Seeing Is Forgetting 공개
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Andrianna speaks in-depth about her writing and curatorial practice. We discuss the lack of representation of marginalized groups and individuals within art history; and rethinking curatorial narratives around artists and producers. And the importance of community and conversation within the art world.…
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Anna speaks about the various directions her practice has taken over the last twenty years, understanding her place within the work, and realizing that her goal wasn't just to show in a gallery space or an art fair. We talk about the influence that peers and mentors can have on an artist as one's career extends over a period of time.…
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Lauren speaks about the five years of running Public Fiction as an exhibition space in Los Angeles, as well as the on-going print publication of the same name; her collaborations with institutions, curators, and artists; and what it means for the exhibition to be treated as a medium.저자 Jason Bailer Losh
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B. Wurtz speaks about his life as an artist growing up in California and moving to New York in the 1980's. We discuss the relationship of his artwork to pop art, surrealism, and conceptual art as well as how to understand when a piece is complete. After having his first institutional retrospective in Europe he shares how he's preparing for his firs…
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Luis talks about his past work in theater and discusses his current role as a partner and executive producer at Butcher Bird Studios focusing on film and television. The final part of our conversation is entirely devoted to the medium of Virtual Reality and how it plays a role in media today as well as art.…
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This special five part series has been commissioned by Flag Art Foundation for their exhibition "The Times". The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the "paper of record" to address and reframe issues that impact our everyday lives. These interviews are with…
  continue reading
 
This special five part series has been commissioned by Flag Art Foundation for their exhibition "The Times". The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the "paper of record" to address and reframe issues that impact our everyday lives. These interviews are with…
  continue reading
 
This special five part series has been commissioned by Flag Art Foundation for their exhibition "The Times". The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the "paper of record" to address and reframe issues that impact our everyday lives. These interviews are with…
  continue reading
 
This special five part series has been commissioned by Flag Art Foundation for their exhibition "The Times". The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the "paper of record" to address and reframe issues that impact our everyday lives. These interviews are with…
  continue reading
 
This special five part series has been commissioned by Flag Art Foundation for their exhibition "The Times". The exhibition uses The New York Times as its point of departure and features over 80 artists, artist duos, and collectives who use the "paper of record" to address and reframe issues that impact our everyday lives. These interviews are with…
  continue reading
 
Mohammed speaks about opening the Institute of Arab & Islamic Art(IAIA) and the important role it plays in helping to foster conversation and understanding between cultures. We speak about social responsibility to affect change and breaking stereotypes, as well as the need for collaboration with the intent of helping to shape the future.…
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Emily speaks to her role as a Curatorial assistant at MOMA, and her work on the Robert Rauschenberg retrospective Among Friends. We also discuss the work of Eleanor Anton and the exhibition Multiple Occupancy: Eleanor Antin's "Selves", curated by Emily in 2013.저자 Jason Bailer Losh
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Diana C. Betancourt is a Los Angeles-born curator based in Mumbai who has been working across South Asia since 2010. She is the Artistic Director of the Samdani Art Foundation in Dhaka and the Chief Curator of the Dhaka Art Summit. We speak about her entrance into the art world, the influence of arts within South Asia, and the important role of exp…
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LA based artist duo Chris Adler and Ali Edmark are the co-directors and curators behind the collaborative exhibition space VACANCY. Chris discusses the balancing act of maintaining an art practice and running a gallery, having a full time job to pay the bills, and his relationship with Ali, his partner in life and work.…
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Claire delves into the focus of her dissertation, collage and narrative in Los Angeles in the 1960s and 1970s, and its relationship to contemporary art, as well as her work as a curator and writer. As an accomplished musician, she regularly performs throughout Los Angeles, and we discuss her participation earlier this year as a singer in Yael Salom…
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Ian and Matt discuss running a gallery space as artists, and how they sustain individually vibrant art practices while providing opportunities for other artists at Metro PCS. They also reflect on the city of Los Angeles and how it propels and restricts creativity.저자 Jason Bailer Losh
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Neha Choksi discusses living in Bombay and Los Angeles, issues of labeling artists and their work, and the role of comedy, tragedy, and the absurd within her practice. Her work explores how we seek, experience and acknowledge absence and loss in material, temporal and psychological terms.저자 Jason Bailer Losh
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Kibum Kim, owner of the gallery Skibum MacArthur, is a lawyer, a teacher, and co-founder of the NEWD Art fair. We discuss his many endeavors, as well as the future of the Korean art market and the resurgence of the Dansaekhwa movement.저자 Jason Bailer Losh
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Adam Miller, co-founder of The Pit, discusses how the gallery started and their approach to programing and running a successful business while being an artist. We talk about horror films, his music career, and his work for PETA and the misconceptions regarding activism and the ethical treatment of animals.…
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Dan Cameron discusses critical writing becoming a function of the market, approaches to curating, the legacy of Marcia Tucker, and issues of gay and lesbian identity in contemporary art."...your identity can be the source of your work...today, not only is that accepted, it's cliché. That wasn't always the case." D.C.…
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In the second episode of Seeing is Forgetting, Aaron Moulton and I discuss how repressive logic inhibits freedom of expression, participatory anthropology, recursive exhibition making, and the power of dark magic. "...the last place you'll have an avant-garde experience is the art gallery, because you're so prepared to potentially have one, and for…
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