CIRCUIT CAST 공개
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CIRCUIT CAST

www.circuit.org.nz

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CIRCUIT CAST is a podcast produced by CIRCUIT Artist Moving Image, interviewing contemporary artists about recent exhibitions and how they approach their practice. CIRCUIT is Aotearoa/New Zealand's leading distributor of artists' moving image works. www.circuit.org.nz.
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show series
 
"There is a vitality that is held in the earth." Artist Nat Tozer and CIRCUIT director Mark Williams talk archaeology, deep time and kaitiakitanga on the occasion of the Aotearoa premiere of Erotic Geologies, Tozer's most complex work to date.Nat Tozer’s Erotic Geologies (2024) is an ambitious new video project described as "a sci-fi parable that s…
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"I see the environment as a creative partner." — Tia BarrettHihi Aho is a three-part podcast series hosted by Emma Hislop (Kāi Tahu). Hihi Aho (ray of light) unfolds from Rematriation, a screening programme of six moving image works which explore the legacy of wāhine Māori knowledge and its resonance in the present day.In this kōrero, Emma talks to…
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"Whanaungatanga is this gift we have as Māori to connect and to relate" Hihi Aho is a three-part podcast series hosted by Emma Hislop (Kāi Tahu). Hihi Aho (ray of light) unfolds from Rematriation, a screening programme of six moving image works which explore the legacy of wāhine Māori knowledge and its resonance in the present day.In this kōrero, E…
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Hihi Aho is a three-part podcast series hosted by Emma Hislop (Kāi Tahu). Hihi Aho (ray of light) unfolds from Rematriation, a new screening programme of five moving image works which explore the legacy of wāhine Māori knowledge and its resonance in the present day.In this conversation, Emma talks to Rematriation's curator Tanya Te Miringa Te Rorar…
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How is Tāmaki Makaurau Auckland City described outside of official city maps? Is it possible to navigate off-road, off-grid? What discrete spaces exist in the plain sight of everyday work, life and commerce? How are these activated by people, flora and fauna? In front of a live audience, artists Layne Waerea, Leala Faleseuga, Gavin Hipkins, Jae Hoo…
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In part 3 of the series Sites of Connection Dani McIntosh speaks to artist Hana Pera Aoake (Ngāti Hinerangi, Ngāti Mahuta, Ngāti Haua, Tainui/Waikato, Ngāti Waewae, Waitaha, Kai Tahu). Often juxtaposing poetic text with handheld moving images, Hana’s video work addresses the tension between industry and sacred whenua; the presence of deep time and …
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"Dwelling in the void space" — a conversation between Selina Ershadi and Dani McIntosh, the second part of the CIRCUIT Cast series Sites of Connection.In this podcast, artist Selina Ershadi discusses three films: Hollywood Ave (2017), Amator (2019) and The hands also look (2020), alongside a new work in progress, The Blue Dome (forthcoming). In con…
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How can artists in the regions discover and experiment with emergent technologies?In this pod host Mark Williams speaks to Maggie Buxton, the Director of AwhiWorld, a Northland—based creative technology studio. AwhiWorld’s latest project is Bios, an installation at Whangārei Art Museum which presents an interactive research and practice area for ar…
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In this pod Horowhenua-based artist Leala Faelseuga speaks to Mark Williams about her new work Vessel: Dissolution | It's in the milk.Commissioned for Masons Screen, It’s in the milk reflects on "visceral motherhood", photography and memory. Leala discusses her iterative processes, what it means to exhibit personal work in public space, and inspira…
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"The air was sucked out of the room". In this final podcast for 2022 we discuss the year that was with artist Judy Darragh, Gloriana Meyers (TAUTAI) and Andrew Clifford (Te Uru). As well as Judy nominating the Academy Awards as the new performance art spectacle, we discuss memorable shows, new artists, spaces, and publishing, and our hopes and drea…
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Sampling, reuse and copying have long been strategies and approaches in artistic practice and is a thread you can follow through art history. But who owns art? Should culture be under copyright? What are the limits of fair use? These questions are explored in the recent artworks exhibited at City Gallery Wellington in Josh Azzarella: Triple Feature…
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In this conversation host Mark Williams meets three artists who discuss the intersection of filmic technologies with living world of mauri, whakapapa and spiritual practice. Nova Paul's Rākau (2022) is a 16mm film of Pūriri trees. Paul created a film developer solution from foliage discarded by the trees themselves, bringing the image from negative…
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"What are the legacies that make us who we are?"In this pod we discuss Legacies, CIRCUIT's 2022 programme of artist cinema commissions; featuring new films by Edith Amituanai, Martin Sagadin, Ukrit Sa-nguanhai, Pati Tyrell, Sriwhana Spong. CIRCUIT Curator-at-large May Adadol Ingwanaij and Thai artist Ukrit Sa-nguanhai (Todd) speak to host Mark Will…
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Curator Tendai Mutambu talks to Sorawit Songsataya and Ary Jansen about their works in Otherwise-image-worlds, a group exhibition presented by CIRCUIT in partnership with Te Uru. Otherwise-image-worlds brings together five newly commissioned artworks from artists working in animation. Working against the commercial demand for spectacle and efficien…
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Sione Faletau discusses his practice of translating the traditional Tongan practice of kupesi (patterns) into digital video, using site-specific audio recordings and traditional Tongan music as the basis for generating images. He discusses his upcoming shows at Gus Fisher Gallery and Masons Screen. Interviewer: Robbie Handcock.…
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Sandy Gibbs speaks to Thomasin Sleigh about a new body of work made over six years in response to the 1968 Olympics, a project made between Aotearoa, Mexico and Germany which used failure as a generative process. She discusses older women taking the space, critiquing the idea of competition in sport and art, and using restaging as a video art metho…
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In this pod Artspace Aotearoa director Remco de Blaaij discusses his final curatorial project at the gallery, Ex-post, a follow up to his 2017 exhibition Ex-ante. Looking back on Artspace's past 5 years he reflects on the impact of shifting the institution to street level premises, opening a cinema, and the need for future Arts leadership to embrac…
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“We've needed our artists this year more than ever, to fall into other ways of seeing reality" - Nigel Borell What was 2021? Host Robbie Handcock discusses the year that was with guests Abby Cunnane, Sophie Davis and Nigel Borell. The panel discuss memorable exhibitions, the power of a publication, bodily vibrations, discovering the South Island, b…
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Artists Moving Image in the pandemic era; a glut of compromise or new horizons for exhibition and accessibility? Three curators and arts professionals discuss a shift from showing in small towns, major cities and institutions to the online space, and what the future might bring. Hosted by Thomasin Sleigh with Tendai Mutambu (former curator for Berw…
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In this edition of CIRCUIT Cast host Thomasin Sleigh meets artists Yona Lee, Amy Howden-Chapman and Gavin Hipkins. The advent of the pandemic has seen a rush of material going online. While this has created opportunities for artists and audiences, all sculptural conditions for the moving image are now flattened by the browser and computer speakers.…
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“People who are trying to oppress you hate the fact you’re having an awesome time” - Christopher UlutupuIn this pod host Robbie Handcock speaks to artist Christopher Ulutupu about his production process, which draws on the visual sheen of commercial film-making, but takes a sharp turn to embrace improvisiation, and collaboration with friends and fa…
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“ .. it was really important to go for the silent woman” – Stephanie BethIn this podcast Thomasin Sleigh meets pioneering feminist film-maker Stephanie Beth and artist Emma Fitts to discuss two documentaries made by Stephanie in 1977/80 which sought to portray women’s lives and potential. Beth discusses her remarkable journey from a fine arts under…
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In this pod Thomasin Sleigh speaks to Steve Carr and Christian Lamont about Fading to the Sky at Auckland's Te Uru Gallery, an exhibition that began as a response to Carr's mothers passing, and through a collaboration with his former student Lamont, evolved into a deeper narrative of loss.저자 www.circuit.org.nz
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