Randy Cohen 공개
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When this graphic designer worked at Sony Music, the handwriting was already on the wall, the tiny, tiny wall: “It was no longer LPs; it was CDs. The canvas kept shrinking.” And now with digital music, there’s no canvas at all. “It’s not the end of the world; it’s a different paradigm.” Disconcerting optimism, great design. Produced with the Center…
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Does use determine design, or does design shape behavior? This architect asserts the latter: “A certain object does make you behave a certain way or do certain things.” For example, a simple lime-squeezer lured her and her family into more lime squeezing than anyone—or any lime—anticipated. Produced with the National Academy of Design. Music: Tomas…
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Composers not only create something non-corporeal but also enjoy bringing an actual object into the world. “One of my great great moments was when I finally had a recording of my own in a bin at Tower Records.” (Older people can explain to younger people what record stores were.) The delights of the irrefutably physical. Presented with BMI and the …
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He is the producing artistic director of the Classical Theatre of Harlem, focusing on work from Sophocles to Shakespeare—the big S playwrights—to explore fundamental ideas. “These are living arguments, these classic plays.” Produced with CTH. Music: Kaden Jones, cello; Roen Jones, violin; Emery Jones, piano. This is our last new episode of the seas…
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Even as a child, this actor loved Shakespeare. “I would listen every night to John Gielgud’s Ages Of Man or Laurence Olivier’s Henry V or Richard III. I was just sort of marinated in it.” He’s since played many of the great villains, from Iago to the Grinch—Shakespeare and Shakespearean. Produced with Red Bull Theater. Music: Lance Horne.…
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GLUCK+ architects designed and constructed a building for the WHIN Music Community Charter School, led by Ortiz. How do architects know if a design works well? It’s not their call, says Tom Gluck. “The judges of whether a building’s successful or not are the people in it.” And this building? A triumph, says Charlie Ortiz.…
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How did we allow the ruin of the Colorado River? “We think that water comes from the tap,” says this photographer of wild places. “We’ve lost the idea that water comes from natural systems.” See the results of our folly in his book, The Colorado River: Chasing Water. Then weep. Then fight. Then drink. Presented with Fotografiska. Music: some talent…
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Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as 'this is good for you.' I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words!…
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“I don’t like dance,” says this choreographer, “but we saw the bull riders at Madison Square Garden and, boy, I really wanted to get on that bull.” Her combination of disdain and desire results in exciting and surprising—I hesitate to say “dance” lest I incur her scorn— “organized movement.”저자 Randy Cohen
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Poet, theologian, host of the On Being Studios podcast Poetry Unbound, he has a favorite pencil but is not a fanatic: “I use anything to get the idea down. I have written with pens and pencils; I have written on the back of sick bags on airplanes.” Computers. Cellphones. No crayon, but he’s not above it. Produced with Columbia University’s School o…
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The president of the Brooklyn Botanic Garden is proud that it is a treasure for the entire city and maybe even prouder of its ties to its local community: “The neighborhood is deep into us, and we’re deep into the neighborhood.” Like roots. Or vines. Or some other sort of metaphoric floral something. Music: Craig Harris…
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