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PJ Mathews에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 PJ Mathews 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Scholarcast 16: Poems and Paradigms

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Manage episode 157811679 series 1233201
PJ Mathews에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 PJ Mathews 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In Poems and Paradigms Edna Longley argues that the archipelagic paradigm is crucial to the criticism of modern poetry in English. Quoting John Kerrigan on the expansive, multi-levelled, polycentric aspects of the literary and cultural field, she discussed five poems which display their archipelagic co-ordinates on the surface: W.B. Yeats’s Under Saturn (1919), Philip Larkin’s The Importance of Elsewhere (1955), W.S. Graham’s Loch Thom (1977), Edward Thomas’s The Ash Grove (1916) and Louis MacNeice’s Carrick Revisited (1945). For Longley, the poems’ deeper aesthetic dynamics epitomise how influences move around within the archipelago, and she particularly emphasises serial transformations of Wordsworth and Yeats. She sees archipelagic and national paradigms as complementary, but criticises the way in which national poetic canons marginalise border cases’, saying: If a poem doesn’t fit the paradigm, change the paradigm. She goes on to suggest that, in the mid twentieth century, the aesthetic significance of Yeats’s mature poetry was most significantly absorbed by MacNeice and by English poets such as Auden, Larkin, Ted Hughes and Geoffrey Hill. She ends by proposing that all this throws light on the archipelagic sources of Northern Irish poetry.
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icon공유
 
Manage episode 157811679 series 1233201
PJ Mathews에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 PJ Mathews 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In Poems and Paradigms Edna Longley argues that the archipelagic paradigm is crucial to the criticism of modern poetry in English. Quoting John Kerrigan on the expansive, multi-levelled, polycentric aspects of the literary and cultural field, she discussed five poems which display their archipelagic co-ordinates on the surface: W.B. Yeats’s Under Saturn (1919), Philip Larkin’s The Importance of Elsewhere (1955), W.S. Graham’s Loch Thom (1977), Edward Thomas’s The Ash Grove (1916) and Louis MacNeice’s Carrick Revisited (1945). For Longley, the poems’ deeper aesthetic dynamics epitomise how influences move around within the archipelago, and she particularly emphasises serial transformations of Wordsworth and Yeats. She sees archipelagic and national paradigms as complementary, but criticises the way in which national poetic canons marginalise border cases’, saying: If a poem doesn’t fit the paradigm, change the paradigm. She goes on to suggest that, in the mid twentieth century, the aesthetic significance of Yeats’s mature poetry was most significantly absorbed by MacNeice and by English poets such as Auden, Larkin, Ted Hughes and Geoffrey Hill. She ends by proposing that all this throws light on the archipelagic sources of Northern Irish poetry.
  continue reading

8 에피소드

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