The Working Director podcast

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추가했습니다 three 년 전

Jenn Page에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Jenn Page 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

The Agile Brand with Greg Kihlström®: Expert Mode Marketing Technology, AI, & CX

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#697: Building the total experience for customers with AJ Joplin, Forrester 24:10

12일 전24:10

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24:10

Does your AI-based interface talk to customers the way a real person would or is it tech for tech’s sake? We are here at Forrester CX in Nashville, TN and hearing all about the latest insights and ideas for brands to create better experiences for their customers. Agility is less about bolting on new features just because the tech is available and more about making tomorrow’s experiences feel intuitive and natural to the end customer using them. Today we’re diving into designing for the future of experiences with AJ Joplin, Senior Analyst at Forrester. About AJ Joplin AJ is the lead analyst for Forrester’s research on experience design (XD), design organizations, and design leadership. Helping XD and customer experience (CX) leaders develop and deliver on research-based strategy is AJ’s professional passion. She has observed that the most effective organizations combine clear purpose with the right people and leverage systems to clarify decision-making, prioritization, and workflows. AJ also has years of workshop facilitation experience in human-centered design and design thinking. Using her professional coaching skills, AJ bring clients through ambiguity and into alignment on what matters and what’s next. Resources Forrester: https://www.forrester.com https://www.forrester.com Catch the future of e-commerce at eTail Boston, August 11-14, 2025. Register now: https://bit.ly/etailboston and use code PARTNER20 for 20% off for retailers and brands Don't Miss MAICON 2025, October 14-16 in Cleveland - the event bringing together the brights minds and leading voices in AI. Use Code AGILE150 for $150 off registration. Go here to register: https://bit.ly/agile150 " Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstrom Don't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.show Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company…

The Working Director

시리즈 홈•Feed

Helping emerging filmmakers become working directors faster. This weekly podcast will ask filmmakers the tough questions and offer guidance every step of the way with one goal in mind: help you make a living doing what you love, directing. For even more help expanding your directing career, visit TheWorkingDirector.Pro. There you can apply to be in our accelerator that helps you go from where you currently are to where you want to be; as well as, join our free private FB group. Hosted by director Jenn Page.

67 에피소드

#Cinema #Jenn Page

The Working Director

updated 하루 전

시리즈 홈•Feed

67 에피소드

#Cinema #Jenn Page

All episodes

The Working Director

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066: All Things Music: Acquiring, Licensing, Composing and Getting it Right! 43:47

1 day 전43:47

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43:47

Acquiring, Licensing, Composing and Getting it Right!Music can make or break your film so let's make sure you have all the right elements in place!In this workshop you'll learn:-How you can acquire music rights to popular songs-What are the rules around music sites like Artlist-What contracts and licensing do you need for each kind of music you acquire-Working with a composer to get the right feel for your filmOur panel includes a music supervisor, composer, and producer. There will be plenty of time for Q&A to get your specific questions answered as well!Join us for free classes by joining (free) at BlackmagicCollective.com…

The Working Director

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065: TV Directing 56:23

9일 전56:23

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56:23

Join our panel of working television directors to learn about their process. This week we have a guest host and three kick ass TV directors! To join us live and get your questions answered be a part of our filmmaker group (it's free!) by clicking JOIN NOW at BlackmagicCollective.com or be a part of our private FaceBook group at AllFilmmakersWelcome.com.GUESTS: LIONEL COLEMAN cut his teeth at CBS news, learning the language of documentary storytelling before becoming a DGA commercial director and working with brands like Nike, Hyundai and Adidas. He is an alumni of the CBS Diversity Director program and is currently directing episodic network television with recent episodes on NCIS Hawai’i, NCIS (Mothership and New Orleans), All Rise and God Friended Me. In addition to his mainstream work, Lionel directs documentary and narrative films to explore his fascination with the human condition, in particular the challenges we face with race, bias, and prejudice. His 2022 film These Final Hours explores just such a topic, and was nominated for an NAACP Image Award as well as winning several film festivals. MILENA GOVICH is a director, actor, and musician who has helmed many episodes of TV, including FBI: Most Wanted, The Equalizer, Leverage: Redemption, Chicago Fire, among others.She also served as Co-EP/Producing Director on Dick Wolf's CBS series FBI, and is attached to direct two pilots in development. Milena was one of eight filmmakers selected for AFI's prestigiousDirecting Workshop For Women, as well as the exclusive Sony Pictures TV Diverse Directors Program, the Universal Directors Initiative, and received the Panavision New Filmmaker Grant. Hershort film and TV series proof-of-concept Unspeakable, starring Laura Vandervoort and Jeff Kober, starring Laura Vandervoort and Jeff Kober, had its World Premiere at SXSW and won Best Episodic at Seattle Int’l Film Festival . DAVID STASSEN most recently co-created, executive produced and directed RUNNING POINT starring Kate Hudson for Netflix alongside Mindy Kaling and Ike Barinholtz. He also co-wrote,executive produced and directed Mel Brooks’ HISTORY OF THE WORLD PART II for Hulu. Dave and Ike were also recently writers and Executive Producers on the animated Netflix comedy CHICAGO PARTY AUNT. Dave previously worked on THE MINDY PROJECT as a writer, director & EP. GUEST HOST: LAUREN WHITE is an award-winning actor and producer from Baltimore, hon. Far more exciting than that sentence seems, Lauren is a force on and off screen: she graduated at 16, is acting like her Masters Degree in Physiology, Biomechanics and Kinesiology is going to good use, and possesses comedic timing sharper than a bespoke suit.Notable performances on NBC, Netflix, FOX, HBO, TBS, BET, Lifetime, 2 seasons on Amazon (which put her in the running for an Emmy nomination) and 4 seasons of the improv series, Little Bits.With a deep love for animals, she actively volunteers with multiple animal rescues, is a huge fan of black bean nachos and can bend single knuckles on her fingers.…

The Working Director

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064: Alternate Distribution Options for Indie Filmmakers (with producer Nancy Criss) 42:48

21 weeks 전42:48

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42:48

Are you looking to have more control over your distribution? Do you want to learn ways to get your film out there through non-traditional options? Indie distribution companies, indie streamers, and filmmaker-controlled platforms give you back your power. They have more transparency when it comes to rev share too. Through our discussion with Nancy Criss, whose distribution channels are numerous (Tubi, Walmart, Up Faith & Family, Plex, Amazon, Netflix, and her own), we'll learn about more options for indie filmmakers to take control back. (Episode 64) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Looking for a full service production company or pre-list stage with talk show set, green & white cyc, XR wall, and more?!? Check out Heart On Fire Studios and if you book directly and tell us you found us on The Working Director Podcast you'll receive 10% off your first booking! Looking for a filmmaker community? Join our private FB group for directors so you can attend these live conversations and get your questions answered. allfilmmakerswelcome.com…

The Working Director

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063: DIY PR (with Publicist Amanda Samoyloff) 43:27

21 weeks 전43:27

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43:27

LEARN HOW TO DO YOUR OWN PR FOR YOUR FILMIn this special class edition of The Working Director, in association with Blackmagic Collective and sponsored by Blackmagic Design, Amanda Samoyloff, Founder and Principal of Samoyloff PR (SPR), a Los Angeles-based, full-service public relations and branding agency that champions the personal and professional reputations of diverse clients, will help filmmakers understand when and how to get their films out to the masses through PR. (Episode 63) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster.…

The Working Director

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062: Film Financing Options In Today's Market (with Producer Jim Holt) 45:37

46 weeks 전45:37

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45:37

FILM FINANCING OPTIONS IN TODAY'S MARKET PGA producer Jim Holt will dive into equity investors, bank loans, pre-sales, and everything in between in this mini version of our finance intensive. (Episode 64) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. MORE ON JAMES: James has 15+ years’ experience as a Production and Finance executive.Recently Executive Produced Showdown at the Odessa, starring Terrance Howard and release by Shout Releasing in 2023, and Executive Produced Dangerous, starring Mel Gibson and Scott Eastwood, released by Lionsgate Pictures in 2022.Produced and structured the financing with Vertebra Films. The pictures included Arthur Newman starring Colin Firth and Emily Blunt. The comedy was shot in North Carolina and directed by award winning commercial director, Dante Ariola. Two Eli Roth thrillers, Aftershock, shot in Santiago, Chile, and Clown, shot in Ottawa, Canada. Clown was di-rected by Jon Watts, who recently completed Spiderman “Homecoming”, “Far from Home” and “No Way Home”. The pictures were released by The Weinstein Company and sold internationally by Filmnation.Executive V.P. of production and finance at Winchester Capital Management. Produced and managed the financing for The Men Who Stare at Goats, directed by Grant Heslov. It starred George Clooney, Kevin Spacey, Ewan McGregor and Jeff Bridges. The picture premiered at the Venice and Toronto Film Festivals.Executive V.P. of production and finance at Samuels Media. Produced and coordinated the financing structure for Michael Clayton. It was directed by Tony Gilroy and starred George Clooney, Tilda Swinton and Tom Wilkerson. The Warner Brothers release earned six Academy Awards nominations, including Best Picture, Best Actor, and Tilda Swinton won the Academy Award for Best Supporting Actress. Produced In the Valley of Elah directed by Academy Award winner Paul Haggis starring Tommy Lee Jones. Mr. Jones was nominated for the Academy Award for Best Actor in the Warner Independent release. The pictures premiered at the Venice and Toronto Film Festivals.…

The Working Director

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061: The Director-AD Relationship (with filmmaker America Young) 23:42

1 year 전23:42

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23:42

How can you have the best communication with your AD? We dive deep into the AD - Director - Crew relationship in this episode of The Working Director with film & TV director American Young. (Episode 61) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. ABOUT AMERICA YOUNG America Young was awarded the 2020 Humanitarian award by UCSD for her work promoting women in the film industry. America Young is currently working in Film, TV, Animation and Video Games, as a Director, stunt coordinator and stunt woman. To date, she has directed for Network TV, two features, a season of an animated show, a video game and four digital series. She has stunt coordinated on projects for Warner Bros, Netflix, Lifetime and Cannal Plus. And worked on 65 video games. Having stunt coordinated for years, America transitioned to directing seven years ago. While having a solid foundation in action, she is also known for her ability to bring out the best performances in actors, both drama and comedy, while translating subtle and rich story points visually on screen. The projects she has helmed have a wide range from a drag queen comedy to sci-fi action to fantasy action to coming of age drama to exploring domestic violence in a superhero universe. Her first feature, “The Concessionaires Must Die!!” executive produced by Stan Lee, (www.cmdthemovie.com) is now available on Itunes, Amazon and other VOD platforms. Her most recent digital series, “Whatta Lark”, that pairs a quiet, introverted woman with the fiercest and loveliest of Drag Queens can be watched on Amazon. “Protectress”, a Xena-inspired fantasy, winner of several awards including Best Action, Best Director and Best Fantasy on the festival circuit, is being developed into a feature. She has several features she is attached to in deveoplment. She also directed the cinematics for Resident Evil: Shadows of Rose which was name #8 video game of the year by Time Magazine. America was pivotal in the rebranding of Barbie with the Barbie Vlog in 2015 and directed the critically acclaimed season of the Barbie motion capture animated series for Mattel which was featured on VICE, Vogue, Glamour and Newsweek among other publications. It has been viewed on youtube over 150 million times and went from 500k subscribers to nearly 11.6 million in the time she has been working on the Brand. Her second feature, “Back to Lyla” which is Alice in Wonderland meets Eternal Sunshine of the Spotless Mind inspired, was acquired by 1091 and released June 2022. Upon completion of the Warner Bros directing program, she successfully entered the TV world, directing an episode of Blindspot (aired May, 2020) and Legacies (aired 1/23/20) with glowing feedback from both teams. She has now directed 17 episodes of TV since for Netflix, Amazon, Blumhouse, Warner Bros, CBS, BET+ and at the end of 2021 she directed the pilot of Surfside Girls for Apple TV which got a full season order and released in 2022. She is a proud founder of The Chimaera Project, a nonprofit that gives opportunities to women in the film & media arts (www.chimaeraproject.org). When America’s not kicking the crap out of Super-Heroes that support the Superhuman Registration Act, jumping off buildings, teaching actors how to fight or setting herself on fire, she enjoys telling stories, sipping herbal tea and sharpening her pair of Sai. https://americayoung.com/…

The Working Director

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060: Directing TV (with filmmaker Oscar Rene Lozoya) 15:44

1 year 전15:44

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15:44

In this episode from our NAB Show lives we talk to director Oscar Rene Loyoza about his transition from indie filmmaker and TV editor to TV director. What are the biggest differences from indie film to TV director? Let's find out! Thank you to our live sponsors: NAB Show, Blackmagic Design, Sigma, Hollyland, and Aputure. Our lives were part of the League of Filmmakers booth at NAB Show in Las Vegas 2024. (Episode 60) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster.…

The Working Director

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059: NAB Show Live: Blackmagic Design Latest & Greatest! 15:19

1 year 전15:19

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15:19

In our first of our NAB Show live episodes we talk to Dave Hoffman from Blackmagic Design about their latest announcements that should get indie filmmakers excited! Thank you to our live sponsors: NAB Show, Blackmagic Design, Sigma, Hollyland, and Aputure. Our lives were part of the League of Filmmakers booth at NAB Show in Las Vegas 2024. (Episode 59) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster.…

The Working Director

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058: Your Directing Career As A Production Company (w/ filmmaker Alex Mehra) 19:51

1 year 전19:51

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19:51

If you want to be directing regularly, you have to treat your directing career like it's your production company. Hint: It is.If you are tired of sitting around waiting for someone to hire you, join us for this live Q&A and learn how Alex Mehra has directed/produced over 1000 videos from various industries, and has worked with some of the biggest brands in the country like AT&T, NBC, Atlas Entertainment, CNN, and much more. From video editing, producing, filming, talent development - his journey and expertise has taken businesses, brands and talent to new heights. A little over a year ago he moved his agency into a 3000 square-foot studio, and built over 12 different unique TV and Movie sets, from different time periods. It’s his mission to continue making explosive “video crack” that wows audiences, and turns viewers into customers. https://sunnycreative.com/ https://www.tiktok.com/@sunnycre8tive (Episode 58) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster.…

The Working Director

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057: Production Studios: The Do's Dont's & What's 19:34

1 year 전19:34

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19:34

How do you get the most out of your production studio rental? How do you make the most of your studio rental? How many times have you rented a stage only to be nickle-and-dimed by the owner? How many times have you arrived and realized the studio wasn't exactly what you thought you wanted or needed? Whether it's green screen, white cyc, build sets, you are spending those hard earned dollars for the day(s) there. You may not realize there is a better way. Long time studio owner, speaker, and filmmaker Bob Bekian is going to share insider secrets to help you have a better production day and get the most bang for your buck. He's going to share some of the crazy things he's seen on sets...and how to avoid ruining your production and wasting precious time and money. (Episode 57) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Bob: Originally from Venice California, Bob Bekian was one of the original Dogtown skateboarders in the 1970’s and has kept that “go for it “ attitude throughout his life business career. Bob started his career selling industrial contracts for Billion dollar companies and learned how big corporations operate. Bob learned the lessons of business first hand and then was recruited into the media industry taking over a $5 Million annual revenue SONY distribution company and building it to $35 million in 3 years. His innovative approach landed contracts with clients such as the NBA and Disney. From there he built his own companies including Pro HD Rentals , Spotburner and Loyal Studios. Evolving into producing and directing, Bob has completed over 1000 projects in 15 years ranging from pharma commercials to Snoop Dogg music videos. Bob continues to run his media companies and has evolved into developing a self-development platform (bobbekian.com) which focuses on Mind/Body and Spirit motivational content. Bob is very proud of his family including his wife of 35 years Sonia and his two grown sons Shane a business litigation attorney and Bryce who owns a digital advertising agency. Bob is an avid outdoorsman and enjoys skiing, golf and pickleball.…

The Working Director

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056: 6 Reasons Film Fests Reject Your Film 29:47

1 year 전29:47

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29:47

Six common reasons film festivals reject your film with Dr. Rebekah Louisa Smith, Founder of The Film Festival Doctor. One of the hardest things to deal with as a filmmaker is film festival rejection. You worked so hard to make that piece of art, why don't they love it?!?!? We're going to go into six common reasons your film was not selected. We are also going to talk sustaining your mental health during your film festival season. (Episode 56) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when the next accelerator goes live or when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Dr. Scott: Dr. Rebekah Louisa Smith is an award-winning film festival strategist and founder of The Film Festival Doctor. Rebekah and the hard-working team behind her company are committed to nurturing filmmakers in order to help them secure film festival screenings, win awards and earn positive recognition within the film industry. Currently, her company has won more than 2,000 awards for its clients and has supported nearly 850 creatives across the world, enlightening and inspiring their journey towards achieving their goals and following their filmmaking dreams. They have secured hundreds of festival screenings including the Tribeca, Palm Springs, Sundance, & BFI London Film Festivals, to name a few. In her latest e-book, Film Festivals & Looking After Your Mental Health, she offers essential tips and techniques on how to adapt the right type of mindset and take care of yourself as you navigate the world of film festivals. Instagram handle: https://instagram.com/rebekahfilmdr Official Site: https://www.thefilmfestivaldoctor.com/…

The Working Director

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055: How To Get Paid To Direct (w/ Working Director Katie Hunter) 30:50

1 year 전30:50

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30:50

It doesn't matter if you are an aspiring director or a veteran, there is a non ending question of "HOW AM I GOING TO GET PAID TO DIRECT?!" In this live Q&A conversation we give you some ideas on how to do just that. How do you get clients/brands to work with you? How do you use TikTok to grow your directing career/video biz? How do you keep getting asked back? And more! (Episode 55) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) and other fun events fill out the form on our website at ⁠⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Katie Hunter: Katie Hunter is a Chicago Emmy-nominated director. She creates commercials, short films, documentaries and viral moments for brands including Claire’s, Lincoln Park Zoo, Northwestern Medicine and more. Her creative work has been featured in the Washington Post, staged off-Broadway at the Cherry Lane Theatre in NYC and viewed by more than 15 million people on TikTok. Katie graduated from the University of Chicago where she studied theatre and film. After working as a playwright for the American Theatre Company, Katie began writing and directing indie film projects with comedians from Second City, iO and Reductress, including an improvised mockumentary web series, RideShare, a surrealist, feminist corporate comedy, It’s A Sign, and the first several episodes of a late night talk show filmed live in front of a studio audience, The L8-Bit Show. DM her your cool ideas at @mkatiehunter on all platforms. Katie's TikTok & Instagram : @mkatiehunter See Katie's work at KatieHunterCreative.com…

The Working Director

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054: Directing Comedy (w/ Emmy Winner Mary Lou Belli) 28:41

2 years 전28:41

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리스트

28:41

Directing Comedy with Emmy-Award-Winning Comedy Director Mary Lou Belli. Some things we cover: -How do you tackle blocking a multicam show? -Who’s close up do you do first? -How important are reaction shots? -How can you find the comedy beats in a script? -How can you help actors find & perform the comedy beats? -How can an editor save your comedy? -How much blocking prep should you do? -How can you work with an actor who wants to do different blocking than you need? -What’s one of the first things you should do on a new set? (Episode 54) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) fill out the form on our website at ⁠⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Mary Lou: https://www.maryloubelli.com/ Two time Emmy award-winning MARY LOU BELLI has been directing television for over 30 years including NCIS New Orleans, True Lies, Black Lightning, Bull, Legacies, Station 19, Sweet Magnolias, Pitch, Monk, Famous In Love, Devious Maids, The Quad, American Woman, and Hart of Dixie as well as Disney’s The Secret of Sulphur Springs, Ms. Pat, Wizards of Waverly Place, Sister, Sister, Girlfriends, and The Game. Her short film, Straight Eye for the Gay Guy won “Best Mini-short” at the California Independent Film Fest where she also premiered I Heard Something, a thriller that went on to play fests internationally. She has done ground-breaking work on web-series. Her award-winning short, America, played its 14th fest on its 4th continent at The Hague and won best micro short. She was recently nominated for a Primetime Emmy for Comedy Directing as well an another Emmy in the Children’s Programming category. Mary Lou served two terms as the Co-chair of the Women’s Steering Committee at the DGA where she also has served on the Western Director’s Council, presently she is on Leadership Council PAC and as an alternate to the National Board. She is an Honorary Board member of the Alliance of Women Directors and Advisory Board member of Women in Media. Mary Lou also serves on the Advisory Circle of Film Fatales is and a long time member of Women In Film as well as the Peer Group Executive Committee of the Academy of Television Arts & Sciences where she presently serves as one of the Governors. She has served as judge and/or guest speaker for the CSU Media Arts Fest, a judge for the Miss America Outstanding Teen Pageant, a jury member at the Sapporo Short Festival, Newport Beach Film Fest, Regina International Film Festival, and The Voice awards, a lecturer at the Chautauqua Institute, and a panelist for Women In Film, the DGA, SAG, and AFTRA and the LA Times Festival of Books. She has been a guest artist at the International Thespian Festival for secondary school theatre where she gave workshops to thousands of teens and high school theatre teachers. Through her teaching, she supports many of the vibrant diversity programs including ABC/Disney, CBS, Sony, HBO Access, AFI’s Directing Workshop for Women, and Warner Bros. Directing Workshop mentoring the next generation of directors. She is the co-author of four books: “The NEW Sitcom Career Book,” “Acting for Young Actors,” and “Directors Tell the Story” which she co-wrote with fellow DGA member Bethany Rooney. Her 4th book, “Acting for the Screen” was published by Focal Press summer 2019.…

The Working Director

1
053: Film Festival Playbook 26:27

2 years 전26:27

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리스트

26:27

How do you know what film festivals to submit to? How do you get the attention of the programmers? Why should you volunteer at festivals? Should you hire a publicist, and if yes, how do you know who is right for you? That and more on this episode with producer and festival programmer Jon Fitzgerald. (Episode 53) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) fill out the form on our website at ⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Jon: Learn how to submit to the right film festivals, get on the radar of programmers, create effective marketing materials, maximize your festival participation, pursue the best distribution model, and take your career to the next level. We are going to touch on the topics Jon covers in his new book and accompanying workbook in this live discussion and Q&A with Jon Fitzgerald. Jon has twenty-five years of experience in independent films and film festivals. He has produced award-winning documentaries and has led many independent film projects through the maze of festivals and hybrid distribution models. As a Festival Director he has run several top tier festivals and has consulted on dozens more. Jon has also led acquisitions for several streaming platforms, and now curates movies and series for Cause Cinema . He authored the leading social impact filmmaking book, Filmmaking for Change: How to Make Movies that Transform the World, and also teaches two popular web based courses: Film Festival Mastery and Film Distribution Mastery. key links: https://www.causepictures.com/ https://onthefestcircuit.substack.com/ https://www.filmfestivalmastery.com/replay-2…

The Working Director

1
052: Pitching Yourself / Pitching Your Film 19:35

2 years 전19:35

나중에 재생

리스트

19:35

How do you answer the dreaded "So, tell me about yourself"? What should you have prepared for your project pitch? How many projects should you have in your back pocket? What materials should you bring in? How do you engage the room, and why are you pitching the room not the project? That and more on this episode with producer Stu Pollard. (Episode 52) Hosted by Director/Producer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to be notified when we open our doors to our green screen virtual production studio dedicated to indie filmmakers (and indie film budgets) fill out the form on our website at ⁠⁠⁠⁠TheWorkingDirector.Pro.⁠⁠⁠⁠ You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster. More on Stu: Filmmaker Stu Pollard has produced 9 films in his home state of Kentucky, including survival thriller RUST CREEK , powerful high school drama AND THEN I GO, and bowling comedy SPLIT. He has produced more movies outside the Bluegrass as well. These include the uproarious Jack Quaid & Maya Erskine wedding rom-com PLUS ONE, Syrian refugee documentary THIS IS HOME, and docu-drama FREELAND, starring Krisha Fairchild. Stu has also directed two features: romantic comedy NICE GUYS SLEEP ALONE and suspense drama KEEP YOUR DISTANCE, both set against a vibrant Kentucky backdrop. Pollard founded Lunacy Productions in 2015 to expand his storytelling horizons and break free of the “one-at-a-time” indie filmmaking model. This has sparked numerous new collaborations with both emerging talent and established creators. Lunacy’s current development slate includes WE’RE HAUNTED, a horror comedy about dysfunctional roommates confronting an evil spirit; THE MAN WHO KNEW BELLE STARR, a riveting Western-infused revenge drama; THE TRESTLE, a supernatural thriller revolving around an infamous Kentucky legend; and ALAS, BABYLON, a post-apocalyptic survival parable based on the classic novel. Also an entrepreneur, Stu has spearheaded a number of other creative endeavors including the event planning app REUNACY , nostalgic web series THE EIGHTIES EMPORIUM , whiskey lifestyle brand BOURBONALITY , content creation collective SMALL BATCH CONTENT , and philanthropic nonprofit organization TRUNACY . In addition to teaching at Film Independent and USC’s School of Cinematic Arts, Stu recently founded LunacyU , an online educational platform dedicated to teaching the next generation of independent filmmakers. At LunacyU, he currently teaches classes on Film Financing and Cinematic Music. He holds a BS in business from Georgetown and an MFA in film from USC, is a member of the DGA and PGA, and serves on the boards of the Louisville Film Society, the Horse Farm Workers’ Educational Assistance Fund and GU’s Alumni Board of Regents. https://lunacyproductions.com/ Stu's course on financing: https://lunacyu.com Our essential Indie Film Financing course for independent filmmakers is designed to help you think like an entrepreneur, find the right financial partners, and finish what you start. Through video lessons and supplemental documents, this course will guide you on a transformative journey that will infuse you with confidence, empower you with resources, and put you in the best possible position to raise money for your project. Our Film Music Master Class covers the world of film music from licensing to composers and music supervisors. Music is one of the most confusing, challenging, and expensive parts of filmmaking. This course helps you navigate all of it with 9 sections of on-demand videos to go through at your own pace.…

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The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

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The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About

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