We are a Filipino-Chinese couple living in the heart of Manila. We have been together for 20 years and decided to make this podcast to share our life experiences. Our podcast has no format and may discuss random things like relationships, recommended food in Binondo or about our philosophy in life. If you like our podcast, don’t forget to click the subscribe/follow button and give us a 5 star rating ^.^ Please visit our FB page @kwentuhansessionsph and ig page @kwentuhansessions. You can als ...
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Cassidy Cash에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Cassidy Cash 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Ep 168: Court with Natalie Mears
Manage episode 296728498 series 2248527
Cassidy Cash에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Cassidy Cash 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
When we study court in Shakespeare history the phrase “appeared at court” or “performed at court” frequently gets used to describe what Shakespeare was doing at various points of his life. However, the overlap between “court” legally (as in, where you go for a legal trial) and the social phenomenon of Renaissance England where the monarch gathered their “court” together can make it hard to know what it means to go to court. This week we’ve set out to rectify this gap in knowledge with our guest, Natalie Mears, who is here to share her research into Courts, Courtiers, and Culture in Tudor England, an article which she published in The Historical Journal back in 2003. In that paper, Natalie cites a play by Thomas Norton and Thomas Sackville called Gorboduc that was performed in 1561-1562 at court, and that play is an example of how performances were used to not only comment on events of the day by the performers (similar to what you might think of today as an editorial cartoon) but in the case of Gorboduc, the play commented directly to Elizabeth I to try and influence her decision to marry and to comment on Robert Dudley as a potential candidate. Natalie’s work goes on to cite sermons selected by James VI and I to scold the Scottish Presbyterians at Hampton Court in 1606, as well as a sermon by Edward Dering in 1570 that “lambasted the Queen” for perceived failures at political reform. These examples have us wondering if the instances of Shakespeare appearing at court were more than just event entertainment. Were plays like Shakespeare’s similar political weapons in the same way as Gorboduc? Would Shakespeare’s plays have been brought to court for their power to influence politics and if so, does that explain why Shakespeare wrote so frequently about political issues? Natalie Mears joins us today to answer some of these questions about Shakespeare and Court Life
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
206 에피소드
Manage episode 296728498 series 2248527
Cassidy Cash에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Cassidy Cash 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
When we study court in Shakespeare history the phrase “appeared at court” or “performed at court” frequently gets used to describe what Shakespeare was doing at various points of his life. However, the overlap between “court” legally (as in, where you go for a legal trial) and the social phenomenon of Renaissance England where the monarch gathered their “court” together can make it hard to know what it means to go to court. This week we’ve set out to rectify this gap in knowledge with our guest, Natalie Mears, who is here to share her research into Courts, Courtiers, and Culture in Tudor England, an article which she published in The Historical Journal back in 2003. In that paper, Natalie cites a play by Thomas Norton and Thomas Sackville called Gorboduc that was performed in 1561-1562 at court, and that play is an example of how performances were used to not only comment on events of the day by the performers (similar to what you might think of today as an editorial cartoon) but in the case of Gorboduc, the play commented directly to Elizabeth I to try and influence her decision to marry and to comment on Robert Dudley as a potential candidate. Natalie’s work goes on to cite sermons selected by James VI and I to scold the Scottish Presbyterians at Hampton Court in 1606, as well as a sermon by Edward Dering in 1570 that “lambasted the Queen” for perceived failures at political reform. These examples have us wondering if the instances of Shakespeare appearing at court were more than just event entertainment. Were plays like Shakespeare’s similar political weapons in the same way as Gorboduc? Would Shakespeare’s plays have been brought to court for their power to influence politics and if so, does that explain why Shakespeare wrote so frequently about political issues? Natalie Mears joins us today to answer some of these questions about Shakespeare and Court Life
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
206 에피소드
모든 에피소드
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