I think you could probably go back and track the stages of grief, probably that is what I went through. But I think if you do it right, you end up at acceptance. And that's where I ended up. And that's not to say that I've fully accepted the idea that the golden toad is extinct. Personally, I do still hold out hope that it could still be out there in those forests." - Trevor Ritland This conversation is with Trevor Ritland, who—along with his twin brother Kyle—authored The Golden Toad . The book chronicles their remarkable journey into Costa Rica’s cloud forest, once home to hundreds of brilliant golden toads that would emerge for just a few weeks each year—until, one day, they vanished without a trace. What began as a search for a lost species soon became something much more profound: a confrontation with ecological grief, a meditation on hope, and a powerful call to protect the natural world while we still can. Links: SpeciesUnite.com Kyle and Trevor: https://kyleandtrevor.com/ Instagram: https://www.instagram.com/adventureterm/ Goodreads - https://www.goodreads.com/book/show/222249677-the-golden-toad Amazon - https://www.amazon.com/Golden-Toad-Ecological-Mystery-Species/dp/163576996…
들어볼 가치가 있는 팟캐스트
스폰서 후원
Reflections on 2000 Year Old Tamil Poetry
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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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In this episode, we perceive the angst of a lady, parted from her beloved, as portrayed in Sangam Literary work, Aganaanooru 45, penned by Velliveethiyaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a variety of similes from nature and history. வாடல் உழுஞ்சில் விளை நெற்று அம் துணர் ஆடுகளப் பறையின், அரிப்பன ஒலிப்ப, கோடை நீடிய அக…
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In this episode, we observe the eagerness of a man to return home, as depicted in Sangam Literary work, Aganaanooru 44, penned by Kudavayil Keeraththanaar. The verse is situated amidst the speeding roads of the ‘Mullai’ or ‘Forest Landscape’ and offers an account of people and places involved in an ancient battle. வந்து வினை முடித்தனன் வேந்தனும்; ப…
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In this episode, we perceive a clear decision in a man’s mind, as depicted in Sangam Literary work, Aganaanooru 43, penned by Madurai Aasiriyaar Nallanthuvanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse portrays the intensity of the rainy season. கடல் முகந்து கொண்ட கமஞ் சூல் மா மழை சுடர் நிமிர் மின்னொடு வலன் ஏர்பு, இரங்கி, என்றூழ் உழந…
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In this episode, we experience a downpour of joy, as depicted in Sangam Literary work, Aganaanooru 42, penned by Kabilar. Set in the rain-soaked ranges of the ‘Kurinji’ or ‘Mountain Landscape’, the verse talks about the transformative effect of an event. மலி பெயல் கலித்த மாரிப் பித்திகத்துக் கொயல் அரு நிலைஇய பெயல் ஏர் மண முகைச் செவ் வெரிந் உறழும் க…
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In this episode, we perceive worry about another’s pain, as portrayed in Sangam Literary work, Aganaanooru 41, penned by Kundriyanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse illustrates the sights and sounds of a season. வைகு புலர் விடியல் மை புலம் பரப்ப, கரு நனை அவிழ்ந்த ஊழுறு முருக்கின் எரி மருள் பூஞ் சினை இனச் சிதர் ஆர்ப்ப, நெடு …
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In this episode, we listen to a lady’s lament, as portrayed in Sangam Literary work, Aganaanooru 40, penned by Kundriyanaar. Set amidst the roaring waves of the ‘Neythal’ or ‘Coastal landscape’, the verse depicts the deep yearning in the lady to be with her beloved. கானல், மாலைக் கழிப் பூக் கூம்ப, நீல் நிறப் பெருங் கடல் பாடு எழுந்து ஒலிப்ப, மீன் ஆர…
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In this episode, we hear heartfelt words of appeasement, as portrayed in Sangam Literary work, Aganaanooru 39, penned by Madurai Chenkannanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse paints the inner and outer world at a particular space and time in exquisite detail. ‘ஒழித்தது பழித்த நெஞ்சமொடு வழிப் படர்ந்து, உள்ளியும் அறிதிரோ, எம்?…
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In this episode, we listen to how a hidden message is subtly conveyed, as portrayed in Sangam Literary work, Aganaanooru 38, penned by Vadama Vannakkan Peri Saathanaar. Set in the ‘Kurinji’ or ‘Mountain Landscape’, the verse paints picturesque images to etch the past and present. விரி இணர் வேங்கை வண்டு படு கண்ணியன், தெரி இதழ்க் குவளைத் தேம் பாய் தா…
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In this episode, we perceive the distress in the lady’s heart, as depicted in Sangam Literary work, Aganaanooru 37, penned by Vitrootru Mootheyinanaar. Set in the ‘Paalai’ or ‘Drylands landscape’, the verse presents a unique portrait of the season of spring. மறந்து, அவண் அமையார் ஆயினும், கறங்கு இசைக் கங்குல் ஓதைக் கலி மகிழ் உழவர் பொங்கழி முகந்த தா …
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In this episode, we listen to the angry words of a wife, as portrayed in Sangam Literary work, Aganaanooru 36, penned by Madurai Nakeerar. Set amidst the fish-filled ponds and blooming trees of the ‘Marutham’ or ‘Farmlands Landscape’, the verse conveys facets of nature and nuggets of history. பகுவாய் வராஅற் பல் வரி இரும் போத்துக் கொடு வாய் இரும்பின…
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In this episode, we listen to a mother's fervent prayer, as depicted in Sangam Literary work, Aganaanooru 35, penned by Kudavayil Keerathanaar. Set in the 'Paalai' or 'Drylands landscape', the verse depicts the life and worship of an ancient tribe and also, the lament and love of a mother.저자 Nandini Karky
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In this episode, we perceive the yearning in a man to return home speedily, as depicted in Sangam Literary work, Aganaanooru 34, penned by Madurai Maruthan Ilanaakanaar. Set in the rain-soaked 'Mullai' or 'Forest landscape', the verse portrays scenes in the wild and its consequences on a man's mind.저자 Nandini Karky
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In this episode, we listen to thoughtful words spoken to the heart, as depicted in Sangam Literary work, Aganaanooru 33, penned by Madurai Alakkar Gnaazhaar Makanaar Mallanaar. Set in the 'Paalai' or 'Drylands landscape', the verse highlights the conflict between work and love in those times.저자 Nandini Karky
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In this episode, we perceive a romance brewing, as depicted in Sangam Literary work, Aganaanooru 32, penned by Nalvelliyaar. Set amidst the millet fields in the 'Kurinji' or 'Mountain landscape', the verse paints a vivid portrait of inner emotions and outer reactions.저자 Nandini Karky
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In this episode, we perceive the fearsome nature of the region, as portrayed in Sangam Literary work, Aganaanooru 31, penned by Maamoolanaar. Set in the 'Paalai' or 'Drylands landscape', the verse offers insights about the extent of the domain, ruled by ancient Tamil kings.저자 Nandini Karky
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In this episode, we relish intriguing similes on ancient professions, as depicted in Sangam Literary work, Aganaanooru 30, penned by Mudangi Kidantha Neduncheralaathan. The verse is situated amidst the roaring seas of the 'Neythal' or 'Coastal landscape' and relays a hidden rebuke.저자 Nandini Karky
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In this episode, we understand perspectives about the pursuit of wealth, as portrayed in Sangam Literary work, Aganaanooru 29, penned by Vellaadiyanaar. Set in the 'Paalai' or 'Drylands landscape', the verse echoes the emotions of the one who parted away and the one waiting for their return.저자 Nandini Karky
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In this episode, we perceive the communication of a hidden message, as portrayed in Sangam Literary work, Aganaanooru 28, penned by the Pandya King Arivudai Nambi. The verse is situated amidst the millets fields and parrot sounds of the 'Kurinji' or 'Mountain Landscape' and persuades a person to choose the path of permanent happiness.…
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In this episode, we listen to an interesting argument for allaying fear, as portrayed in Sangam Literary work, Aganaanooru 27, penned by Madurai Kanakkaayanaar. Set in the 'Paalai' or 'Drylands landscape', the verse reveals the perceived power of the lady's beauty.저자 Nandini Karky
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In this episode, we perceive a moment when the heart wins over the head, as depicted in Sangam Literary work, Aganaanooru 26, penned by Paandiyan Kaanapereyil Thantha Ukkira Peruvazhuthi. The verse is situated amidst the lush fields of the 'Marutham' or 'Farmlands landscape' and sketches the nuanced changes in a woman's life after childbirth.…
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In this episode, we hear words of consolation rendered to a grieving heart, as portrayed in Sangam Literary work, Aganaanooru 25, penned by Ollaiyoor Thantha Boothappaandiyan. Set in the 'Paalai' or 'Drylands landscape', the verse highlights the picturesque changes in the season of spring.저자 Nandini Karky
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In this episode, we perceive a man's angst, as portrayed in Sangam Literary work, Aganaanooru 24, penned by Aavoor Moolankizhaar. Set amidst the flowering bushes of the 'Mullai' or 'Forest landscape', the verse sketches the pain in parting with vivid images.저자 Nandini Karky
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In this episode, we relish the beauty of changing seasons, as depicted in Sangam Literary work, Aganaanooru 23, penned by Orodakathu Kantharathanaar. Set in the 'Paalai' or 'Drylands landscape', the verse echoes the anxiety of a maiden waiting for the return of her beloved.저자 Nandini Karky
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In this episode, we hear a strong statement defending a person, as depicted in Sangam Literary work, Aganaanooru 22, penned by Veri Paadiya Kaamakanniyaar. Set amidst the cascades and slopes of the 'Kurinji' or 'Mountain landscape', the verse paints a portrait of the beliefs and rituals of those times.…
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In this episode, we perceive a path to face the fall in motivation, as depicted in Sangam Literary work, Aganaanooru 21, penned by Kaavanmullai Poothanaar. Set in the 'Paalai' or 'Drylands landscape', the verse portrays an attempt to boost a flagging heart.저자 Nandini Karky
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In this episode, we perceive a subtle plea for a change in action, as portrayed in Sangam Literary work, Aganaanooru 20, penned by Ulochchanaar. Set amidst the sands and groves of the 'Neythal' or 'Coastal Landscape', the verse vividly sketches a day in the life of Sangam maiden.저자 Nandini Karky
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In this episode, we observe a person's dilemma at the crossroads, as depicted in Sangam Literary work, Aganaanooru 19, penned by Porunthil Ilankeeranaar. The verse is situated in the 'Paalai' or 'Drylands Landscape' and relays a conversation between a man and his heart.저자 Nandini Karky
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In this episode, we perceive the dangers in trysting, as depicted in Sangam Literary work, Aganaanooru 18, penned by Kabilar. Set amidst the wild streams of the 'Kurinji' or 'Mountain Landscape', the verse presents a persuasive plea for a change in action.저자 Nandini Karky
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In this episode, we listen to a mother's lament, as portrayed in Sangam Literary work, Aganaanooru 17, penned by Kayamanaar. Set in the 'Paalai' or 'Drylands landscape', the verse echoes the thoughts of a mother at the juncture of her daughter's elopement.저자 Nandini Karky
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In this episode, we listen to a response to a denial, as portrayed in Sangam Literary work, Aganaanooru 16, penned by Saakalaasanaar. Set amidst the lush lotuses of the 'Marutham' or 'Farmlands landscape', the verse brings out the relationship dynamics in a household.저자 Nandini Karky
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In this episode, we get to know some historical characters, as depicted in Sangam Literary work, Aganaanooru 15, penned by Maamoolanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and portrays a mother's wish for her daughter's well-being.저자 Nandini Karky
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In this episode, we perceive a before-and-after story, as depicted in Sangam Literary work, Aganaanooru 14, penned by Okkoor Maasaathanaar. Set amidst the moist red earth of the 'Mullai' or 'Forest landscape', the verse portrays an evening hour and a much-awaited arrival.저자 Nandini Karky
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In this episode, we listen to a thoughtful response, as depicted in Sangam Literary work, Aganaanooru 13, penned by Perunthalai Saaththanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and paints a portrait of the pain in parting.저자 Nandini Karky
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In this episode, we perceive a strategy for course correction, as depicted in Sangam Literary work, Aganaanooru 12, penned by Kabilar. Set amidst the squeaks and squawks of squirrels and parrots in the 'Kurinji' or 'Mountain landscape', the verse attempts to offer a new perspective to a perplexed person.…
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In this episode, we listen to a parted lady's anguish, as portrayed in Sangam Literary work, Aganaanooru 11, penned by the prolific Sangam poet Avvaiyaar. The verse is situated in the 'Paalai' or 'Drylands Landscape' and expresses the regretful words of a person in the midst of a separation.저자 Nandini Karky
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In this episode, we listen to persuasive words, as portrayed in Sangam Literary work, Aganaanooru 10, penned by Ammoovanaar. Set amidst the waves and sands of the 'Neythal' or 'Coastal Landscape', the verse transports us to an ancient shore.저자 Nandini Karky
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In this episode, we perceive an exquisite moment of anticipation, as portrayed in Sangam Literary work, Aganaanooru 9, penned by Kallaadanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and depicts the emotions in coming home to a beloved after a long separation.저자 Nandini Karky
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In this episode, we perceive the dangers in trysting, as depicted in Sangam Literary work, Aganaanooru 8, penned by Perunkundroor Kizhaar. Set amidst the hills and slopes of the 'Kurinji' or 'Mountain Landscape', the verse presents the challenges in the situation and its resolution in a hidden manner.…
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In this episode, we look into the distraught emotions of a mother, as depicted in Sangam Literary work, Aganaanooru 7, penned by Kayamanaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and vividly portrays a scene of separation and seeking.저자 Nandini Karky
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In this episode, we perceive the ire of a lady, as depicted in Sangam Literary work, Aganaanooru 6, penned by Paranar. Set amidst the lush fields and ponds of the 'Marutham' or 'Farmlands landscape', the verse portrays a strong reaction to an affront.저자 Nandini Karky
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In this episode, we relish the micro-elements of expressed emotions, as depicted in Sangam Literary work, Aganaanooru 5, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the 'Paalai' or 'Drylands landscape' and etches a striking portrait of an anxious heart.저자 Nandini Karky
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In this episode, we perceive the blooming beauty of a forest in the rains, as portrayed in Sangam Literary work, Aganaanooru 4, penned by Kurungudi Maruthanaar. Set amidst the blooms of the 'Mullai' or 'Forest Landscape', the verse conveys a message of hope.저자 Nandini Karky
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In this episode, we perceive the striking shades of inner conflict , as portrayed in Sangam Literary work, Aganaanooru 3, penned by Eyinanthai Makanaar Ilankeeranaar. The verse is situated in the 'Paalai' or 'Drylands landscape' and sketches a man's dilemma in his quest for wealth.저자 Nandini Karky
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In this episode, we delve into the art of conveying a nuanced message, as depicted in Sangam Literary work, Aganaanooru 2, penned by Kabilar. Set among the rocks and boulders of the 'Kurinji' or 'Mountain landscape', the verse reveals the sensory delights of this land.저자 Nandini Karky
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I'm delighted to begin our exploration of Aganaanooru, a collection of four hundred verses of poetry, arranged with precision to echo the inner life of ancient Tamils. In this episode, we perceive the emotions of a lady, parted away from her man, as depicted in Sangam Literary work, Aganaanooru 1, penned by Maamoolanaar. Set in the 'Paalai' or 'Dry…
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In this episode, we listen to the consoling words of the confidante, as depicted in Sangam Literary work, Kalithogai 150, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and portrays trust in the goodness and compassion of a person.저자 Nandini Karky
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In this episode, we perceive abstractions on ethics in human behaviour, as portrayed in Sangam Literary work, Kalithogai 149, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and puts forth a well-thought-out plea!저자 Nandini Karky
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In this episode, we listen to a lady's conversation with an evening, as depicted in Sangam Literary work, Kalithogai 148, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and echoes the emotions of a parted maiden.저자 Nandini Karky
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In this episode, we listen to a lady's pleas to the world around, as portrayed in Sangam Literary work, Kalithogai 147, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and narrates the torment of a lady and the resolution of her travails.저자 Nandini Karky
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In this episode, we perceive the soaring suffering in a lady, as depicted in Sangam Literary work, Kalithogai 146, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and echoes the state of a pining woman.저자 Nandini Karky
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