You’re welcome to join us at the Popcorn Counter this episode, but speak up because we’ve got our noise cancelling headphones on. (You know, the ones for dogs, remember?) We’ve been listening to a few rival pods while we wait for the popcorn machine to warm up, but which would we sincerely recommend? What are the podcasts that make it into our subs…

Is it term time already? It must be, because we’re heading back to school again, this time comparing the new, Oscar-nominated German drama The Teachers’ Lounge with 1967’s scholastic classic, To Sir With Love. There are so many elements in common here that you have to ask if someone’s been copying their homework: outsider teachers, rebellious pupil…

Please be seated, the Court of the Popcorn Counter is now in session. We’re hosting a constitutional controversy of our own this episode, as we accuse Legal Dramas of the crime of being a bit boring and fundamentally uncinematic. And in true legal tradition, we flipped a coin beforehand to decide which one of us was going to prosecute and which def…

It’s double anatomy at the Two Reel Cinema Club this episode, as we catch up on the last of the Oscar nominees with Anatomy of a Fall, the French courtroom drama that ended up with the Best Screenplay Academy Award this year. It’s a bloody and nuanced multilingual piece with a couple of dynamite performances, but is it possible that not quite enoug…

Join us at the Popcorn Counter this episode for some late-to-the-party Oscars chat. Which nominated film was hit with plagiarism claims? Which film was like getting struck by a steamroller? What exactly is Barbie ‘adapted’ from? When is sound crucial? What are short films actually for? And how much controversy can we generate over the pronunciation…

Again? Seriously? Yes, welcome to our third podcast in a row to feature Nazis. These guys will just not go away. This episode we have watched the new Ava DuVernay docudrama Origin, and read the book it’s based on - Isabel Wilkerson’s non-fiction best seller Caste. We’re comparing it to what may be the first ever cinematic epic, 1915’s silent KKK mo…

Join us at the Popcorn Counter this week as we ask: why are Nazis such commonly used villains in movies? Films and shows discussed include Hogan’s Heroes, Indiana Jones, Schindler’s List, Star Wars, Starship Troopers, Saving Private Ryan, The Producers, Das Schreckliche Mädchen, Germany Year Zero, and They Saved Hitler’s Brain. Give yourself a bonu…

Oh, dear, what have we gotten ourselves into this episode? Join us for a look at some of the most evil people in history as we watch the new Oscar nominated Auschwitz movie The Zone of Interest and compare it to the Nazis' own 1935 propaganda epic, Triumph of the Will. Light hearted fun is in short supply this time round, but we still manage to cha…

Sometimes at the Popcorn Counter we just go off on one. We have no idea how it happens, we try to plan these things out, but there it is. So join us this week for a high speed tour that takes in intermittent fasting, mind reading, Woody Allen, feral cats, raccoon families, French cinema’s tribute to the animal kingdom, the financial performance of …

We enjoy a clever and ironical look at black cinema this episode as we watch the hilarious and heartfelt Oscar-nominated feature American Fiction, and then compare it to the 1961 Chicago drama A Raisin in the Sun. Plus we see the return of the Two Reel Book Club, as we’ve also read the book and the play that gave birth to each film. But how do the …

As George W Bush famously once asked, ‘Is our children learning?’ Join us in the specially commissioned TRCC Popcorn Counter Lecture Theatre as we celebrate our 100th episode. There we try to distill the lessons we’ve garnered from recording two years of podcasts into ten condensed nuggets of insight. Has all that viewing and talking about films ma…

After watching Dogtooth recently, we’re convinced that endings are hard. Or are they? Join us at the Popcorn Counter as we take a look at movie endings good and bad from the history of cinema, Including: John Sayles’ Limbo, Birdman, The Long Good Friday, North by Northwest, Planet of the Apes, Fight Club, Top Gun Maverick, 2001: A Space Odyssey, an…

A new Hayao Miyazaki film from Studio Ghibli has appeared! The Boy and the Heron is the master animator’s first feature length work in more than ten years, and on this week’s episode we dive deep into its mysterious, dreamlike world and measure it up against what might be the studio’s greatest feature, 1988’s My Neighbour Totoro. It’s no great surp…

How many times has Frankenstein been made into a movie? More times than we remember, it turns out. There’s Frankenstein, Bride of Frankenstein, Young Frankenstein, Bride of Frankenstein 2, yes, yes, yes. But what about Robocop? The Fly? The Six Million Dollar Man? Even one of our own scripts was a Frankenstein story. What does Frankenstein have in …

What happens when you put the brain of a baby in the body of an adult woman? You get Sexy Frankenstein, apparently. At least that’s the opinion of the new Yorgos Lanthimos picture Poor Things starring Emma Stone, which is out in the UK this week. We’re comparing it to Lanthimos’ 2009 feature, Dogtooth, which first brought him to international promi…

Ines Braga hangs out at the Popcorn Counter with us this week, where she confesses that she really doesn’t like musicals. But there are a few notable exceptions, including last week’s masterpiece West Side Story. Is there a rule that distinguishes good movie musicals from bad ones? Why do The Lion King, Frozen and Moana succeed where others do not?…

Tonight, tonight, we’re joined by screenwriter Ines Braga to sing a song of two musical pictures, the new Leonard Bernstein biopic Maestro, helmed by A Star is Born director Bradley Cooper, and Bernstein’s own 1961 masterpiece, West Side Story. They’re both very enjoyable, but which one has more to say about contemporary la la la la la l’America? W…

It’s the show we’ve been anticipating for the last twelve months, the Two Reel Cinema Club Film of the Year Show. We’ve seen some masterpieces this year, we’ve seen some real clunkers, we’ve seen some incredible performances and we’ve seen some very eye catching hats. Who will win, who will get a dishonourable mention, and who will leave the ceremo…

Happy Holidays from the Two Reel Cinema Club, as we watch one of the funniest, dourest and most heartfelt Christmas films we’ve seen in years, Alexander Payne’s The Holdovers. We discover it perched under the mistletoe kissing a film forty years its senior, 1983’s English private school drama Another Country. These two films both examine privilege,…

You might think we saw enough hats for one lifetime last week in Napoleon and Barry Lyndon but no, we want more. Join us as we doff our hats to the finest headgear in Hollywood. Which is the most famous hat in cinema? Who has the biggest hat in the MCU? How did cowboys decide between a black and a white hat? What hat did Zack Braff force Natalie Po…

Join us in the Eighteenth Century this episode as we compare the new Ridley Scott feature Napoleon with its 1975 forefather, Stanley Kubrick’s Barry Lyndon. It’s an explosion of candlelight and costume design, huge battles and intimate character moments. But it does make us wonder: why is the French Language no longer the Lingua Franca of cinema? W…

Persepolis, Watchmen, Ghost World, American Splendor, Akira, Gemma Bovary… can you see the pattern yet? After watching David Fincher’s The Killer last week, we look at films that have been adapted from graphic novels. Which ones work, and which ones don’t? And what’s the common factor that makes a good adaptation? Plus, we talk about Paul Giamatti …

Two films, two assassins, and two hundred thousand bullets this episode, as we watch the new David Fincher film The Killer and compare it to John Woo’s 1989 breakout Hong Kong action spectacular The Killer. There’s no denying the technical craft on display here, but while there’s a lot of bloodshed is there perhaps a little too much rumination? Whi…

It’s not just a feeling in your bladder, it’s actually true. Films really are getting longer. After struggling with the length of Killers of the Flower Moon last week, we analyse a few statistics about how film length has changed in the last forty years. Is it to do with length of a VHS tape? Or is the rise of streaming to blame, like it is for eve…

We take two dark journeys into the American West in this episode as we watch the new Martin Scorsese picture Killers of the Flower Moon, and compare it to Sergio Leone’s 1969 classic Once Upon a Time in the West. It’s an epic total of six hours of gunshots, dirt, crime, money, corruption and revenge, all in Cinemascope. But which film is a textbook…

After watching Sliding Doors and Past Lives the other week, you find us writing our own romcom at the Popcorn Counter this episode. We ask ourselves: how many tropes can we squeeze into one pitch? The answer seems to be all of them, as we fold mismatched undercover cops, crazy best friends, a high stakes bake off, dance lessons on the beach, a wedd…

Watching Blackberry last week made us wonder how many hours of cinema are watched on a tiny, pocket-sized smartphone screen these days. Now that many of us have a fifty five inch OLED at home, are the days of cinema numbered? What will become of the experience of watching a movie in a big, dark room full of strangers? Will VR headsets and short for…

We get down to business at the Two Reel Cinema Club this episode, as we watch the very entertaining new Canadian comedy-drama Blackberry, which explores the multi-billion-dollar early days of the smartphone, and compare it to Paul Thomas Anderson’s 2007 masterpiece There Will Be Blood. They’re two stories about big money, separated by a century, bu…

Money is all we can think about at the popcorn counter this week, after watching two films about money last week. What are our top five financial films of all time? And can we answer five trivia questions about the insanity of film financing? What film made the most money, who got the biggest payday ever, and what clunker lost the most money? Do we…

We’re losing money hand over fist in this week’s episode. Or maybe making money? Or buying… um… options? We have no idea what we’re doing to be honest, but neither do many of the protagonists in this week’s films. Dumb Money, from the director of Cruella, is the first film we’ve ever seen that’s based on a Reddit thread, and is a surprisingly funny…

Spencer Brown, director and co-writer of T.I.M., the number one Netflix feature, joins us at the Popcorn Counter this episode, to discuss the making of his film about an AI companion that becomes the world’s most effective and threatening stalker. He has some fascinating insights into the writing process and his methods of collaboration with his wi…

Join us on the road not taken this episode, as we watch new Korean-American feature Past Lives and compare it to a very 90s take on similar themes in Sliding Doors. Past Lives is like a tiny serving of understated New York drama, filled with comfortable silences and autobiographical details. But we have to ask: does enough actually happen? Meanwhil…

There have been more than 450 spy films released in the last 12 months* (*citation needed) and yet most spy films seem to involve very little actual spying. James Bond has spent vastly more of his career running, driving, shooting and drinking than he has LOOKING AT THINGS CAREFULLY. At the popcorn counter this week we ask which spy films get it ri…

TRCC favourite Tom Cruise returns this episode, as we look at Mission Impossible: Dead Reckoning: Part One, the seventh film in the ever growing franchise, and compare it to the 1935 Hitchcock classic The 39 Steps. Trains, chases, handcuffs and the very latest technology pepper the screen with bullet holes in both films, even though they were made …

Jeanne Dielman, 23 Quai du Commerce, last week’s film, is now broadly acknowledged as The Greatest Film Of All Time. Do we agree? And what, to quote LL Cool J, is on our lists of the Greatest Of All Time? Will we include works by Kubrick, Hitchcock and the Cohen Brothers, or will we play it safe and stick to Zack Snyder? How many of our favourites …

It’s part two of our interview with A list Hollywood sound recordist Mike Primmer at the Popcorn Counter this week. We talk about the early days of VHS film making, the joys of the ‘Control Track’ and in-camera effects, Mike’s secret technique for beating the popcorn counter at its own game, and why every short film ought to be a remake of Taxi Dri…

Who had any expectations for a Barbie movie? But somehow the heavily branded toy franchise has given birth to a smart and witty satire that’s started a lot of conversations about the lives of women in the 21st century. We talk about what we enjoyed and what we missed, and compare it to the 1975 ‘slow cinema’ masterpiece now acknowledged by Sight an…

A special, musical Popcorn Counter this week as we talk to the star of Debutante, upright guitarist extraordinaire Steven Ray Liedlich. In between excerpts from the movie we talk about song writing, composing for film, gender fluidity, Steve’s unique playing style and the Boulder music scene of the 1990s. Make sure you listen to the end for a beaut…

A new Christopher Nolan film is always an event, and there are certainly parts of Oppenheimer that we loved… but which parts? Join us to find out which sections of the film contain all the high drama, and which sections resemble ten men arguing over whether somebody’s library card should be renewed. Which characters get short-changed and who gets a…

It’s a very special popcorn counter this week, as we bump into A-list Hollywood sound recordist Michael Primmer and ask him all about his adventures in the screen trade. What’s it like to record Al Pacino? What happened to the dialogue Michael recorded for Christopher Nolan in Interstellar? How would he describe David Fincher’s set? And what’s the …

For a film all about time loops, the new Indiana Jones picture Dial of Destiny sure seems interested in repeating the past. Harrison Ford returns for the fifth Indy movie, which is filled with daring chases, speeding trains, mysterious artefacts and troublesome Nazis. But how much does the film owe to its 1981 predecessor Raiders of the Lost Ark? W…

If we got a dollar every time someone asked us where we get our ideas, we’d have eight dollars. Everyone seems to have a great idea for a movie, but what does the process of converting that idea into a hundred page script look like? This episode we talk at the popcorn counter about what writing techniques work for us. Mind maps? Post it notes? Trea…

There’s a new Wes Anderson film out! Is it very different to the last Wes Anderson film? Good question… This episode we watch Asteroid City and compare it to Anderson’s sophomore picture Rushmore from 1998. The new film is certainly starrier, with the kind of cast that would cost hundreds of millions of dollars on any other film. But does that resu…

The 1970s is often called the last Golden Age of Hollywood, with big stars and auteur directors making challenging and experimental films aimed at an adult audience. Join us as we relax in the sticky, grimy foyer of our local repertory cinema for our longest Popcorn Counter yet, where we try to come up with an A to Z of the most influential picture…

Some movies are ‘ripped from the headlines’ but new HBO feature Reality has been literally transcribed from the headlines, using the text of a publicly available FBI interview as its script, word for word. It’s a mesmerising tale about espionage, betrayal and the US intelligence services, and this episode we put it in a locked room with Sidney Poll…

Brevity is famously the soul of wit, but exactly how short can a film be to still get classified as ‘feature length’? We looked it up and the answer is probably shorter than you think (and more than four times shorter than Avatar: The Way of Water…) Join us at the Popcorn Counter this episode where we try to figure out what is the greatest film of …

It’s back to the first year of Junior High this episode, with two preteen dramas that both perform well in their midterms. Are You There, God? It’s Me, Margaret is a heart warming family story that’s witty, fresh, sweet and more moving than we expected, while 1995s Welcome to the Dollhouse is its antimatter equivalent, jarring, grimy and nihilistic…

French actor Adèle Haenel, best known for Portrait of a Woman on Fire, published an incredible letter about her retirement from the film industry a couple of weeks ago. This episode at the Popcorn Counter we read the letter and talk about some of the issues she raises. What are our responsibilities as writers and as consumers of cinema? What is the…

We’re still trying to recover from the trauma of watching Beau Is Afraid for this episode. Ari Aster’s new Freudian ‘comedy’ horror movie feels like a three hour nightmare that left us begging to wake up. Happily, we’re comparing it to Tom Hanks’ 1994 Oscar winner Forrest Gump, which is just the right film to cleanse our tainted, rancid, bloody pal…

Welcome to the ‘urban planning’ section of the podcast, as we meet at the popcorn counter this week and talk about why the inner city gets such a bad rep in cinema. Who is London’s most famous inner city resident? What does ‘NF’ stand for in the world of Shane Meadow’s ‘This is England’? And why should ‘Boyz N The Hood’ be remade as ‘Boyz N The Gar…