acting process with Lena, especially how she tackles different languages and all that comes with it. She opens up about how each language has its own rhythm and energy that completely transforms her performance – it's not just memorizing lines, but really living and breathing the culture behind the words. The way she preps for those epic fight scenes is seriously impressive – putting in countless hours to make every punch and movement look effortless on screen. Hearing her talk about the sweat and dedication behind those seamless action sequences gives you a whole new appreciation for what goes into creating such a believable character. (Photos: Courtesy of Max)…

We Need to Talk About Oscar

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We Need to Talk About Emmy #18: 'Call Me Ted' - A journey through the life of a media icon 42:02

5 weeks 전42:02

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42:02

Capturing the essence of an iconic figure like Ted Turner is no small feat, but in this conversation, we dive deep with Joni Levin and Keith R. Clarke, the creative minds behind the documentary series 'Call Me Ted'. Their insights reveal how they navigated the complexities of Turner’s life—from his monumental achievements in media to his personal struggles and the shadows cast by familial relationships. This isn't just a biography; it’s a journey through the highs and lows of an individual who has profoundly shaped modern media and philanthropy. Joni and Keith discuss the challenges of creating a narrative that balances Ted's public persona with the vulnerability he shares in his autobiography, all while ensuring the documentary resonates with both longtime fans and newcomers alike. They explore themes of resilience, ambition, and the human experience, shedding light on the man behind the myth and inviting audiences to connect with Ted in a meaningful way. In a world that often prioritizes sensationalism, Joni and Keith's approach stands out for its honesty and depth.…

We Need to Talk About Oscar

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No rest for the independent, with ‘Gazer’ DP Matheus Bastos 35:10

6 weeks 전35:10

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35:10

In this episode, we sit down with Matheus Bastos, the cinematographer of 'Gazer', to talk about his path, intricately weaving tales of passion, creativity, and the sheer love for cinema that drew him into the world of filmmaking. We delve into the production of 'Gazer', exploring the unique challenges of a project shot over an extended timeline, which allowed for a challenging, yet fluid evolution of the narrative and characters. Matheus tells us about the importance of adaptability, revealing how the interplay of changing seasons and personal growth influenced the film's aesthetic. He also shares insights on the craft of cinematography, emphasizing that true artistry lies in capturing the emotional core of a story, rather than adhering strictly to technical standards, reminding us that filmmaking is just as much about the heart as it is about the lens. (Photos: Courtesy of Matheus Bastos)…

We Need to Talk About Oscar

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'Audrey's Children' director Ami Canaan Mann on the timelessness of the gender gap 19:50

7 weeks 전19:50

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19:50

Our conversation with 'Audrey's Children' director Ami Canaan Mann takes us on a journey that explores not just the film itself, but the essence of storytelling, particularly the responsibility inherent in portraying real lives. The film, rooted in the historical context of 1969, serves as a mirror reflecting contemporary societal issues, especially the subtle sexism that women like Audrey faced in male-dominated fields. Ami walks us through the nuances of her directorial approach while showcasing the tenacity required to bring such a meaningful story to life. (Photo: Courtesy of Blue Harbor Entertainment)…

We Need to Talk About Oscar

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Magic in the Mundane: How 'Some Nights I Feel Like Walking' Captures Queer Intimacy 26:08

8 weeks 전26:08

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26:08

Diving straight into the heart of indie filmmaking, this episode features a captivating conversation with Petersen Vargas, the visionary writer-director of 'Some Nights I Feel Like Walking', and Miguel Odron, the film's breakout star in his debut role. The film, which has taken festivals by storm from Tallinn to Glasgow, explores the intricacies of queer identities within the vibrant yet tumultuous Filipino landscape. Together, they discuss how the film's structure—set in a single night—heightens the emotional stakes, turning mundane moments into powerful reflections on life, love, and loss amidst societal chaos. As they recount their experiences at various film festivals, it becomes clear that the film resonates deeply with audiences, bridging cultural gaps and inspiring conversations about vulnerability and connection in a world that often feels disconnected. (Photos: Courtesy of Daluyong Studios)…

We Need to Talk About Oscar

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Framing fear, with 'Control Freak' cinematographer Scott Siracusano 26:06

8 weeks 전26:06

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26:06

This week on the show, Scott Siracusano, cinematographer of 'Control Freak,' takes us behind the scenes of the nuanced process of bringing a feature film to life, especially one that builds on the eerie undercurrents of its short film predecessor. Scott shares his approach to lighting and camera movement, revealing how he crafted scenes to create an atmosphere of tension and suspense. We also discuss the technical challenges of shooting with mirrors—an innovative choice that not only enhances the film's aesthetic but also serves to deepen the audience's understanding of the characters' internal struggles. From the chaotic joy of filming and the exhilarating moments of creativity to the nerve-wracking pressures of a first-time feature, we cover it all!…

We Need to Talk About Oscar

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From Paintbrush to Camera: Bebe Dierken's cinematic focus through the ranks 25:36

9 weeks 전25:36

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25:36

Bebe Dierken's journey through the cinematic landscape is a tapestry woven with passion, perseverance, and a dash of serendipity. From her early days as a painter, where the still life of pumpkins nearly sent her to a creative grave, to the bustling film sets where she became a revered cinematographer, Bebe's tale is as vibrant as the frames she captures. In our chat, she shares how she stumbled upon cinematography almost by accident, discovering her love for the craft in a dark room rather than a gallery filled with canvas. With years of experience as a focus puller, she navigated the ranks of the film industry, steadily climbing from assistant to director of photography, a journey marked by both challenges and triumphs. We dive deep into her philosophy of storytelling through the lens, where lighting, composition, and emotional resonance come together to create a visual narrative that speaks universally, transcending language barriers. Her insight into the collaborative nature of filmmaking reveals how vital it is to build trust within a crew, and how her unique experiences have shaped her understanding of the industry. We also discuss her recent work on 'Midas Man', a film that embodies the quiet complexities of Brian Epstein's life, where the visuals had to serve the narrative without overshadowing it.…

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