Artwork

The Cinematography Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Cinematography Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Director Braden King and cinematographer Declan Quinn, ASC on The Evening Hour

52:24
 
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Manage episode 299131683 series 105726
The Cinematography Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Cinematography Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In the film The Evening Hour, director Braden King wanted to immerse the viewer in a fully formed world, with spare dialog and little exposition. This approach appealed to cinematographer Declan Quinn, ASC. With such little dialog, Declan paid close attention to finding the right camera placement, how each scene was composed and how the images told the story, with natural and motivated lighting. The Evening Hour tells the story of Cole Freeman, a health aid at a nursing home who lives in a fictional rural West Virginia town. He makes a little extra money on the side selling his client's prescription medication, until an old friend comes back to the Appalachian town and tries to convince Cole to get further involved in the drug trade. The film was shot entirely on location in Kentucky. Braden specifically wanted to shoot in autumn in order to capture the beauty of that time of year and show in images the collapse of these rural towns due to the opioid epidemic and the risk of environmental destruction by mining companies. Declan enjoyed actually shooting on location in the real Appalachia, instead of having to fake it on a soundstage or in a different area. He was able to freely capture everything in the environment, letting the art of cinematography work its magic in the film. The Evening Hour is screening in limited release in New York at the IFC Center and Los Angeles at the Laemmle Monica on August 6th. https://www.laemmle.com/film/evening-hour Twitter & Instagram: @eveninghourfilm Braden King: www.bradenking.com Twitter:@bradenking Instagram: @truckstop Find Declan Quinn: https://www.artistry.net/clients/directors-of-photography/declan-quinn-asc#category=narrative Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep134/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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300 에피소드

Artwork
icon공유
 
Manage episode 299131683 series 105726
The Cinematography Podcast에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 The Cinematography Podcast 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In the film The Evening Hour, director Braden King wanted to immerse the viewer in a fully formed world, with spare dialog and little exposition. This approach appealed to cinematographer Declan Quinn, ASC. With such little dialog, Declan paid close attention to finding the right camera placement, how each scene was composed and how the images told the story, with natural and motivated lighting. The Evening Hour tells the story of Cole Freeman, a health aid at a nursing home who lives in a fictional rural West Virginia town. He makes a little extra money on the side selling his client's prescription medication, until an old friend comes back to the Appalachian town and tries to convince Cole to get further involved in the drug trade. The film was shot entirely on location in Kentucky. Braden specifically wanted to shoot in autumn in order to capture the beauty of that time of year and show in images the collapse of these rural towns due to the opioid epidemic and the risk of environmental destruction by mining companies. Declan enjoyed actually shooting on location in the real Appalachia, instead of having to fake it on a soundstage or in a different area. He was able to freely capture everything in the environment, letting the art of cinematography work its magic in the film. The Evening Hour is screening in limited release in New York at the IFC Center and Los Angeles at the Laemmle Monica on August 6th. https://www.laemmle.com/film/evening-hour Twitter & Instagram: @eveninghourfilm Braden King: www.bradenking.com Twitter:@bradenking Instagram: @truckstop Find Declan Quinn: https://www.artistry.net/clients/directors-of-photography/declan-quinn-asc#category=narrative Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep134/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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300 에피소드

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