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Glance at Culture - Ella Nowicki on Incarceration, Art and Defining Justice in Terms of Accountability
Manage episode 342150697 series 2822132
Please visit the following links to learn more:
Shahn’s sketches for Rikers Island;
Correctional History discussion of Shahn;
Lucienne Bloch, Cycle of a Woman’s Life: Childhood:
Shahn’s photo of an incarcerated painter at Blackwell’s Island;
Larry Cook, The Visiting Room and Urban Landscapes;
Groundswell murals at Rikers;
Handwritten survey responses in the Shahn Papers at the Archives of American Art.
SHOW NOTES:
2:00 Ben Shahn’s and Lou Block’s proposed Rikers Island Penitentiary murals for the New Deal
4:45 West wall’s mural representing prison reform
6:05 East wall’s mural of prisons in need of reform
8:20 New York’s Municipal Art Commission rejects murals as psychologically unfit for prisoners and as anti-social propaganda
9:00 1935 survey of Blackwell Island prisoners about murals
11:35 one incarcerated man likened Shahn’s murals to Diego Rivera’s Rockefeller Center mural
12:40 concerns about making incarcerated life a spectacle
14:10 responses by Ben Shahn and Lou Block to survey
17:20 utility of survey for art historians
19:10 survey archive
21:30 Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene by Diana Linden
22:10 Ben Shahn’s New York by Harvard Art Musuems
22:50 Art for the Millions: Essays from the 1930s by artists and administrators of the WPA Project by Francis O’Connor includes material from Lucienne Bloch
23:10 Bloch’s “Cycle of a Woman’s Life” accepted for WPA Project in 1935
23:50 Bloch’s primary sources quote from letters by incarcerated females
29:30 Harold Lehman’s Man’s Daily Bread erected at Rikers and later removed
35:20 Faith Ringgold’s 1971 For the Women’s House
37:00 Reception to Ringgold’s For the Women’s House by male incarcerated population
38:45 2012 Prison Landscapes by Alyse Emdur
42:10 Antoine Ealy’s opinion of prison landscapes
43:20 utility of murals in correctional institutions
44:15 Nicole Fleetwood’s book and exhibition Marking Time: Art in the Age of Mass Incarceration
45:00 Shahn’s photograph of incarcerated man painting portrait at Blackwell’s Island
47:30 Utility of art as a direct and didactic tool
51:00 how a focus on art in correction facilities aids in facilitating justice
56:00 Marking Time includes incarcerated and non-incarcerated artists
56:20 Artist Larry Cook
57:30 Groundswell NYC
58:20 How Nowocki defines justice
59:20 Mariame Kaba’s view of justice in terms of accountability as com
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]
130 에피소드
Manage episode 342150697 series 2822132
Please visit the following links to learn more:
Shahn’s sketches for Rikers Island;
Correctional History discussion of Shahn;
Lucienne Bloch, Cycle of a Woman’s Life: Childhood:
Shahn’s photo of an incarcerated painter at Blackwell’s Island;
Larry Cook, The Visiting Room and Urban Landscapes;
Groundswell murals at Rikers;
Handwritten survey responses in the Shahn Papers at the Archives of American Art.
SHOW NOTES:
2:00 Ben Shahn’s and Lou Block’s proposed Rikers Island Penitentiary murals for the New Deal
4:45 West wall’s mural representing prison reform
6:05 East wall’s mural of prisons in need of reform
8:20 New York’s Municipal Art Commission rejects murals as psychologically unfit for prisoners and as anti-social propaganda
9:00 1935 survey of Blackwell Island prisoners about murals
11:35 one incarcerated man likened Shahn’s murals to Diego Rivera’s Rockefeller Center mural
12:40 concerns about making incarcerated life a spectacle
14:10 responses by Ben Shahn and Lou Block to survey
17:20 utility of survey for art historians
19:10 survey archive
21:30 Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene by Diana Linden
22:10 Ben Shahn’s New York by Harvard Art Musuems
22:50 Art for the Millions: Essays from the 1930s by artists and administrators of the WPA Project by Francis O’Connor includes material from Lucienne Bloch
23:10 Bloch’s “Cycle of a Woman’s Life” accepted for WPA Project in 1935
23:50 Bloch’s primary sources quote from letters by incarcerated females
29:30 Harold Lehman’s Man’s Daily Bread erected at Rikers and later removed
35:20 Faith Ringgold’s 1971 For the Women’s House
37:00 Reception to Ringgold’s For the Women’s House by male incarcerated population
38:45 2012 Prison Landscapes by Alyse Emdur
42:10 Antoine Ealy’s opinion of prison landscapes
43:20 utility of murals in correctional institutions
44:15 Nicole Fleetwood’s book and exhibition Marking Time: Art in the Age of Mass Incarceration
45:00 Shahn’s photograph of incarcerated man painting portrait at Blackwell’s Island
47:30 Utility of art as a direct and didactic tool
51:00 how a focus on art in correction facilities aids in facilitating justice
56:00 Marking Time includes incarcerated and non-incarcerated artists
56:20 Artist Larry Cook
57:30 Groundswell NYC
58:20 How Nowocki defines justice
59:20 Mariame Kaba’s view of justice in terms of accountability as com
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]
130 에피소드
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