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PJ Mathews에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 PJ Mathews 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Scholarcast 33: Archipelagic Cartographies: Brenda Chamberlain's 'Western Isle'

38:54
 
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Manage episode 157811727 series 1233202
PJ Mathews에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 PJ Mathews 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
This lecture is an exploration of the archipelagic island imagination of artist, poet and writer Brenda Chamberlain (1912–71) under the rubric of literary cartography. Part of a wider study of the literary text's 'mapmindedness' – the ways in which imaginative writing accomplishes specifically cartographic 'work' – the paper examines Chamberlain's emotional geographies of the Irish Sea, focusing on her fabling autobiographical account of her residence on Bardsey Island (Ynys Enlli), off the Llyn Peninsula, north Wales: Tide-race (1962). Beginning with two suggestive examples of Chamberlain's composite graphic cartography, which plot an imaginative ethnography and gendered 'zoning' of Bardsey, the paper considers the Irish (specifically Syngian) alignments of her representations of the island self. The visual-verbal Tide-race is then brought into focus as a text powerfully invested in the process of mapping island space by means of layered (and knowing) folktale fantasies, troubled by thwarted desire and terror. The Syngian genetics of the work are revealed. At stake is the need Chamberlain felt, mid-century, to carve out her own space as a woman writer on a 'deluding scrap of rock and turf'. More generally, the paper seeks to accomplish a necessary reterritorialisation of Welsh Writing in English.
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8 에피소드

Artwork
icon공유
 
Manage episode 157811727 series 1233202
PJ Mathews에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 PJ Mathews 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
This lecture is an exploration of the archipelagic island imagination of artist, poet and writer Brenda Chamberlain (1912–71) under the rubric of literary cartography. Part of a wider study of the literary text's 'mapmindedness' – the ways in which imaginative writing accomplishes specifically cartographic 'work' – the paper examines Chamberlain's emotional geographies of the Irish Sea, focusing on her fabling autobiographical account of her residence on Bardsey Island (Ynys Enlli), off the Llyn Peninsula, north Wales: Tide-race (1962). Beginning with two suggestive examples of Chamberlain's composite graphic cartography, which plot an imaginative ethnography and gendered 'zoning' of Bardsey, the paper considers the Irish (specifically Syngian) alignments of her representations of the island self. The visual-verbal Tide-race is then brought into focus as a text powerfully invested in the process of mapping island space by means of layered (and knowing) folktale fantasies, troubled by thwarted desire and terror. The Syngian genetics of the work are revealed. At stake is the need Chamberlain felt, mid-century, to carve out her own space as a woman writer on a 'deluding scrap of rock and turf'. More generally, the paper seeks to accomplish a necessary reterritorialisation of Welsh Writing in English.
  continue reading

8 에피소드

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