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WCP130 Pitching for demand
Manage episode 294418754 series 2440178
Are your pitches in demand with editors?
Making sure the quality and clarity of how your pitch addresses the needs and perspectives of your publication’s readers is essential for connecting with assigning editors.
Following through on what you’ve promised is just as important for long-term relationships. When the editor receives your story, they think, “Oh yes, this is just what we agreed on and then some.” [Of course, “then some” refers to rigorous reporting, elegant writing, or similar—NOT a bloated word count that they have to trim back.]
Overdelivery—the simplicity of doing a good job and exceeding expectations—is powerful. It’s what leads you both to wanting to continue to working together.
Pitching and then writing an assigned article are both external skillsets that are greatly influenced and fueled by your attitude and mindset.
Think about how you approach a pitch differently if it’s for anybody who wants it as a single, once-off gig vs. if it is for one editor who you’re going to write a dozen stories for.
What’s different in your approach when you only intend to pitch a single idea to an editor, or when this pitch will be linked to your pitches for this same editor next week, next month, next quarter?
Let’s look at what it really takes to not just pitch on demand, but to truly be in demand as a freelance writer.
YOU MIGHT ALSO LIKE …
Download my guide on how to pitch freelance articles. WCP 115 Pitching as a freelance superpower: Pitching triad miniseries part 3 WCP 114 Everyday dream clients: Pitching triad miniseries part 2 WCP 113 Believe me: Pitching triad miniseries part 1 WCP1 What’s your problem?
WORK WITH ME: JOIN THE FREELANCE WRITER BOOTCAMP WAITLIST
Break into your dream publications and get paid well while covering stories that matter. Alumni of my small group coaching program, Freelance Writer Bootcamp, have used these proven pitching processes to break into the New York Times, the Guardian, Bustle, Fodor’s, Condé Nast Traveler, Al Jazeera, the BBC, and many more.
We cover all the external skills to improve your pitch acceptance rate, and the internal mindset work to keep you from getting in your own way.
Writers on the waitlist will be the first to hear when Bootcamp applications open up for early bird enrollment in the next session.
Click here to join the Freelance Writer Bootcamp waitlist: www.FreelanceWriterBootcamp.com
More info and complete show notes: www.rebeccalweber.com/podcast130
292 에피소드
Manage episode 294418754 series 2440178
Are your pitches in demand with editors?
Making sure the quality and clarity of how your pitch addresses the needs and perspectives of your publication’s readers is essential for connecting with assigning editors.
Following through on what you’ve promised is just as important for long-term relationships. When the editor receives your story, they think, “Oh yes, this is just what we agreed on and then some.” [Of course, “then some” refers to rigorous reporting, elegant writing, or similar—NOT a bloated word count that they have to trim back.]
Overdelivery—the simplicity of doing a good job and exceeding expectations—is powerful. It’s what leads you both to wanting to continue to working together.
Pitching and then writing an assigned article are both external skillsets that are greatly influenced and fueled by your attitude and mindset.
Think about how you approach a pitch differently if it’s for anybody who wants it as a single, once-off gig vs. if it is for one editor who you’re going to write a dozen stories for.
What’s different in your approach when you only intend to pitch a single idea to an editor, or when this pitch will be linked to your pitches for this same editor next week, next month, next quarter?
Let’s look at what it really takes to not just pitch on demand, but to truly be in demand as a freelance writer.
YOU MIGHT ALSO LIKE …
Download my guide on how to pitch freelance articles. WCP 115 Pitching as a freelance superpower: Pitching triad miniseries part 3 WCP 114 Everyday dream clients: Pitching triad miniseries part 2 WCP 113 Believe me: Pitching triad miniseries part 1 WCP1 What’s your problem?
WORK WITH ME: JOIN THE FREELANCE WRITER BOOTCAMP WAITLIST
Break into your dream publications and get paid well while covering stories that matter. Alumni of my small group coaching program, Freelance Writer Bootcamp, have used these proven pitching processes to break into the New York Times, the Guardian, Bustle, Fodor’s, Condé Nast Traveler, Al Jazeera, the BBC, and many more.
We cover all the external skills to improve your pitch acceptance rate, and the internal mindset work to keep you from getting in your own way.
Writers on the waitlist will be the first to hear when Bootcamp applications open up for early bird enrollment in the next session.
Click here to join the Freelance Writer Bootcamp waitlist: www.FreelanceWriterBootcamp.com
More info and complete show notes: www.rebeccalweber.com/podcast130
292 에피소드
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