Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Player FM - Internet Radio Done Right
17 subscribers
Checked 1d ago
추가했습니다 nine 년 전
Courtney Danley and Dianna Ramirez, Courtney Danley, and Dianna Ramirez에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Courtney Danley and Dianna Ramirez, Courtney Danley, and Dianna Ramirez 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
The Brazilian Beat와 비슷한 콘텐츠
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
…
continue reading
An independent radio station from Tel Aviv. For music lovers by music lovers.
…
continue reading
Your source for Metal news, views, tunes and interviews!
…
continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
…
continue reading
Firebeatz presents Ignite Radio
…
continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
…
continue reading
Nothing but the blues, from the earliest to the latest, all genres
…
continue reading
Since launching in 2000, All Songs Considered has been NPR's flagship program for music discovery, artist interviews and conversations with friends and fellow music lovers about the really big questions, like what was the best decade for music, are there albums everyone can agree on, and what do you put on when you need a good cry? Weekly, with host Robin Hilton and the NPR Music family.
…
continue reading
Join jazz aficionado Don Shor as he explores the diverse and fascinating world of jazz. Jazz After Dark spans the gamut, from roots in boogie-woogie, blues, and ragtime through traditional and straight-ahead jazz, soul jazz, bossa nova, and more.
…
continue reading
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!
Player FM 앱으로 오프라인으로 전환하세요!
))
Daily Deals
들어볼 가치가 있는 팟캐스트
스폰서 후원
T
TED Business
1 The trick to powerful public speaking | Lawrence Bernstein 17:27
17:27 
나중에 재생 
나중에 재생 
리스트 
좋아요 
좋아요17:27
나중에 재생
나중에 재생
리스트
좋아요
좋아요Why do so many of us get nervous when public speaking? Communication expert Lawrence Bernstein says the key to dealing with the pressure is as simple as having a casual chat. He introduces the "coffee shop test" as a way to help you overcome nerves, connect with your audience and deliver a message that truly resonates. After the talk, Modupe explains a similar approach in academia called the "Grandma test," and how public speaking can be as simple as a conversation with grandma. Want to help shape TED’s shows going forward? Fill out our survey ! Become a TED Member today at ted.com/join Hosted on Acast. See acast.com/privacy for more information.…
The Brazilian Beat explicit
모두 재생(하지 않음)으로 표시
Manage series 1319310
Courtney Danley and Dianna Ramirez, Courtney Danley, and Dianna Ramirez에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Courtney Danley and Dianna Ramirez, Courtney Danley, and Dianna Ramirez 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Getting to know the Brazilian percussion music-making community, one interview at a time with your hosts, Courtney and Dianna
…
continue reading
102 에피소드
공유
모두 재생(하지 않음)으로 표시
Manage series 1319310
Courtney Danley and Dianna Ramirez, Courtney Danley, and Dianna Ramirez에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Courtney Danley and Dianna Ramirez, Courtney Danley, and Dianna Ramirez 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Getting to know the Brazilian percussion music-making community, one interview at a time with your hosts, Courtney and Dianna
…
continue reading
102 에피소드
모든 에피소드
×
T
The Brazilian Beat
Promotes multicultural dissemination between both countries, Mexico and Brazil, through musical dissemination. Expressing our art through samba school bateria originating in Rio De Janeiro with young Mexicans, incorporating our roots and Mexican culture, taking the concept of Day of the Dead traditions as a way of showing our culture, carrying with great respect this tradition of our ancestors that makes us completely unique, represents and identifies us worldwide. Musically, Groove e Rimshot is a project directed and focused on the reorganization of the batucada concept in our country, taking the bases of a samba school drummer that is currently represented in the largest carnival in the world, in RdJ e SP. Our objective is to influence these Mexico based musical groups (batucadas) in our country with the good technique and rhythmic knowledge that have evolved over the years in Brazil. The primary task of the project is to make known all these musical transformations that continue to emerge so that in turn that they can develop rhythmically and musically to avoid that musical stagnation that has persisted in our country over the years. Links: https://www.facebook.com/share/v/LZw3nCwNQDma6QBR/ https://www.facebook.com/share/v/KrVZQMnHYLdzckeB/ https://www.facebook.com/share/v/uMXQaBKB7t4xQgVD/…
Diego de Oliveira was Born and raised in Nilópolis. Since he was very young, Diego has lived in the world of samba. He has been a Mestre sala, was part of the Kids bateria and is currently a bateria director at the Beija-Flor samba school in Nilópolis. In the late 90s and early 2000s, he paraded as a passista. In 2003, it was his first year as Mestre sala, he won a Estandarte de Ouro "revelation of carnival". In 2011, he joined the bateria of Beija-Flor, popularly known as "bateria soberana". The following year he began playing the REPIQUE MOR where he gained great prominence inside and outside of Brazil. In 2017, Diego wrote his first samba enredo. Unfortunately, he came second. But in 2018, he won the samba-enredo competition and Beija Flor ended up winning that year. In 2019, he won his second title in the samba-enredo competition. This year, Beija-Flor held the samba-enredo contest for the 2023 carnival and, once again, Diego and his partnership were the champions. In the year of (2021), he became a bateria director at Beija-Flor de Nilópolis. Currently, Diego has a WORKSHOP project called WORKSHOP TOQUE DE BAMBA. He takes this project to different countries outside of Brazil, the countries and states were: Spain, Turkey, Equatorial Guinea, Cape Verde, China, Argentina, Gabon, Portugal, France, Germany, Minas Gerais, São Paulo, Brasília etc. Its main objective is to show the culture of our country and make people feel closer to brazilian culture. Instagram https://www.instagram.com/diegooliveirard?igsh=OW0yYmZhbnB0bzAw&utm_source=qr Youtube https://youtube.com/@diegooliveira2311?si=E0ZZnXHR-lJxVSb8 Chicago area listeners! Check out Silvia’s next live show! https://www.oldtownschool.org/concerts/2024/01-10-2024-wmw-silvia-manrique-with-marcel-bonfim/ We now publish our podcast on YouTube. Check it out here:…
Robert Lopez Bio: Robert Lopez is a percussionist and educator based in the San Francisco Bay Area. His background in various types of music such as folkloric traditions of Brazil, Ghana and Cuba, alongside contemporary chamber music and free improvisation, allow him to maintain a malleable approach to sharing musical ideas. He holds a Bachelors of Music from Cal State University Long Beach and a Master of Fine Arts with an emphasis in Improvisation from Mills College. Since 2011, he has been an active member of the Bay Area music community working with groups SO AR, the Oakland Active Orchestra, Quattour Elephantis, Grex and Jordan Glenn’s BEAK among others. He has been a dance accompanist at Mills College, UC Berkeley, ODC and Sonoma State. Since 2014 he has maintained a close relationship with master drummer Jorge Alabê. This partnership has led to awards from the Fulbright US Student Program for projects “Cultural Transmission through the Music of Candomblé” (2022) and “Investigating the Language of Candomblé Drumming” (2020), a grant from the Alliance for California Traditional Arts Apprenticeship Program (2018) and first-place in the Brazilian category with Grupo Samba Rio in San Francisco’s Carnaval (2018 and 2019). He currently teaches drum set and hand percussion at the San Francisco Community Music Center and the San Francisco Waldorf High School. Links: media - @bohbbylolo San Francisco Community Music Center - https://sfcmc.org/support/donate/ Iuri Passos Master’s Thesis - https://repositorio.ufba.br/handle/ri/31383 2020 Fulbright story - https://www.kqed.org/arts/13878162/how-coronavirus-derailed-a-fulbright-fellows-musicological-research-in-brazil FICA Studio in Oakland - https://www.ficaoakland.com/ Silvia Manrique’s video: https://youtu.be/A7VVDJYX0gA?si=nmtq5Nh5uQDWiPDs Robert Lopez and Jorge Alabe Creative Encounters Freddie the Skinny pig! San Francisco Carnaval…
T
The Brazilian Beat
1 Epi 111 Mestre Guilherme & Mestre Gustavo from Acadêmicos do Salgueiro 2:32:45
2:32:45 나중에 재생 나중에 재생 리스트 좋아요 좋아요2:32:45
나중에 재생 나중에 재생 리스트 좋아요 좋아요Watch on YouTube: https://youtu.be/bjuRxPEnvOM We are running a fundraiser for a software purchase, Zoom, Adobe Suite and our annual website fees. Support the podcast click below. Support our work Bio: Mestres of Acadêmicos do Salgueiro Bateria Furiosa. Guilherme Oliveira and Gustavo Oliveira are local to Salgueiro having been raised on the same street as the quadra, Rua Silva Teles, the brothers have always had strong roots with the school. The love for percussion arose through contact with the instruments at the escola mirim Aprendizes do Salgueiro. Since then, both have collected experiences in the musical world. Their curriculum is vast, the mestres have played with great artists, such as Ludmilla and Xamã. Their talent and love for the Samba School eventually led them to the role and responsibility of commanding Bateria Furiosa do Salgueiro. As mestres, they seek to immortalize a legacy. The two toured with the “Furiosa pelo mundo” project, where they took Salgueiro’s musical culture to other countries, passing through Europe and South America. They most recently visited us this past August at California Brazil camp. Links: Mestre Guilherme https://www.instagram.com/guilloliveira/ Mestre Gustavo https://www.instagram.com/gustavoliveira_91/ Acadêmicos do Salgueiro https://www.instagram.com/salgueirooriginal/ https://www.facebook.com/salgueirooriginal…
T
The Brazilian Beat
1 Epi 110 Sabrina Ginga of Salgueiro and Mestre Curtis of Casa Samba 1:09:01
1:09:01 나중에 재생 나중에 재생 리스트 좋아요 좋아요1:09:01
나중에 재생 나중에 재생 리스트 좋아요 좋아요Sabrina Ginga of Salgueiro Samba School and Mestre Curtis of Casa Samba We are running a fundraiser for a software purchase, Zoom, Adobe Suite and our annual website fees. Support the podcast click below. Click here to support us! Watch the episode here! Mestre Curtis’ letter that he wrote over 3 decades ago and was finally able to deliver to Sabrina Ginga the Ambassador of Salgueiro Samba School! Sabrina Ginga Bio: Sabrina Ginga, 34 years old, is a Social Scientist, Movement Director, creator of digital content, impacting the world with her independent art and activism. She is a defender of human rights and her agenda involves gender and racial issues. Sabrina’s career includes participation in Heavy Baile in addition to years as a Funk Carioca and Afrovibe Danceworkout teacher. Recently, he shook global structures in her Ginga Tour Workshop, which was attended by more than 9 countries. Additionally, Sabrina also teaches group dynamics and Team Building activities in corporate environments. Recently awarded the title of Ambassador of Acadêmicos do Salgueiro, a traditional samba school in Rio de Janeiro. The position was created to create an international community, to build partnerships and build bridges to demonstrate the value and culture exchange created by samba schools. Links: Instagram: https://www.instagram.com/sabrinaginga/ Sabrina Ginga Mestre Curtis Check out our first episode with Mestre Curtis Pierre Here Bio: Mestre Curtis can be classified as possibly the only American in the United States who has reached his level as a Master in Brasilian cultures meaning that he is the first person in this country to be recognized as a master of Capoeira the first original African martial art to leave Africa and a master of Brazilian percussion and the first to bring Master Brasilian teachers to New Orleans in the early ’90s. This is known by only a handful of people in the United States. Mestre Curtis has dedicated his life to his African roots of culture which he found in Brazil after 37 years ago. Mestre Curtis Pierre is the founder and director of Casa Samba, the first School of Samba in Louisiana and the Southern Region. Pierre is also known as "The Samba Man" of New Orleans. He has studied Brazilian music and dance for over 30 years. Casa Samba is located at 800 Race Street, New Orleans, LA 70130. The school offers: Capoeira Brazilian percussion Dance Culture Afro-Brasilian dance and drum classes Pierre also sponsors a community group called Samba Kids. Casa Samba's performances combine traditional music and vocals. The group is directed by Pierre and Brazilian master drummer, Jorge "Alabe" Bezerra. Links: Website: https://www.mestrecurtispierre.com/ Instagram: https://www.instagram.com/therealsambaman/ Facebook: https://www.facebook.com/curtis.pierre.18 YouTube: https://www.youtube.com/channel/UCt2Mx-2m86bPUuLVvWl_yIA/about Check out Silvia Manrique’s new EP on Spotify! open.spotify.com/album/5qOYOPvLppzyujWGh0aDnU?si=-f4KLURHTMeVhk-nCC2GpQ…
T
The Brazilian Beat
Photo by Nelson Malfacini www.instagram.com/nelsonmalfacini/ Gustavo Perez, nicknamed Nômade, is originally from São Paulo, where he originally learned to play samba. He played with many samba schools as a youth. He eventually moved to Rio where he joined the samba scene and built quite a reputation as a killer tamborim player. He is the tamborim director at the current carnaval champion Samba school, Imperatriz Leopoldinense. He also plays at many many other samba schools and music projects as well as teaches private lessons and runs a bloco in Copacabana. Links: Instagram Bloco Cultural Saideira Youtube video with Thalita Santos. Imperatriz Leopoldinense Samba School Photo by Nelson Malfacini www.instagram.com/nelsonmalfacini/ Nômade and Courtney lining up with Imperatriz Leopoldinense before the parade of champions 2023.…
Bio: About Silvia Manrique Silvia Manrique is a Chicago-based Brazilian and Latin Jazz vocalist. She has performed at respected venues and festivals like the Old Town School of Folk Music, the Logan Square Arts Festival, the Chicago World Music Festival, the Chicago Latino Film Festival and the Millennium Park Summer Music festival at the beautiful Pritzker Pavilion. In 2016, she participated in the album ‘Aquarela,’ a compilation of children’s songs arranged and produced by the incomparable Paulinho Garcia who says she “carries a song with mastery, both melodically and rhythmically.” Silvia is also plays percussion focused on the Brazilian tamborim, completing studies with Carnaval-style samba percussion masters like Mestre Ailton Nunes of the Mangueira Samba School, Dudu Fuentes of Monobloco and Bangalafumenga, Jorge Alabe and Mestre Jonas of Mocidade Independente. About Fabiana Cozza Fabiana Cozza has been heralded by critics and the public as a leading performer in contemporary Brazilian music. In September 2020, “Dos Santos” was born, her eighth and latest album, a contemporary work that is a tribute to the cultural universe of Brazilian Afro-native religions. In 2017, she published her first book of poems, Álbum Duplo, by the editor Pedra Papel Tesoura.Fabiana has taken Brazilian music to festivals in Israel, Germany, France, Canada, USA, Bulgaria, Chile, Spain, Portugal, Sweden, Cuba, Moçambique, Cape Verde and worked with celebrated artists including Sadao Watanabe, HR Big Band (Germany), Mú Mbana (Guiné Bissau) and Omara Portuondo (Cuba). About Fi Maróstica Fi Maróstica is an upright and electric bass player, born in the city of Ourinhos (SP), who has shared the stage with many renowned artists including Hermeto Pascoal, Toquinho, Miucha, Elza Soares, Hamilton de Holanda, Rosa Passos, Maria Gadu, among others. In addition to concerts in Brazil with several of these names, Fi has already toured several countries, passing through South America, North America, Europe and Asia. He also received several awards at renowned festivals in Brazil, such as best instrumentalist (Festival Botucanto - 2010 and Festival de Música de Sorocaba - 2013), in addition to being a finalist in this category for the Brazilian Professional Music Awards in 2017 and 2018, the year in which who was also won in the Contact: press@silviamusic.com Chicago Jazz Artist Silvia Manrique Releases Debut EP ‘Sonho’ Featuring Collaborations with Renowned Brazilian Artists Chicago-based jazz artist Silvia Manrique releases her Latin/Brazilian jazz solo debut EP titled ‘Sonho’ available now. Recorded at São Paulo's prestigious Estúdio Arsis and musically directed by award-winning Brazilian musical artist Fabiana Cozza, this 4-song EP serves as an introduction to Manrique’s delicate delivery and unique blend of Latin and Brazilian jazz and contemporary sounds. A fixture in the Chicago Brazilian jazz and samba scene for many years, Silvia is a three-time performer for Chicago’s World Music Festival. Described by music critic Peter Margasak as “a natural, delivering sophisticated melodies with ease and sensuality,” Silvia has opened for world music artists like Dona Onete, Céu and Luisa Maita and recorded vocals for national advertisements for brands including State Farm and McDonald’s. In 2016, she recorded the full-length ‘Aquarela’ with the critically acclaimed Paulinho Garcia under the GLP label featuring Brazilian classics designed to introduce children to the Brazilian Portuguese language. A bout with breast cancer in 2020 led her to refocus on her artistic career and this EP commemorates her official return to music. “This release is titled ‘Sonho’ because it means dream in Portuguese – and this EP is exactly that, the realization of a deep desire to record music not only for pleasure but also for posterity,” said Silvia, who began vocal training with Fabiana Cozza while undergoing chemotherapy as a way to release stress. “Fabiana really encouraged me to stop thinking of singing as a hobby or a pastime – it really is a vocation that I have to nurture every day for the wellbeing of my body and soul.” ‘Sonho’ features covers of classic world jazz songs by Rosa Passos, Joyce Moreno, Henri Salvador, as well as a bolero by legendary Cuban composer Frank Dominguez, a nod to Silvia’s Latin American (Mexican) heritage. Cozza, a force in Brazilian music and two-time winner of the Prêmio da Música Brasileira, the Brazilian equivalent of a Grammy award, produced and had a hand in selecting repertoire and instrumentation. The songs were carefully arranged by acclaimed bassist and creative musician Fi Maróstica, known for his innovative style that brings bass to the forefront of the musical mix. Rounding out the musical performance are two young stars of the vibrant São Paulo jazz scene, Nichollas Maia on piano and Matheus Marinho on drums. Track listing for ‘Sonho’ includes: ● Dunas (Passos) ● Tú Me Acostumbraste (Dominguez) ● E Vamos Lá (Moreno) ● Dans Mon Île (Salvador) The EP is available now on all streaming platforms. For more information about Silvia Manrique and her music, please visit www.silviamusic.com. PORTUGUESE VERSION Contato de imprensa: press@silviamusic.com Silvia Manrique, artista de jazz de Chicago, lança EP de estreia ‘Sonho’ com colaborações com Artistas Brasileiros Renomados CHICAGO (26 de maio de 2023) – Silvia Manrique, artista de jazz de Chicago, lança seu EP solo de jazz latino/brasileiro intitulado ‘Sonho’, disponível hoje. Gravado no prestigioso Estúdio Arsis de São Paulo e dirigido musicalmente pela premiada artista musical brasileira Fabiana Cozza, este EP de 4 canções serve como uma introdução à entrega delicada de Manrique e à mistura única de jazz latino e brasileiro e sons contemporâneos. Uma figura fixa na cena brasileira de jazz e samba de Chicago por muitos anos, Silvia já se apresentou três vezes no Chicago World Music Festival. Descrita pelo crítico musical Peter Margasak como “um talento natural, entregando melodias sofisticadas com facilidade e sensualidade,” Silvia abriu para artistas da world music como Dona Onete, Céu e Luisa Maita e gravou vocais para publicidades nacionais de marcas como State Farm e McDonald's. Em 2016, ela gravou o longa 'Aquarela' com o aclamado Paulinho Garcia sob o selo GLP com clássicos brasileiros com o fim de introduzir as crianças ao idioma português brasileiro. Uma luta contra o câncer de mama em 2020 a levou a retomar a sua carreira artística e este EP comemora seu retorno oficial à música. “Este lançamento se chama 'Sonho' porque este EP é exatamente isso, a concretização de uma vontade profunda de gravar música não só para o prazer, mas também para a posteridade," disse Silvia, que iniciou o treinamento vocal com Fabiana Cozza durante a quimioterapia como forma de liberar o estresse. “Fabiana me encorajou muito a parar de pensar em cantar como um hobby ou passatempo – realmente é uma vocação que tenho que cultivar todos os dias para o bem-estar do meu corpo e alma.” 'Sonho' apresenta covers de canções clássicas do jazz mundial de Rosa Passos, Joyce Moreno, Henri Salvador, bem como um bolero do lendário compositor cubano Frank Dominguez, uma homenagem à herança latino-americana (mexicana) de Silvia. Cozza, uma força da música brasileira e duas vezes vencedora do Prêmio da Música Brasileira, o equivalente brasileiro ao Grammy, produziu e participou da seleção de repertório e instrumentação. As músicas foram cuidadosamente arranjadas pelo aclamado baixista e músico criativo Fi Maróstica, conhecido por seu estilo inovador que traz o baixo para o primeiro plano da mixagem musical. Completando a apresentação musical estão duas jovens estrelas do jazz paulistano, Nichollas Maia no piano e Matheus Marinho na bateria. A lista de faixas de ‘Sonho’ inclui: Dunas (Passos) Tú Me Acostumbraste (Dominguez) E Vamos Lá (Moreno) Dans Mon Île (Salvador) O EP já está disponível em todas as plataformas de streaming. Para mais informações sobre Silvia Manrique e sua música, visite www.silviamusic.com Links: Silvia Manrique: https://www.instagram.com/silvia_music and silviamusic.com Silvia Manrique’s video: https://youtu.be/A7VVDJYX0gA?si=nmtq5Nh5uQDWiPDs Fi Marostica: https://linktr.ee/fimarostica Nichollas Maia: https://www.instagram.com/_nichollass/ Matheus Marinho: https://tratore.ffm.to/vinticinco and https://www.instagram.com/marinho2o Fabiana Cozza: https://www.fabianacozza.com.br and https://www.instagram.com/fabianacozza…
Bio: Laísa Lima was born into samba, as the daughter of samba legend, Laíla, and samba performer Elaine, and granddaughter of ala director, Jurema. She grew up seeing her family take part in Carnaval, and wanted to be a part of it. It is only natural that she continues this family legacy. She has been involved in Carnaval since she was eight years old at the school of her heart, Beija-Flor de Nilopolis. At age 11, She paraded for the first time at the Bateria Soberana and became tamborim director at 16. Laísa is co-director of tamborims at Beija-Flor de Nilópolis and Acadêmicos de Vigário Geral. She has been a mestra with escolas such as Ìmperio de Nova Iguaçu and Acadêmicos de Jacarepaguá. It was recently announced that she is the new Mestra da Bateria at Leão da Nova Iguaçu. In addition to many other roles in carnaval she is also Mestra da Bateria at Academicos do Engenho da Rainha and a member of the sound truck at Botafogo Samba Clube She has paraded with other escolas as a ritimista, such as Unidos de Vila Isabel, Paraiso do Tuiuti, Porto da Pedra, Academicos do Grande Rio, Em Cima da Hora, Academicos do Sossego (Now Acadêmicos do Niterói) and Unidos da Ponte, Other projects that she is part of, or has been a part of: Percussion Instructor in Nilopolis; Tamborim Instructor in Vigario Geral; Band member of Os Carnavarizados do Samba (project for Youtube); as well as online tamborim lessons. Links: Instagram YouTube…
T
The Brazilian Beat
Bio: Renan Gohan Started in samba at the age of 13 with Barriga, a bloco in Cordovil, the neighborhood where he was raised. At 15 he became part of the bateria and has played in baterias ever since. He began at Imperatriz Leopodinense in 2006 as a percussionist on caixa. In 2008 he moved to third surdo, and in 2009 he was invited to be a bateria director for the third surdo. He stayed at Imperatriz until 2011. In 2013 he was invited to be bateria director at Porto da Pedra, in 2014 he was bateria director at União da Ilha, in 2015 he was a bateria director at Grande Rio, where he stayed until 2018. In 2016 he returned to Imperatriz as a percussionist and in 2020 he returned to bateria director, where he is until today. He is currently also a bateria director at Unidos de Bangu and Flamanguaça, he is also the bateria mestre at Bloco Urubuzada since 2014. He has been part of Batuque Digital performing group since 2013. He has also been a bateria director at Rocinha in 2019 and 2020, Renascer de Jacarepaguá 2019, He has also paraded as a percussionist in Unidos da Tijuca, São Clemente, Estácio de Sá, Portela, Viradouro among others. Renan says: Imperatriz and samba have given me many good things, in addition to life experience, I have been fortunate to visit many countries in South America, Europe and to several states in Brazil. These were all important moments in my life. I love Carnival and I want to be able to learn more and more and pass on a little of what I learned to other people. Links: Facebook Instagram…
Bio: Michel Silva Barros He started in the samba world as a kid going with his father to samba schools in Nova Iguaçu, his home city on the outskirts of Rio. His debuted in samba schools was in 2001, parading for the Leão de Nova Iguaçu, in the grupo acesso À, at the age of 7 and remained there until 2005, when he left to, to be part of Beija Flor de Nilópolis and to fulfill his childhood dream to participate in television broadcast carnaval show, this is how I started: In beija flor he joined the bateria mirim in 2005 In 2006 he joined the adult bateria. 2007 was his first parade with Grupo Especial in carnival with Beija Flor, where he is still today. He started on tambourine, then switched to caixa, right in that first parade and stayed on caixa until 2010, when he was promoted to repique Guia da batera, the one who makes the calls for paradinhas. In 2013 he switched back to tambourine, but this time as the director of tamborins, a role I still hold today. He says: During this time with Beija Flor, samba and our samba school have provided me with incredible opportunities and moments to meet incredible people and places that until a moment in my life I thought were unreachable, but culture took us there. He has had the opportunity to visit countries in Europe, Asia, Africa and more than half of the Brazilian states through samba. It is very honored and happy to be part of this great work. Courtney Danley and Michel Silva at Beija Flor quadra. Links: https://www.instagram.com/michelzinhorp/ https://www.facebook.com/michel.dp.7 https://www.beija-flor.com.br/…
Bio: A reference in the samba world, the musician, arranger and educator, Gabriel Policarpo, stands out for his creative and virtuosic way of playing the repique. At the age of 13, he joined the school in his neighborhood in Niterói, G.R.E.S Unidos do Viradouro, and soon took the place of 1st repique and soloist of the school. In 2015 he composed the drum masters commission for the special group of the carnival in Rio de Janeiro. Together with Bernardo Aguiar, he created the Pandeiro Repique Duo (PRD), that has been together for more than 10 years, and puts these two typical instruments of the Carioca soul side by side. Their first album featured Yamandú Costa, Nicolas Krassik, Carlos Malta, Marcos Suzano, Mestre Ciça and the African singer Ashimba. Since then, as an educator, he has performed on different stages and universities around the world, including The Juilliard School of Music, The Philadelphia University of Arts, City University London and Copenhagen Rytmisk Konservatorium. In addition to having founded the Escola de Ritmos, Bloco e Orquestra Batuquebato, an active bloco known in the streets of Rio de Janeiro. He also participates alongside big names in Brazilian and international music, both in concerts and in recordings. Highlight for recording and participation in the tour of the album “De bem com a vida”, winner of the Latin Grammy as the best samba album of 2016, with Martinho da Vila. He has shared the stage alongside other icons such as Alcione, Marcelo D2, Chico César, Hamilton de Holanda, Marcos Suzano, Carlos Malta, Roberta Sá, Shanghai, Gabriel Moura, Cátia de França and Guns N' Roses at Rock in Rio. In 2019, Contemporânea, the most traditional musical instrument industry in Brazil, launched a line of repiques with its signature. The debut of the Gabriel Policarpo Signature instruments took place at the 1st Meeting of Repiques in Niterói, held in August 2019 at the Viradouro quadra. Links: YouTube https://youtube.com/c/GabrielPolicarpo Instagram https://www.instagram.com/gabrielpolicarpoo/ Repiques do mundo https://www.instagram.com/repiquesdo/ Batuquebato https://www.instagram.com/batuquebatooficial/ Pandeiro repique duo https://www.instagram.com/pandeirorepiqueduo/ PRD Mais https://instagram.com/prdmais?igshid=YmMyMTA2M2Y = Facebook Gabriel Policarpo https://www.facebook.com/Policarpogabriel Pandeiro Repique Duo https://www.facebook.com/PandeiroRepiqueDuo Batuquebato https://www.facebook.com/batuquebato…
T
The Brazilian Beat
1 Epi 102 Ékò Samba in Lagos, Nigeria. Seyi Ajeigbe and Emmanuel Offe. 1:33:30
1:33:30 나중에 재생 나중에 재생 리스트 좋아요 좋아요1:33:30
나중에 재생 나중에 재생 리스트 좋아요 좋아요Seyi Ajeigbe, founder of Eko Samba Emmanuel Offe, Musical Director of Ékò Samba. Bios: Seyi Ajeigbe , founder of Eko Samba community, is a British born Nigerian musician with over 15 years of experience in public/community carnival arts and musical presentations. After discovering Samba in London in 2004, Seyi spent the next 6 years learning, playing, teaching, directing and performing with groups such as the London School of Samba, Paraiso Samba School, Umbela Arts, Beats Culture, Verde Vai, Chapa Quente, Bloco X and more. Having gained a wide experience in Brazilian carnival arts and rhythms such as Samba enredo, Samba Afro, Maraccatu and Axe. Seyi moved to Lagos Nigeria to found the first Samba school in west Africa and has since been acting as a link between Africa and the international Samba community. Emmanuel Offe Is the musical Director of the Eko samba community. He has been with the project since its inception in 2011 and has since risen through the ranks. Although his experience with Samba has been mainly in Nigeria, he has 10 years experience of playing, performing, directing and teaching Samba. He has been exposed to teachers/directors from New York, London and Brasil who have been to visit and share their knowledge with Eko samba. Proficient with Samba Batucada from Rio De Janeiro, he is also familiar with Samba Afro, Axe and Maracatu. He maintains a cross cultural connection with international Sambistas and can be referred to as one of the pioneers of Samba in Nigeria if not west Africa and Africa as a whole. Links: YouTube Instagram Facebook Website You can support Èkó Samba Community through PayPal! Link to PayPal here. Eko Samba Community took part in the Fanti (Carreta) Carnival in the Brazilian District of Lagos, Nigeria for the first time. They were very well received! Eko Samba Community Joe Hanson visited Eko Samba. Dana Monteiro Episode 18 visited Eko Samba in Lagos Nigeria. Former podcast guest Dana Monteiro (episode 18) visiting Eko Samba in Lagos Nigeria. Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com…
T
The Brazilian Beat
1 Epi 101 California Brazil Camp, Dennis Broughton and Rich Rice. 1:35:49
1:35:49 나중에 재생 나중에 재생 리스트 좋아요 좋아요1:35:49
나중에 재생 나중에 재생 리스트 좋아요 좋아요Photo credit Eric Crawford. Dennis on the left. Rich on the bike. After two long years, we are excited to say that we will be going back to our Happy Place this summer, California Brazil Camp! And to catch up on CBC, we’ve invited our friends, the directors of California Brazil Camp, Dennis Broughton and Rich Rice, to chat with us on this episode. If you haven’t heard us mention it in almost every episode of this podcast, here you go. California Brazil Camp provides weeklong immersions in the music and dance of Brazil. Set in the California redwoods, campers enjoy expert instruction, gourmet meals, and find themselves among wonderful fellow campers from across the US, and as far away as Europe and Asia. This annual event (except for pandemic years!) has been happening since 1997 and continues to bring in world-class faculty, from the likes of Hermeto Pascoal, Margareth Menezes. Jorge Alabe, Guinga, , Rosangela Silvestre, Moyseis Marques, Mestre Ailton Nunes, Fabiana Cozza, Pitoco de Aira’, and Alessandro Penezzi, to name a few. Registration has just opened up for this year’s edition, so sign up today! Register here: https://www.calbrazilcamp.com/register.html Links: Website: http://calbrazilcamp.com/index.html FB Page: https://www.facebook.com/BrazilCamp IG: https://www.instagram.com/calbrazilcamp/ Twitter: https://twitter.com/CalBrazilCamp Eric Crawford’s Flickr account Flickr: https://www.flickr.com/photos/emcrawford/collections/72157600074689546/ Karin's cookbook: https://www.amazon.com/Culinary-Magic-Regenerative-Design-Institute/dp/0615776469…
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Bio: Wagner Silva, better known as Waguinho do Repique, is the son of two giants in Rio Samba. His father is Mestre Cosme and his Mother: Celinha who was a Samba interpreter and 1st woman to be a director in a Samba school! Waguinho started with the kids Bateria of Acadêmicos do Engenho da Rainha and then played in the Famous kids Bateria of Mestre Odilon at Ilha do Governador! Soon after, he joined the Repique Solos team at Engenho da Rainha! But the first time he was the repique soloist in a grupo especial school was at Estácio de Sá, at the invitation of Mestre Ciça. Soon after Waguinho was Repique Soloist in Porto da Pedra, Caprichosos de Pilares, Mocidade, Unidos Da Tijuca and Viradouro. At these schools he not only played but became Director, participating in the technical work in the formation of new Rhythmists and became a part of the Creation of Arrangements and Paradinhas of these schools. He alone has created 55 Paradinhas! Waguinho is one of the people responsible for the rise of Repique Mor which he learned at Beija flor. He is the creator of the original Naipe and Levada played at Cabula, a school which he also paraded. Waguinho proposed the idea of having repique mor to Mestre Casa Grande for Unidos da Tijuca, Pura Cadência. Casa Grande gave him a lot of freedom to tread a new path for the instrument within the school. Repique Mor generated a lot of prominence because only Tijuca did it at the time, but other baterias were interested. Waguinho after the success of Naipe in Tijuca, implanted Repique MOR in Salgueiro’s Bateria. Waguinhow took the drum to an Ensaio once and played it. Mestre Marcão and his board liked it and so Repique Mor was placed in Salgueiro and is still played there, because of his efforts. Waguinho became involved as a percussionist with the social project of the great musician Robertinho Silva. Waguinho played for years as a guest musician on the annual Samba School CD Production and had the honor of playing and sharing theStage with: Simone, Daniela Mercury, Fernanda Abreu, Ana Costa, Beth Carvalho, Iza, Martinho da Vila, Diogo Nogueira, Zeca Pagodinho, Gabriel Moura, Arlindo Cruz. He participated in Dudu Nobre’s DVD, “Os Mais Lindos Samba Enredo de Todos os Tempos”, and integrated the show of Samba Forças das Natureza by Carlinho de Jesus and Milton Cunha. He participated in the Opening and Closing of the 2016 Summer Olympics, and was the Repique chosen to play at the national samba meeting together with the Petrobrás Orchestra under the command of Isaac Karabtchevsky, was the main Repique of the Book "O Batuque Carioca by Mestre Odilon and Maestro Guilherme Gonçalves", and is part of Serjão Loroza's Usmadureira group. He is also a key member/faculty of the group, Batuque Digital. Waguinho travels the world doing workshops and shows, in countries such as Germany, China, England, Russia, France, Italy, Austria, Hungary, Mexico, and Argentina! Currently, Waguinho is Mestre of Bloco Escangalha which is known for having students who play original Levadas of Drums. Waguinho is part of the Team of the (web)Site Apoteose, the Largest Drum Site in the world, where he is one of the commentators alongside fellow percussionist, Thalita Santos. Waguino is about to launch his Project "Entrando no Ritmo com Waguinho do Repique". He has videos showing techniques for each drum from beginners to advanced. He’s collaborated with the mestres of each samba school to ensure that all the levadas are correct. He has recorded more than 150 videos, and has put a lot of care and details into this project. Batteries that Waguinho paraded: Engenho da Rainha, Estácio de Sá, Caprichosos de Pilares, União da Ilha, Porto da Pedra, Mocidade Independente de Padre Miguel, Unidos Da Tijuca, Viradouro, Portela, Salgueiro, Vila Isabel, Grande Rio, Beija-Flor Imperatriz Leopoldinense, Tradição, Rocinha, Renascer, Curicica, Vizinha Faladeira, Inocentes de Belford Roxo, Abolição. Links: Instagram https://www.instagram.com/mestrewaguinho/ https://www.instagram.com/batuquedigital/ YouTube https://www.youtube.com/c/siteapoteose https://www.youtube.com/c/WaguinhoDoRepique Announcements Seattle solstice June 17 - 19, 2022 Participate in this event! Contact the amazing and wonderful Dev Nambi dev@vamola.org or Info@vamola.org for details and more information. Mega Samba July 28- 31, 2022 Coburg Samba Festival July 8 - 10, 2022 Waguinho and his Father Mestre Cosme were directors together at Unidos da Tijuca. Waguinho at 7 years old with his father Mestre Cosme on the Supachai. Waguinho with Carlinho Coca.…
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Bio: Brian Potts is a versatile performer and dedicated educator with a passion for Brazilian percussion. Under the tutelage of Dr. Ney Rosauro at the University of Miami, he became enamored with the sound and capabilities of modern pandeiro techniques. His degrees culminated with a doctoral essay based on an interview with the great Marcos Suzano, which has become an invaluable reference for pandeiristas the world over. Also, Brian works closely with the Pandeiro Repique Duo, comprised of Bernardo Aguiar and Gabriel Policarpo, with whom he founded the Brazilian percussion supergroup PRD Mais in 2016. In addition to his love of Brazilian music, Brian has sought to help make the pandeiro an international and limitless phenomenon by adapting the instrument to a wide variety of styles, including jazz, funk, soul, Latin, and classical music. In his clinics, Brian strives to relate the versatility of the pandeiro by utilizing modern techniques that allow students to approach the instrument in a creative and interactive fashion. Links: Brian’s website: www.BrianPottsMusic.com Brian’s pandeiro course with Bernardo Aguiar on, Pandeiro Moderno GrooveArte.com Brian Potts Instagram: https://www.instagram.com/ubirajarapotts/ Miamibloco Instagram: https://www.instagram.com/miamibloco/ PRD Mais: https://www.instagram.com/prdmais/ https://www.youtube.com/playlist?list=PL52RKVKBFM33jlE6UH3peLfA1VjZpsDQf https://groundupmusic.net/ Brian’s PhD. essay on Marcos Suzano https://scholarship.miami.edu/esploro/outputs/doctoral/Marcos-Suzano-and-the-Amplified-Pandeiro/991031447469702976…
T
The Brazilian Beat
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Drums and gear from Brazil. At GoSamba.net Bio: Andrew Hartzell is the musical director of Samba Savannah. Established in Savannah Georgia in 2013, Samba Savannah is a community-based educational organization dedicated to teaching and performing Brazilian Samba percussion styles. The catalyst for his serious study of Brazilian percussion started with capoeira, and it was through those connections that he was able to find the teachers and fellow musicians who have expanded his knowledge and skills over the years. Andrew has had the good fortune to have studied with Mestre Nego Gato, Mestre Almiro, Mestre Jorge Alabé, Mestre Ailton Nunes, Mestre Jonas, Carlinhos Pandeiro de Ouro, Eduardo (DuDu) Fuentes, Marcio Peeter, Wagner Santos, Pitoco de Aira, Mark Lamson, Michael Spiro, Brian Davis, and Francisco Marques. He has for many years performed as a percussionist in other groups, playing a wide range of music. In addition to his musical pursuits, Andrew owns and operates a solo woodworking business designing and building custom furniture and cabinetry.…
T
The Brazilian Beat
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Bio: Jhones is working as a bateria director for 3 of Rio’s samba schools; Imperatriz, Rocinha & Império da Tijuca, but he has previously directed at Viradouro and Cubango as well. He started his trajectory at carnival in 2004, playing repique for Acadêmicos da Rocinha. By the year 2011 he had progressed with his playing, and was given the opportunity to become Rocinha’s drum director. As well as Rocinha, Jhones has paraded as a ritmista in many other schools such as Portela, Salgueiro & São Clemente amongst others. Jhones first paraded with Imperatriz in 2016, at the invitation of Mestre Lolo. That year he was making all the calls and solos for the school, as repique de bossa. In 2017, Mestre Lolo gave him the opportunity to become Director of the bateria, a position which he holds until today. As well as his work within the samba schools, he has been Mestre of the university bateria at PUC Rio since 2011. Here he is also responsible for the bloco “Filhos da PUC”. Jhones Thuram Jhones Thuram Jhones Thuram Links: Instagram: https://www.instagram.com/p/CIZY4EdAvHn_rIHQ35hVU5q9hRWDrsp2UIAnho0/?utm_medium=copy_link Video: https://youtu.be/LwLr0tG0Wzc https://youtu.be/QgXsUZHaYc4 Interviews with people mentioned in this podcast: Mestra Thais Mestre Junior China do Estácio Lucas Eduardo Rob Arcari…
T
The Brazilian Beat
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Bio: Çağrı Yüce is co-director of Istanbul School of Samba. Çağrı has played with an array of influential musicians over the years, starting when he was in high school. For his college education, he moved to Istanbul, where he also enrolled at Drum Club Istanbul. During this time, he had a chance to work with outstanding drummers and to attend drum workshops in Europe. Being part of that environment, playing and expressing himself through music became natural and He found opportunities to work with different musicians and was exposed to different styles of music. This enabled him to integrate different musical influences to his music and compose fusions of his own. He quickly progressed to playing in different genres and styles before discovering samba and getting involved in various bands. Career Highlights & Musical Projects In 2011, Çağrı Yüce worked with famous musician and film score composer Gökhan Kırdar. In a short span of time Çağrı was asked to perform with numerous bands/musicians in live performances, several TV shows, album recordings and video clips. In 2014, he studied with Mestre Nilo da Portela to master his samba swing. Later on, through learning from many other musicians as well, he started to become a regular for baterias around Europe such as Bloco X, Sapucaiu no Samba, Samba Sapiens, Samba Universo and Unidos de Hamburgo, performing in Germany, Spain, Italy, Serbia, Russia, Portugal and Poland. In 2018, he became a partner in Bi’Oda Music Production and Entertainment company and has been working as Event & Project Manager. In 2020, performed with G.R.E.S. Porto da Pedra, GRES Estácio de Sá, Batuquebato, Blocos dos Gringos in Rio de Janeiro, Brazil. He also attended the workshops of well-known samba schools and Mestres such as G.R.E.S. Acadêmicos do Salgueiro, Dudu Fuentes, Gabriel Policarpo, Waguinho do Repique, Soberepique, Bruninho do Repique. In addition to being an international touring artist and freelance drummer, Çağrı Yüce has also been giving drum, percussion and samba lessons and since 2014 is the director of “Istanbul School of Samba.” Links: https://www.instagram.com/cagriyu/ https://www.instagram.com/istanbulschoolofsamba/…
T
The Brazilian Beat
1 Epi 95 Aninha Malandro (Ana Laidley), International Samba Congress 1:13:00
1:13:00 나중에 재생 나중에 재생 리스트 좋아요 좋아요1:13:00
나중에 재생 나중에 재생 리스트 좋아요 좋아요Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Born and raised in Rio de Janeiro, Ana Carla Laidley (aka Aninha Malandro) was born into a family of sambistas; she is daughter of the talented Brazilian musician Carlinhos do Pandeiro and Ana Gomes, a samba dancer who was part of the revered group of “Sargentelli's mulattos. She herself has paraded in Rio Carnaval many times, with escolas such as Mangueira, Estácio de Sá, União da Ilha, and Viradouro. Ana has spent over twenty five years teaching samba throughout the U.S, as well as in Australia, Japan, and Europe. Her teaching methodology integrates her life experiences with samba and her psychology background, providing a space for people to develop their knowledge and understanding of the Brazilian culture, and to reconnect with their body, mind and soul. Based out of Los Angeles, California, she is the founder of the groups Samba N’Motion and Malandro N’ Motion. Ana is also one of the co-founders of the International Samba Congress, the biggest celebration of samba outside of Brazil. This project has also hosted events in Europe and Australia, Brazil, as well as virtual events. She has also started an online interview session called Bate-papo de Malandro, where she interviews artists in the samba/Brazilian music community. This event is now being held virtually over two weekends, Nov 5th-7th and Nov. 12th-14th. Links: International Samba Congress website. Instagram: @AninhaMalandro @internationalsambacongress Facebook: Aninha Malandro International Samba Congress YouTube: Bate Papo de Malandro Twitter: https://twitter.com/sambanmotion?lang=en…
Mestre of Vila Isabel Bateria, Mestre Macaco Branco. Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com GoSamba.net Drums and gear imported from Brazil! Shop Now Bio: Mestre Macaco Branco, Anderson Andrade, is the Mestre de Bateria of Unidos de Vila Isabel, (escola of his heart) since 2018. Mestre Macaco Branco was born in Vila Isabel, and as a good son of the Noel neighborhood, he started to frequent the Escola as a child and would parade with the junior escola baterias of Herdeiros da Vila and Aprendizes do Salgueiro. At the age of 14 he made his debut with the bateria of the Escola G.R.E.S. Unidos de Vila Isabel and has continued to be a vital member, and tamborim director, up to his transition into Mestre. His talents as a musician are not just as Mestre of an Escola. At 18, he became part of singer and musician, Martnália’s, “ Nova familia”,as a percussionist, and he continues to be a part of this group. It didn’t take long before he started playing in shows and recording with artists such as Alcione, Celso Fonseca, Emilio Santiago, Luiz Melodia, Marcia Castro, Maria Rita, Paulinho Moska, and Zelia Duncan. He also participates on soundtracks and on recordings of the Rio Samba Schools. He also is currently a member of the band Samba de Santa Clara. In the two Carnavals which he directed, he garnered awards such as the Estandarte de Ouro(Gold Standard) de Revelação in 2019, and in 2020, for best bateria. That same year, in Carnaval scoring, Vila received 50 points from the judges for the bateria, the maximum score for the command of the ritimistas of Swingueira de Noel. In his professional career, MMB also works giving classes and workshops throughout Brazil. He has taught percussion courses annually in Colombia,and along with position at Vila, he is also musical director for the escola, Acadêmicos do Sossego. Links: https://www.instagram.com/p/CSCpoRJrnk2/?utm_medium=copy_link Videos:…
T
The Brazilian Beat
We check in with China do Estácio about how things are going with Ritmo Solidário. Organized by sambista China do Estácio Master Samba Composer from Estácio de Sá, the campaign has been mobilizing bateria Mestres from various Samba Schools with the aim of collecting supplies (food, cleaning and hygiene products) to help its members who are in a vulnerable situation. “Many members live in communities and are going through a delicate time in their homes. The intention is that we can join in this action of solidarity ”. For this, each drum master has registered their bateria members who need help. Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Links: https://www.instagram.com/ritmosolidario/?hl=en https://www.facebook.com/ritmosolidario2020/ GoSamba.net Lost your key? We got you! Shop Now…
Photo by Luiza Grob dos Santos GoSamba.net Brazilian drums and gear. Shop Now Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Bio: Three-time Latin Grammy nominee Jovino Santos Neto, a master pianist, composer and arranger, is among the top Brazilian musicians working today. Currently based in Seattle, Washington, he has throughout his career been closely affiliated with the Brazilian master Hermeto Pascoal. He was an integral part of Pascoal's group from 1977 to1992, where he fine-tuned his artistry, performing around the world and co-producing several legendary records. Jovino’s personal style is a creative blend of energetic grooves, deep harmonies, telepathic improvisation, lyrical melodies and great ensemble playing, always inspired and informed by the colorful richness of Brazilian music. His compositions include samba, choro, baião , xote , forró , marcha and many more styles, rooted in centuries-old musical tradition while pointing to new and adventurous harmonic languages. Currently, Jovino leads his Seattle-based Quinteto after teaching piano and composition at Cornish College of the Arts for 26 years. He can also be heard around the world as a piano soloist, working with symphony orchestras, jazz big bands, chamber music groups, and in collaboration with musicians such as his mentor Hermeto Pascoal, Bill Frisell, Paquito d’Rivera, Airto Moreira, Claudio Roditi, David Sanchez, Joe Locke, Marco Granados and many more. Since moving to the US from his native Rio de Janeiro in 1993, Jovino Santos Neto has continued to tour the world and to record prolifically. He has recorded multiple CDs with his Seattle-based Quinteto, including Canto do Rio , nominated for a Latin Grammy in 2004. In 2006 Adventure Music released Roda Carioca with an all-Brazilian lineup including Joyce, Hermeto Pascoal and several other notable musicians and long time colleagues, earning him a second Latin Grammy nomination. In 2007, after receiving a special commission from Brazil’s Petrobras, Jovino composed and recorded Alma do Nordeste , a musical journey translating the essence of Northeastern Brazil into melodies, rhythms and improvisations – connecting regional, universal, imaginary and real stories. In 2008 he released a piano duo with Weber Iago, Live at Caramoor , also nominated for a Latin Grammy award in 2009. In 2010 Veja o Som (See the Sound) was released, a double disc collection of duos with musicians such as Bill Frisell, Joe Locke, Paquito d’Rivera, Anat Cohen, João Donato, Airto Moreira, Joyce, Paula Morelenbaum and Monica Salmaso, among others. In 2011 Adventure Music released Corrente (Current) featuring his Quinteto performing all new original music. Jovino’s newest recording is Guris , tribute to Hermeto Pascoal done as a piano duo with the brilliant Brazilian pianist André Mehmari, scheduled to be released in June 2017 on Adventure Music. Jovino’s compositions have been performed by the Seattle Symphony, NDR Big Band in Hamburg and by numerous jazz and chamber music groups. Jovino gives lectures, clinics and master classes worldwide on a variety of musical topics. Jovino has received commissions by the Cheswatyr Foundation, IAJE, ASCAP, CMA/Doris Duke Foundation, Jack Straw Foundation, the City of Seattle, 4Culture, Artist Trust and Meet the Composer. He has been artist in residence at some of the most prestigious music schools in the world. In 2012 he was inducted into the Seattle Jazz Hall of Fame and in 2011, 2012, 2015 and 2018 the Jovino Santos Neto Quinteto won as Best Northwest Acoustic Group in the Golden Ear Awards by Earshot Jazz. He also was awarded an Artist Trust Fellowship in Music in 2012. He is currently working on writing his musical memoirs, to be published in the near future. Links: https://www.jovisan.net/ https://www.facebook.com/jovino.neto.3 https://www.instagram.com/jovinosantosneto/ https://www.youtube.com/user/JovinoSantosNeto https://www.jovisan.net/brazilian-rhythms.html…
T
The Brazilian Beat
Renato Lage, Samba Houston GoSamba.net Brazilian drums and gear! Shop Now Bio: Renato Lage was born in Rio de Janeiro, Brazil. He started playing the saxophone at 11 y.o. and has been involved with music and dance throughout his entire life. He plays cavaquinho, pandeiro and saxophone in Samba and Bossa Nova bands, but it was in a soul band that he achieved the greatest moment in his career, when he had the honor to perform with B.B.King during his World Tour. He was also responsible for bringing the “Samba de Gafieira” and the first “Roda de Samba” to Houston back in 2010, when he was an MBA student at University of Houston Victoria. Building a Samba School “Bateria” has been in his plans since then, but only in 2020 when he returned to the U.S., he was able to put all parts together and launch the Samba Houston project. Besides music, Renato works in the electronic payments industry and has experience in global companies, like PayPal and VeriFone. Links: SambaHouston.org Instagram https://www.instagram.com/sambahouston/?hl=en Facebook https://www.facebook.com/watch/sambahouston/ YouTube https://www.youtube.com/channel/UC2oP8MpS2OhQmiiGYBNFstQ…
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Maracatu caixas available at GoSamba.net Bio: Juliana Cantarelli Vita is a Ph.D. Candidate in Music Education with an emphasis in Ethnomusicology at the University of Washington, and a member of The Orff Echo Editorial Board. Blending her interests in music education and ethnomusicology, Juliana has presented papers and given clinics on the topic of multicultural sensitivity, Afro-Brazilian drumming traditions, children’s musical cultures, and gender and music. She has received research grants from the American Orff-Schulwerk Association (for the work on collective songwriting at the Yakama Nation Tribal School) and the Canadian Social Sciences and Humanities Research Council (for the work with repatriated recordings). She is a recipient of the Elizabeth May (Slater) Award from the Society for Ethnomusicology for her paper on the topic of archived field recordings featuring children. As a clinician, Juliana has given more than 50 workshops in the United States, Brazil, and Europe. Inspired by her experiences and connections at Nação do Maracatu Porto Rico, she helped launch and currently directs Baque Maré, Seattle’s maracatu de baque virado ensemble. Julianna is also a cohost on the new podcast Esse foi massa- The podcast goal is to offer accessible, comprehensive conversations about Brazilian music, in terms of their specific sounds, as well as the cultural and historical circumstances that give them meaning. Links: Juliana’s podcast Esse Foi Massa: http://essefoimassa.com/ Juliana’s maracatu group in Seattle, Baque Maré http://instagram.com/baquemare Instagram: https://www.instagram.com/jucanta_/ Website: https://jucanta.wixsite.com/music Baque Mulher's website: https://baquemulher.com.br/ Wikipedia page about Mestra Joana: https://pt.wikipedia.org/wiki/Joana_D%27Arc_da_Silva_Cavalcante Mestra Jona social media: https://www.instagram.com/mestrajoanacavalcante/ https://www.facebook.com/MestraJoana White paper articles: Maracatu New York and Pernambuco https://www.tandfonline.com/doi/abs/10.1080/08263663.2012.11006004 Oficinas, CDs and Instructional Books. Teaching, Multiplying and Shaping Maracatu de Baque Virado in the period 1988–2010 https://www.academia.edu/11488937/Oficinas_CDs_and_Instructional_Books_Teaching_Multiplying_and_Shaping_Maracatu_de_Baque_Virado_in_the_period_1988_2010…
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Drums, gear and accessories at GoSamba.net Bio: Originally from Barnegat, New Jersey, Joe Goglia has been living in Tempe, Arizona since 2002. Upon moving to Arizona, he completed his Bachelor of Music degree in Percussion Performance from Arizona State University, where he was under the direction of Dr. J.B. Smith, Dr. Mark Sunkett, and Dom Moio. Joe also holds his Master's degree in Music Education with an emphasis in Jazz (also from ASU), under the direction of Michael Kocour. In addition to formal education, Joe has had the opportunity to study with a variety of instructors in the folkloric field, including: Scott Kettner, Mark Lamson, Dudu Fuentes, Ailton Nunes, Julie Hill, Alberto “Beto” Torrens, Rafael Maya, Marien Torres, Ivelisse Diaz, Ruy Lopez-Nussa Lekszycky, and Cachete Maldonado y Los Majaderos. Currently, Joe is the Director of Instrumental and Digital Music at Camelback High School. His duties at Camelback include Band, Percussion Ensemble, and Music Technology. Not only an educator, Joe is also a seasoned performer. He works as a freelance musician with a variety of performing artists around town. In 2012, Joe created the group Samba de Cavalo. This group specializes in Afro-Brazilian music, but also has been blending different music of African diaspora to create a new and unique sound. Joe has also collaborated with Amanda Soares in The Samba Project, and can always be seen with Boom! Percussion on trash cans or marching drums. One of his latest endeavors includes Grupo BombAZo, an Afro-Puerto Rican folkloric group that specializes in Bomba and Plena. As an active member of the Percussive Arts Society for many years, Joe has served as Arizona Chapter Vice President and President for the chapter. Joe proudly endorses Vic Firth drumsticks, Mapex/Majestic Percussion, MEINL Percussion, and Remo drumheads. Links: https://jovingogmusic.com/ https://www.youtube.com/user/jovingog/featured Recommendations: Massa Podcast: https://essefoimassa.com/ Radio Garden: http://radio.garden/…
Support Ritmo Solidário Help feed and support Samba School bateria players during the pandemic. PayPal Website Use address: chiinabadalo@gmail.com Bio: Claudio Santana is a percussionist from Pernambuco, Brazil, and enjoys mixing Brazilian influences with foreign influences obtained through his travels. Santana started his career with the intent to form himself musically through local music scene, such as Maracatu, Coco, Ciranda, Afoxé, Baião, Cavalo Marinho, Candomblé. Claudinho has lived in and visited more than 12 European countries and has been influenced by musicians from African and Asia. These contacts created a desire to learn and better understand the roots of percussion and their cultures beginning with the introduction of the instruments like Talking Drum, Djembe, Udu etc. He enjoys incorporating hand percussion with drum kit and believes that Percussion is “an endless universe”. His experiences at home and abroad have added to Santana’s musical vocabulary; he played with the Maracatu Nação Estrela Brilhante for ten years and he was introduced to the musicians Marcos Suzano and Jorginho do Pandeiro. His primary instrument is the pandeiro, but he also plays djembe, timbal, congas and peruvian Cajon. Claudinho has taught percussion for the last 21 years. He has taught courses and workshops for more than a decade in Brazil and several European countries. In the US he held Pandeiro and Maracatu workshops sponsored by Contemporânea. In Recife, he held body percussion workshops sponsored by TIM Música, Pandeiro workshops sponsored by the Culture Ministry, and many others. Santana was a student of Jorge Martins, his first teacher and founder of “Corpos Percussivos”, where he was also an instructor. He also has held workshops in other Brazilian states, like Aracaju, Maceió and Fortaleza. He was invited as the Brazilian representative to the International Festival of Pandeiro, or NAFDA in the US. Claudinho holds degrees in music from the Universidade Federal de Pernambuco and in journalism from Universidade Católica de Pernambuco. In 2008 he received a scholarship to study at West Virginia University, where he studied steel drums, electronic music, sound painting, and African drumming. Santana has played with international names such as the British singer Joss Stone, accordionist Rob Curto and guitar player Clay Ross, both from NY, and the Scottish groups like Bloco Vomit and MacUmba, from UK. In Brazil, Santana has recorded and played with Zeca Baleiro, Junio Barreto, Silvério Pessoa, Geraldo Azevedo, Davi Moraes, Luizinho Calixto, Zé Calixto, Xangai and Santana “O Cantador”. With the singer Badi Assad he performed at Jarasum Jazz Festival in South Korea and in Rio de Janeiro with Ney Matogrosso. In the last ten years, Claudinho has immersed himself into the São Paulo Carnaval Bloco scene. He had the chance to work along with Bangalafumenga and Kizomba from Rio, Ritaleena, Charanga do França, Besta É Tu and he is currently the musical director for Bloco Pagu. In São Paulo he has also taught pandeiro at the instituto Brincante. Links: Instagram: claudinhosantana_perc Youtube: https://www.youtube.com/channel/UCmAdE2TOFu7lLon6i7FbzUg Facebook: https://www.facebook.com/claudiomaracatu GoSamba.net Authentic Brazilian percussion instruments and gear imported from Brazil. Support Dianna and Courtney Aulas on line para iniciantes e intermediários. Mande um mensagem e agende a sua aula presencial ou através do Zoom!On line classes for all levels! Send me a... 바디 아사드 Badi Assad - Básica2015. 10. 11(Sun) Jazz Island, Jarasum Int'l Jazz FestivalBadi Assad(voice & guitar)Claudinho Santana(percussion)…
GoSamba.net Helping you annoy your neighbors since 2018! Bio: Clarice Cast is a multi percussionist from São Paulo, Brazil. She earned a Bachelor of Music from Northern Illinois University and a Masters in World Percussion from the California Institute of the Arts. She is an active performer, recording artist, and composer in Los Angeles, CA and is a regular clinician at colleges, universities, and percussion festivals, including the Percussive Arts Society International Convention in 2014. Clarice is heavily influenced by her native Brazilian culture, and it has been her driving force to learn, perform, write, and teach these styles. Clarice is Viver Brasil’s music director, Los Angeles’ premier Afro-Brazilian dance company. She is currently finishing up her first Pandeiro Method book, which will be available soon! Clarice proudly endorses Contemporânea Percussion instruments, Tycoon Percussion Instruments and Ahead Armor Cases. Links: Facebook: https://www.facebook.com/Clarice-Cast-Percussion-102402351639647 Website: http://claricecast.com Mailing list: https://mailchi.mp/5c0309f7879a/claricecastmailinglist?fbclid=IwAR1ccSGH6ulci6UCSaIXSVSsf4miuRCCZPucB8h9A8HhugmUDKlQmERAtYw Instagram (@claricecast): https://www.instagram.com/claricecast/ YouTube: https://www.youtube.com/user/claricecast 🇧🇷Pense em um instrumento capaz de abrir portas, formar músicos e unir pessoas do mundo inteiro... esse é o #pandeiro ! Me sinto muito privilegiada em faze... TO DONATE Living outside of Brazil? Donate to Ritmo Solidáro through PayPal. Copy the following address and put it into PayPal: chiinabadalo@gmail.com PayPal Website Living inside Brazil? Donate by going to the website. Ritmo Solidário Clarice Cast with pandeiro…
T
The Brazilian Beat
Alan Hetherington GoSamba.net Drums, bags, mallets and gear direct from Brazil! Bio: Alan Hetherington’s performing experience spans many of the musical genres in the west where percussion can be found today. He has performed widely in North and South America, and the Caribbean: Cumbia in Colombia, the Joropo tradition (maracas) in Venezuela, Afro-Peruvian music in Lima, Peru, Cuban folkloric music in Havana, and today specializes in the many musical styles of Brazil...Since 1989 Alan has spent extensive periods of time residing in São Paulo and Rio de Janeiro Brazil, performing with Sombra e Agua Fresca, Bel Brasil, Carlos do Cavaco, Chocolatte da Vila Maria, Henrique Cazes, and Filó Machado, among others. He has been a devotee of the samba school tradition of Rio de Janeiro and São Paulo, performing with some of the largest and most exciting baterias on the planet. He has studied and performed with great masters including Mestre Tatá Batera, Mestre Serjão from the Escolas de Samba Arco Iris and Leões da Hortolândia de Jundiaí, Mestre Sombra from Mocidade Alegre, Mestre Odilon from Acadêmicos do Grande Rio, Mestre Celinho from Unidos da Tijuca, Mestre Beto from Imperatriz Leopoldinense, and Mestre Paulão from Beija-Flor. His eclectic background has allowed him to perform in a variety of musical settings including with The Toronto Symphony, The Vancouver Symphony, John Wyre and World Drums, Nexus, Hermeto Pascoal, Guinga, Andrea Bocelli, David Foster, Michael Bublé, Trichy Sankaran, Evergreen Club Gamelan, The Canadian Opera Company, Peter Erskine, Glen Velez, Filó Machado, Celso Machado, and Henrique Cazes, among others. He was a member of Ravi Naimpally’s critically acclaimed Indo-Jazz ensemble, Tasa, which has toured North America, Europe and Japan, and recorded 5 CD’s. He has also performed and recorded with many accomplished Canadian artists such as John MacMurchy, Lenka Lichtenberg, Maryem Tollar, Sophie Milman, Carol Welsman, Emily-Claire Barlow, Melissa Stylianou and Kiran Ahluwalia. He has made numerous recordings for television, film and video, and has toured with ensembles or as a solo artist throughout Europe, North and South America and Asia. Alan is the founder and Director of Toronto’s own Escola de Samba de Toronto, presently teaches a course in Brazilian Bateria at The University of Toronto and The Royal Conservatory of Music, and has traveled throughout Canada, the United States and Japan teaching the tradition. Alan’s Fantástica Bateria from the Escola de Samba de Toronto toured Brazil in 2008, 2011 and 2016 to high acclaim, and today the ensemble is considered one of Canada’s principal cultural links to Brazil. A Fantástica Bateria de Alan Hetherington and Chocollatte, recorded in São Paulo and Toronto, is a percussion tour de force CD that mixes traditional and contemporary idioms. Alan’s Brazilian musical life is the subject of filmmaker Avi Lev’s feature documentary, We Are Samba with Beth Carvalho, Mestre Sombra, Mestre Odilon, and others. In 2016, 2017 and 2018 Alan produced and performed on tour with Filó Machado and Celso Machado, as well as with Henrique Cazes and his group (Canadioca) in music festivals across the country. In 2019 he was commissioned to produce Um Grande Encontro for the Toronto Jazz Festival, and was music director for Rafael Piccolotto’s, Forró Sem Palavras, for the Orquestra de Fulô de Toronto. Alan holds a Bachelor's Degree in Music from The University of British Columbia where he studied with John Rudolph, and a Masters of Music in Percussion Performance from the University of Toronto, under Russell Hartenberger. Alan is a Sonor Drums and Contemporânea Instrumentos Musicais endorser. Links: Documentary “We Are Samba”: https://youtu.be/ne8JJjmvaC8 With Kris Maddigan and The Cuphead Orchestra: https://youtu.be/qD54sROmeIM Nicolas Krassik on violin with A Fantástica Bateria: https://afantasticabateria.com/track/527930/molho-de-boi Dholdrums: https://afantasticabateria.com/track/526729/dholdrums Remix (vocalizations from Dholdrums): https://afantasticabateria.com/track/528043/batucadatronica Aos Mestres: https://afantasticabateria.com/track/527268/aos-mestres YouTube Channel: https://www.youtube.com/channel/UCSv_8rKvjn_jla6fXDwM9Vg Related projects: Canadioca with Henrique Cazes: https://afantasticabateria.com/epk-hc Koda: https://youtu.be/uWFORDuR_jo Alan Hetherington…
Leo Leobons with a berimbau. GoSamba.net Brazilian drums and gear. Bio: Started at Candomblé at the age of eight as Ogã de Xangô, Leo Leobons brings the rhythm in his vein and in his soul. After seventeen years in the United States playing Afro-Latin music, and with numerous trips to Cuba playing and performing with Cuban musicians, he became the greatest Brazilian authority in Afro-Cuban folklore, contributing to the formation of an entire generation of percussionists in Rio de Janeiro. He recorded and performed with a wide range of artists, from Maria Rita to Azymuth; from Nando Reis to Pedro Luís ea Parede; from Lucas Santana to Ramiro Musotto. His work appears in films, documentaries, radio and television programs in Brazil and around the world. His first solo album, “Bá”, was a finalist at the Premio da Musica Brasileira, and his new album “Ritual”, has been praised and played on radio and playlists worldwide, from Ibiza to Athens, from Seattle to Paris from Warsaw to Vienna. Links: Buy his album “Ritual” https://kafundrecords.bandcamp.com/album/l-o-leobons-ritual Buy his album “Bá” https://music.apple.com/us/album/b%C3%A1/1480316440 Label Kafundo Records http://kafundorecords.com/artist/leo-leobons/ Instagram https://www.instagram.com/leoleobons/ Facebook https://www.facebook.com/leobonsleo Michael Spiro Documentary Los Bandos - Rumba en Cazuela Check it out here: Los Bandos - Rumba en Cazuela Ritmo Solidário Feeds and supports Samba School bateria players during the pandemic. PayPal Website chiinabadalo@gmail.com Support This Podcast! Mestre Ailton Go Fund me. Leo Leobons on stage. Leo Leobons playing conga.…
플레이어 FM에 오신것을 환영합니다!
플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.
Daily Deals
The Brazilian Beat와 비슷한 콘텐츠
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
…
continue reading
An independent radio station from Tel Aviv. For music lovers by music lovers.
…
continue reading
Your source for Metal news, views, tunes and interviews!
…
continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
…
continue reading
Firebeatz presents Ignite Radio
…
continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
…
continue reading
Nothing but the blues, from the earliest to the latest, all genres
…
continue reading
Since launching in 2000, All Songs Considered has been NPR's flagship program for music discovery, artist interviews and conversations with friends and fellow music lovers about the really big questions, like what was the best decade for music, are there albums everyone can agree on, and what do you put on when you need a good cry? Weekly, with host Robin Hilton and the NPR Music family.
…
continue reading
Join jazz aficionado Don Shor as he explores the diverse and fascinating world of jazz. Jazz After Dark spans the gamut, from roots in boogie-woogie, blues, and ragtime through traditional and straight-ahead jazz, soul jazz, bossa nova, and more.
…
continue reading
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!
Player FM 앱으로 오프라인으로 전환하세요!
))
