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Criterion Creeps

Criterion Creeps

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Welcome to the Criterion Creeps podcast. A podcast hosted by Jarrett and RJ where they talk about the Criterion Collection spine by spine in order of release every Wednesday.
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Lost in Criterion

Lost in Criterion

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주마다
 
The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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Spineless: The Future Films of Criterion

Nicholas Kinney and Brennan Saur

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The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given a Spine Number, making any film NOT in the collection: SPINELESS. Join Nick and Brennan (your very-favorite SPINELESS BOYS) as they cover the classic and contemporary films they feel are most deserving of the Criterion treatment.
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How do we disrupt the entrenched power dynamics in finance to advance a more equitable future? Join us for the Criterion Institute Podcast as Joy Anderson, a global thought leader in business and social change, leads us through a series of discussions, interviews, frameworks, rants, and re-frames that will help you better understand how to use finance as a tool for transformative systems change. Learn more by visiting us at www.criterioninstitute.org.
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Criterion Now

CriterionCast

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A current rundown of the world of Criterion with a round table of guests. We talk about new and upcoming releases, what's happening on FilmStruck, and other related topics related to the Criterion Collection.
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My Criterions

Bil Antoniou

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Podcaster Bil Antoniou of BGM: Bad Gay Movies Bitchy Gay Men goes through his Criterions and talks about the movies and the memories they inspire, along the way chatting with a few friends. This podcast is not affiliated with the Criterion Collection and no copyright infringement is intended.
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Surprisingly Criterion

Surprisingly Criterion

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Surprisingly Criterion - the podcast where we select and talk about the films that we’re surprised are a part of the Criterion Collection, and the films we can’t believe are not! The Criterion Collection brands itself as a depository of important classic and contemporary films for film aficionados. Their collection features over a 1000 movies and counting! Surely all of these can’t be important, can they? What does 'important' even mean!
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Welcome to the Criterion Correction! In this podcast, we'll be delving into the Criterion Collection of films to try and figure out what each says about the craft of cinema and what, exactly, it takes to become part of the collection. Join us for rousing conversation and many, many references to geekery and film culture.
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CRITERIONAUTS

Explosomagico

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Brave film explorer comrades Joey Reinisch and Chris McCaleb journey to far the reaches of cinema. In each mission, they will analyze, report and criticize a film from THE CRITERION COLLECTION, hopefully maintaining their sanity in the presence of extreme motion picture brilliance...or something.
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Sociologist Edgar Morin and anthropological filmmaker Jean Rouch join forces for the Québécois filmmaker Michel Brault to turn their ethnographic lens on the empirical core and create the foundational text of cinéma vérité. It may be that this is the most truthful a French (or any) documentary had been up to this point, but the film's subjects ofte…
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In this episode, Joy engages in a deep conversation with Katharine Im-Jenkins, managing director of the Equality Fund. They explore the innovative financing strategies behind the Equality Fund, the power dynamics within endowments, and the importance of sustainable funding for grassroots organizations working on gender equality. The discussion high…
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We're back, and with a prelude to MAYseball!Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so i…
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This year marks the one hundred and fiftieth anniversary of Maurice Ravel’s birth. So we have been hearing a lot of him. Jay plays two pieces by him—two of his best, and most typical. There are also Spanish songs, by Obradors and Rodrigo. Some Schumann, some Vaughan Williams, and so on. Plus several stories—personal ones. An enriching, smile-making…
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If Roger Rabbit asks you to come down into his basement, DO NOT LISTEN!! It just might be the Zodiac speaking. This week on Spineless, Brennan and Nick discuss David Fincher's 2007 crime masterpiece Zodiac, a film which fourteen-year-old Brennan called “extremely terrifying” and also wrote a song about. Brennan and Nick discuss how Fincher subverts…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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Probably the best acted, best scored, best directed, most beautiful, self-serving justification of being a traitorous jerk ever put to film, Elia Kazan's On the Waterfront (1954) could have been better if it was more true to the real life events that inspired it and less a justification for naming names to the House Unamerican Activities Committtee…
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Similar to the ways that Jean-Pierre and Luc Dardenne's Rosetta (1999) reminded us of a modern day version of Breson's Mouchette, their film The Kid with a Bike (2011) feels like an updated The 400 Blows. Of course, the Dardenne's bring their unique style to the story of Cyril and Samantha, once again ending not with an established community, but a…
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In this episode - part one in a two-part series on this topic - Joy and Yifat Susskind (Executive Director of MADRE) discuss the importance of a feminist financial imagination in the context of social transformation and funding for women's rights organizations. Joy then reimagines and explores the challenges faced by current funding systems, the ro…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
  continue reading
 
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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Keisuke Kinoshita's The Ballad of Narayama is a film about enforced austerity, about capitulating to the fascist power structures, about how we can be conditioned into killing ourselves even without a boot directly on our neck because that's the status quo. It's about what we do to others and to ourselves not because we have to but because we've be…
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AHHH I’m so scared there’s a scary ghost in this movie! Just kidding, no ghosts here. Just a very ornery dressmaker. Join Nick and Brennan as they discuss Paul Thomas Anderson’s haute couture character study Phantom Thread, a film that makes the Spineless Boys pose questions such as: Do Vicky Krieps and Daniel Day-Lewis be f***ing? Is this film sec…
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Wim Wenders had planned for years with German Neo-expressionist choreographer Pina Bausch to make a film of her work, but Wenders didn't know how he could do it justice. Then he saw U2 3D (2008) and knew that digital 3D was the technology he needed. Unfortunately, as technology caught up to Wenders' vision, Bausch passed away, and Pina (2011) morph…
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In this celebratory 50th episode of the Criterion Institute podcast, Joy engages in a heartfelt conversation with David Bank, CEO of Impact Alpha. They reflect on the power of voice in impact investing, the importance of language, and the role of media in shaping community narratives. Joy then shares her personal journey of finding her voice and in…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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This is Episode No. 100 of “Music for a While.” To mark the occasion, Jay presents music associated with that number: 100. So, we can consider this a centennial celebration.Bach, “Darum wir billig loben dich,” from the Cantata BVW 130Dvořák, Scherzo from Sonatina for Violin and Piano, Op. 100Bach, “Er ist mein Licht, mein Leben,” from the Cantata B…
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In the first 140 Spines of the Criterion Collection there were five Alfred Hitchcock films, leading us to believe we'd be seeing a lot more from him over the years, but it turns out The Man Who Knew Too Much (1934) is the first Hitchcock we've watched for the podcast in just shy of a decade. This is the original The Man Who Knew Too Much, one of Al…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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ARRROOOOOOO!!!! *boss nass jowl flapping noises* In one of their most delirious episodes yet, Brennan and Nick come to you LIVE (well, live six weeks ago) from the Windy City to discuss 2001’s FREDDY GOT FINGERED, a harbinger of things to come. It’s late at night and they got jewels, sausages, and a truly locked-in performance from Rip Torn on the …
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While the first two films in Godfrey Reggio's Qatsi Trilogy were built on filming in particularly locations, in Naqoyqatsi, the image itself becomes the location as editor and "digital cinematographer" Jon Kane takes us into the simulation that is modern life. Unfortunately, like the early unused setpiece footage from Koyaanisqatsi, the tech here h…
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In this episode, Joy reflects on the role of hope in times of uncertainty. She shares how the practice of acknowledgment at the recent Convergence conference created space for courageous conversations about power, privilege, and resilience. Joy also recounts a candid exchange that reminded her of the importance of showing up, even when hope feels d…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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We continue through Godfrey Reggio's Qatsi Trilogy with 1988's Powaqqatsi. Reggio works with Phillip Glass again but they lost Ron Fricke for this one and his absence is felt, particularly in the editing. While the first film looked at what US industrialization has done to its own people, Powaqqatsi travels around the world to look at the effects o…
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Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcast continue to exis…
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NO RED ONE JOKES APPEAR IN THIS EPISODE. DON’T EVEN THINK WE’RE GONNA DO A JOKE ABOUT RED ONE IN THIS EPISODE. In this Very Special Episode of Spineless, Nick and Brennan are joined by friend and comedian Robin Borden to discuss Jane Schoenbrun’s 2024 film I Saw The TV Glow. The recipient of a record-setting number of Golden Spine Awards, it’s a re…
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An appetizing, eclectic program. Charity is represented by a sturdy American song: “If I Can Help Somebody.” Malice is represented by a movement from Walton’s Symphony No. 1, marked “Presto con malizia.” Much to listen to and absorb.Shostakovich, “A Spin through Moscow” from “Moscow, Cheryomushko”Fauré, “Clair de lune”Beethoven, “Abscheulicher!,” f…
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We start into Godfrey Reggio's Qatsi Trilogy this week with what many consider the strongest of the three films, mostly because Ron Fricke's cinematography and editing is masterful in it. Built from scenes of natural beauty and alienating industry with a phenomenal sountrack by Philip Glass, Koyaanisqatsi is a deeply effecting visual poem. Our dear…
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