Watching the Protests From Israel

The Ezra Klein Show

Ultimately, the Gaza war protests sweeping campuses are about influencing Israeli politics. The protesters want to use economic divestment, American pressure and policy, and a broad sense of international outrage to change the decisions being made by Israeli leaders.

So I wanted to know what it’s like to watch these protests from Israel. What are Israelis seeing? What do they make of them?

Ari Shavit is an Israeli journalist and the author of “My Promised Land,” the best book I’ve read about Israeli identity and history. “Israelis are seeing a different war than the one that Americans see,” he tells me. “You see one war film, horror film, and we see at home another war film.”

This is a conversation about trying to push divergent perspectives into relationship with each other: On the protests, on Israel, on Gaza, on Benjamin Netanyahu, on what it means to take societal trauma and fear seriously, on Jewish values, and more.

Mentioned:

“Building the Palestinian State with Salam Fayyad” by The Ezra Klein Show

“To Save the Jewish Homeland” by Hannah Arendt

Book Recommendations:

Truman by David McCullough

Parting the Waters by Taylor Branch

Rosalind Franklin by Brenda Maddox

Thoughts? Guest suggestions? Email us at [email protected].

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Claire Gordon and Rollin Hu. Fact-checking by Kate Sinclair, Mary Marge Locker and Kristin Lin. Our senior engineer is Jeff Geld, with additional mixing by Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Michelle Harris. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Lydia Polgreen, Dalit Shalom and Sonia Herrero.

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