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Criterion Creeps

Criterion Creeps

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Welcome to the Criterion Creeps podcast. A podcast hosted by Jarrett and RJ where they talk about the Criterion Collection spine by spine in order of release every Wednesday.
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Lost in Criterion

Lost in Criterion

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The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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Spineless: The Future Films of Criterion

Nicholas Kinney and Brennan Saur

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The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given a Spine Number, making any film NOT in the collection: SPINELESS. Join Nick and Brennan (your very-favorite SPINELESS BOYS) as they cover the classic and contemporary films they feel are most deserving of the Criterion treatment.
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How do we disrupt the entrenched power dynamics in finance to advance a more equitable future? Join us for the Criterion Institute Podcast as Joy Anderson, a global thought leader in business and social change, leads us through a series of discussions, interviews, frameworks, rants, and re-frames that will help you better understand how to use finance as a tool for transformative systems change. Learn more by visiting us at www.criterioninstitute.org.
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A current rundown of the world of Criterion with a round table of guests. We talk about new and upcoming releases, what's happening on FilmStruck, and other related topics related to the Criterion Collection.
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Podcaster Bil Antoniou of BGM: Bad Gay Movies Bitchy Gay Men goes through his Criterions and talks about the movies and the memories they inspire, along the way chatting with a few friends. This podcast is not affiliated with the Criterion Collection and no copyright infringement is intended.
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Surprisingly Criterion

Surprisingly Criterion

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Surprisingly Criterion - the podcast where we select and talk about the films that we’re surprised are a part of the Criterion Collection, and the films we can’t believe are not! The Criterion Collection brands itself as a depository of important classic and contemporary films for film aficionados. Their collection features over a 1000 movies and counting! Surely all of these can’t be important, can they? What does 'important' even mean!
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Welcome to the Criterion Correction! In this podcast, we'll be delving into the Criterion Collection of films to try and figure out what each says about the craft of cinema and what, exactly, it takes to become part of the collection. Join us for rousing conversation and many, many references to geekery and film culture.
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Brave film explorer comrades Joey Reinisch and Chris McCaleb journey to far the reaches of cinema. In each mission, they will analyze, report and criticize a film from THE CRITERION COLLECTION, hopefully maintaining their sanity in the presence of extreme motion picture brilliance...or something.
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While the first two films in Godfrey Reggio's Qatsi Trilogy were built on filming in particularly locations, in Naqoyqatsi, the image itself becomes the location as editor and "digital cinematographer" Jon Kane takes us into the simulation that is modern life. Unfortunately, like the early unused setpiece footage from Koyaanisqatsi, the tech here h…
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In this episode, Joy reflects on the role of hope in times of uncertainty. She shares how the practice of acknowledgment at the recent Convergence conference created space for courageous conversations about power, privilege, and resilience. Joy also recounts a candid exchange that reminded her of the importance of showing up, even when hope feels d…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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NO RED ONE JOKES APPEAR IN THIS EPISODE. DON’T EVEN THINK WE’RE GONNA DO A JOKE ABOUT RED ONE IN THIS EPISODE. In this Very Special Episode of Spineless, Nick and Brennan are joined by friend and comedian Robin Borden to discuss Jane Schoenbrun’s 2024 film I Saw The TV Glow. The recipient of a record-setting number of Golden Spine Awards, it’s a re…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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We continue through Godfrey Reggio's Qatsi Trilogy with 1988's Powaqqatsi. Reggio works with Phillip Glass again but they lost Ron Fricke for this one and his absence is felt, particularly in the editing. While the first film looked at what US industrialization has done to its own people, Powaqqatsi travels around the world to look at the effects o…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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An appetizing, eclectic program. Charity is represented by a sturdy American song: “If I Can Help Somebody.” Malice is represented by a movement from Walton’s Symphony No. 1, marked “Presto con malizia.” Much to listen to and absorb.Shostakovich, “A Spin through Moscow” from “Moscow, Cheryomushko”Fauré, “Clair de lune”Beethoven, “Abscheulicher!,” f…
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We start into Godfrey Reggio's Qatsi Trilogy this week with what many consider the strongest of the three films, mostly because Ron Fricke's cinematography and editing is masterful in it. Built from scenes of natural beauty and alienating industry with a phenomenal sountrack by Philip Glass, Koyaanisqatsi is a deeply effecting visual poem. Our dear…
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In this episode, Joy discusses the critical role of organizing and mobilizing in creating transformative change within finance. She reflects on insights gained from recent conversations and emphasizes the need for collective action, particularly in the context of sustainable finance. The discussion covers various strategies, including shareholder a…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
  continue reading
 
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
  continue reading
 
Christopher Nolan's first feature, Following (1998) is a neo-noir with an achronological story structure. The man loves a neo-noir with an achronological story structure. Nolan describes the film as the pinnacle of what he could achieve in a low budget and just working with his friends. which is damning if true because it's just not very interestin…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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It's Oscars weekend, and we wanted to get in on the fun...introducing the Golden Spine Awards, Spineless' own awards show celebrating excellence in 2024 cinema. We are joined by Andy Germuga (Cannes I Kick It? podcast) to pick our personal nominees and winners in 8 major categories: Picture, Director, Actor, Actress, Supporting (x2), and Screenplay…
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René Clément's 1960 adaptation of the 1955 novel The Talented Mr. Ripley, Purple Noon is seems to find the director and screenwriter Paul Gégauff trying to drain the homoeroticism out of the source material. Fortunately, cinematographer Henri Decaë and star Alain Delon (in his breakout role) knew how to add it back in through both Delon's fantastic…
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In this episode, Joy discusses the significance of acronyms in communication, particularly in the context of finance and social change. She emphasizes the importance of clarity and meaning over brevity, arguing that acronyms can obscure understanding and create exclusivity. Joy critiques the use of acronyms in Gender Lens Investing and other initia…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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This episode begins with Pärt’s “Hymn to a Great City.” (That would be New York.) Elsewhere, there are songs, setting Langston Hughes and Mark Van Doren. Oscar Peterson plays a pop song, adding various musical ingredients. Finally, there is a tribute to Edith Mathis, the Swiss soprano, who has died at eighty-seven. Much to listen to, and maybe even…
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Hey, look at that! We're back again so soon. Mike and Justin are here to talk about the movies they're most looking forward to in 2025. These episodes are always fun because it's a fast paced conversation about movies that could be awesome, or terrible. However, before any of that, they talk about recent things they've been watching, such as The Go…
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After Micheal Cimino's The Deer Hunter won five Oscars, United Artists gave him carte blanche for his next film and he really went to town. As in he built and rebuilt at least one whole town, on stilts in a National Park so as not to damage the landscape. If only he'd waited 45 years he could have just bought Glacier National Park outright and real…
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In what is quite literally our sickest episode yet, Nick reveals himself to be one of the most masterful editors in podcasting history as he edits around every cough, hack, and wheeze during our discussion of Barry Jenkins’ IF BEALE STREET COULD TALK (2018). Horrifically snubbed at the Oscars that year, BEALE STREET is a heartrending portrait of a …
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Jean-Luc Godard's goodbye to cinema, at least for a time, Weekend (1967) is not just a condemnation of bourgeois values, but a stunning attack on automobile culture. Sure the messaging is scattershot at best, but there's little in the film that isn't memorable. And it's gotta be hands down the film with the largest salvaged car budget.…
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Wow. It's been a minute, huh? Mike and Justin dust off their microphones and pop filters to bring you each of their Top 10 Films of 2024, plus a brief catchup on noteworthy TV and Movie items that they've watched since last releasing an episode in a section officially dubbed "Highlights of the Hiatus." A section that they hope not to have to use of…
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In this episode, Joy explores the complex relationship between masculinity and finance, emphasizing the need for a business case for good men. She discusses the challenges faced by men in today's society, including the impact of toxic masculinity and the importance of mental health. Joy is then joined by her father, Herbert Anderson, who shares his…
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So long, Whedonverse.Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this pod…
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In this episode, three pieces by the American Amy Beach—two piano pieces and a song (to a poem by Robert Browning). Also, a piece by Bach’s cousin. And other worthy numbers.Walther, “Lobe den Herren”Beach, “A Hermit Thrush at Eve”Dvořák, “Goin’ Home”Beach, “A Hermit Thrush at Morn”Beethoven, Triple ConcertoBeach, “Ah, Love, but a Day”Beethoven, Son…
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The last of Pasolini's Arabian Nights betrays a director who is steadily on his way to making Salò, and he would begin work on that magnum opus just after he finished Arabian Nights. Like the previous two films in this trilogy, Arabian Nights adapts a well known collection of stories with a heavy focus on the most erotic ones. Pat argues that unlik…
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